Hans J. Wegner for Fritz Hansen 'Heart' Round Dining Table in Teak

Hans J. Wegner for Fritz Hansen, 'Heart' dining table, model 'FH4602', teak veneer, beech, Denmark, 1950s

The 'Heart' series by Hans J. Wegner includes a remarkable dining table constructed with a distinctive three-legged base arranged diagonally to support its circular top. The base is executed in beech and the top is made of teak veneer which lend it a natural and organic allure. This elegant table exemplifies Wegner's mastery in balancing form and function, and remains an enduring icon of Scandinavian Modern furniture design.


Hans Wegner (1914-2007) is one of the most prolific furniture designers of the world. Wegner was born in 1914 in Denmark and began his apprenticeship with Danish master cabinetmaker H.F. Stahlberg when he was fourteen years old. Afterwards, he moved to Copenhagen and attended the School of Arts and Crafts between 1936 and 1938. In 1938, he was approached by the architects and designers Arne Jacobsen and Erik Møller. It was also during this period that he started to collaborate with cabinetmaker Johannes Hansen. In 1943, he established his own studio, and he became one of the most renowned and creative Danish furniture designers. Wegner's furniture was designed with the greatest understanding of materials, construction techniques, and use. Wegner is known to have thorough understanding of the materials he worked with, yet his greatest aim was to create expressive and exciting design. Although Wegner was a functionalist, he was not a rational dogmatist such as Kaare Klint, of whom he was a student. Instead, his designs sparkle with inventiveness and sculptural sense. But this never meant that his organic and sensuous forms left the strict rules of functionalism. At heart, Wegner was an idealist. He was relentless in his quest for the best chair: 'there is never one damn thing that cannot be made better'. However, Wegner was aware that he could not create the 'perfect' chair, which gave him the freedom to produce as much as possible. He left behind more than 3500 drawings and about 500 of his designs went into production. His designs feature in the UN Building and Seagram Building in New York, UNESCO's headquarters. NATO's headquarters in Paris, and several buildings by the architects Skidmore, Owings & Merrill.


Please note that the top shows some scratches.

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