Post-Modern Italian Lounge Chair in Wood and Creme Colored Velvet Upholstery
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This lounge chair dates from Italy in the 1970s and is designed in the style of Afra and Tobia Scarpa. The design is defined by clear proportions and a strong architectural structure, typical of Italian furniture from this period. The chair features a low, grounded base that emphasizes its solid and balanced presence. It is upholstered in a decorative velvety fabric in a crème color, offering a subtle texture and a soft visual contrast to the robust form. Suitable for both modern and period interiors, the chair reflects the functional and material-driven approach characteristic of Italian design in the 1970s.
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Six decades, one working method
Tobia went on to work as a glass designer at the Venini glassworks in Murano, succeeding Massimo Vignelli and absorbing a hands-on understanding of materials; the couple opened their own design office in Montebelluna in 1960. His first project, the Pigreco chair, was shown at the Milan Triennale in 1959, developed for Franco Albini's university course.
Their collaboration ranged from the intimate to the industrial: the Bastiano sofa for Gavina (1961), the Coronado sofa for B&B Italia (1966), the Soriana armchair for Cassina (1968, Compasso d'Oro), an entire furniture collection in fine materials for Maxalto, and lighting for Flos including the Nuvola (1962), Seki-Han (1963) and Biagio (1968) lamps. In architecture, they designed Benetton's industrial and management complex in Castrette di Villorba and led the restoration of the Mercato Vecchio museums in Verona and the Gallerie dell'Accademia in Venice. The couple worked together until Afra's death in 2011; Tobia received a Compasso d'Oro for lifetime achievement in 2008 and continues to design and teach in Venice.
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