Ernesto Valabrega for Vittorio Valabrega Wardrobe in Oak

Ernesto Valabrega for Vittorio Valabrega, wardrobe, oak, maple, mirrored glass, Italy, 1930s

This exceptional wardrobe, designed by Ernesto Valabrega for Vittorio Valabrega, is a distinguished example of Italian Art Deco craftsmanship from the 1930s. Executed in oak and maple, the piece harmoniously balances structure and ornamentation, revealing the refined cabinetmaking traditions of the Valabrega atelier.

The wardrobe’s sculptural façade is animated by deeply carved organic motifs, evoking the fluidity of waves or draped fabric. These carvings lend a dynamic rhythm to the surface, contrasting elegantly with the clean linear geometry of the central doors. The side and front doors open to reveal a meticulously finished interior with ample storage, including hanging compartments and drawers, all executed in light maple for a subtle tonal interplay. Standing on robust carved legs, the piece conveys both visual strength and refined sophistication. The subtle inclusion of mirrored glass elements enhances its functional and decorative qualities, reflecting the modern sensibilities of 1930s Italian design.

Italian designer Ernesto Valabrega (1901-1944) was born in Turin, as the son of celebrated designer and cabinetmaker Vittorio Valabrega (1861-1952).

His father Vittorio was, together with his brother, the founder of Fratelli Valabrega (Valabrega Brothers Company, since 1884) that was situated in Turin. During the 1890s, Vittorio became the sole owner of the company and had great success with his refined wooden furniture. Vittorio Valabrega became well-known for his furniture in the floral Art Nouveau style, but as a true child of the 19th century, his company also manufactured furniture in Neo-Renaissance and the French Rococo Louis XV-style. His designs received positive attention and were awarded at World Exhibitions. At the famous exhibition in Paris in 1900, Vittorio even received a gold medal.

It was at the age of 24 that Ernesto got on board with his father’s business. His involvement from 1925 onwards had a great impact on the company. Ernesto decided to change the company’s name to Mobilart in 1928 and radically redirected the course. Whereas Vittorio was inspired by a variety of contemporary and historic styles, Ernesto chose for a different approach. He renounced the 19th century mixture of styles and approached furniture design in the same manner as the highly influential William Morris of the English Arts and Crafts movement. Their reform was an artistic reaction to the widespread industrialization of the 19th century.

Ernesto despised products of poor quality and chose high quality materials that would last a lifetime. The furniture he created in the late 1920s and 1930s are a true testament to his beliefs. With his irregular carvings of oakwood, the hammered hinges, flowing edges, embossed surfaces his furniture shows quality, attention to detail and ultimate craftsmanship.