{"title":"Cabinets","description":"","products":[{"product_id":"guillerme-et-chambron-cabinet-in-black-oak","title":"Guillerme \u0026 Chambron Trunk or Side Bench in Black Oak","description":"\u003cp\u003eGuillerme et Chambron for Votre Maison, trunk or side bench, oak, brass, France, 1960s\u003cbr\u003e\u003cbr\u003eThis rare cubic blanket chest is made by the designer duo Guillerme \u0026amp; Chambron. This particular design is characterized by a solid construction with expertly carved lines and sculptural legs that underline the design. Overall, this functional cabinet is a standout due to its dark color that emphasizes its monumental character, and therefore can be perfectly placed in an entranceway. \u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life. by which they created a worldwide reputation. Most of the furniture designed by this duo this piece shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design.\u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e \u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":47658538303831,"sku":"LU933126243422","price":2750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50110741_02__org.jpg?v=1750668990"},{"product_id":"studio-bbpr-for-olivetti-spazio-cabinet","title":"Studio BBPR for Olivetti ‘Spazio’ Cabinet","description":"\u003cp\u003eStudio BBPR for Olivetti, 'Spazio' side table cabinet, metal, plastic, fabric, Italy, design 1959\/60, production 1960s \u003cbr\u003e\u003cbr\u003eIn 1954, Olivetti, the Italian office equipment manufacturer, hired BBPR to design their New York showroom on Fifth Avenue and to create their first series of office furniture, called Spazio (1959\/60). This line included chairs, desks, shelving, and cabinet systems, just like the one shown here. This free-standing ‘Spazio’ cabinet features three drawers and one door with a lock. It shows the typical characteristics of the ‘Spazio’ line that BBPR designed with great eye for proportions, textures and colors. The top hangs slightly over the doors. Notable are also the legs which end in black wheels and therefore make this item easy to move around. Admirable patina contributes to the unique look of the item. \u003cbr\u003eStudio B.B.P.R. was an Italian architectural partnership founded in Milan in 1932 by Gianluigi Banfi (1910-1945), Lodovico Barbiano di Belgiojoso (1909-2004), Enrico Peressutti (1908-1976) and Ernesto Nathan Rogers (1909-1969) who had studied at the Politecnico di Milano. B.B.P.R. was thus an acronym formed from the first letters of their family names. The architects found each other in their opposition to fascism in Italy in the 1930s and 1940s during Mussolini's autocratic regime. The architects therefore believed in developing a style that would have no references to contemporary politics. During the Second World War, they all joined the resistance. However, Rogers, a Jew, fled to Switzerland and both Belgiojoso and Banfi were deported to the Mauthausen concentration camp in Austria, where Banfi died in 1945. Despite the immense loss of Banfi, their architectural practice continued in the same name as before after the war. Especially during the 1950s, they created many of their great projects. With their designs, they strongly reacted against the International Style with its rectilinear forms and taut plane surfaces that have been completely stripped of applied ornamentation. Instead, the group enriched their buildings with medieval references. For B.B.P.R., their philosophy on art and architecture is somewhat between tradition and modernism; their use of post-beam structures and modular elements parallels with the constructive thinking of modern architects. However, as modernism rejects the existence of historical forms, B.B.P.R. reinterprets history's heritage and continues with respect for the work of their predecessors. Ernesto Nathan Rogers referred to it as “preesistenze ambientali” (the pre-existing environment) and adopt a “caso per caso” (case by case) interpretation to work with, instead of against, the surroundings. One of their well-known designs is the creation of the Torre Velasca in Milan, with strong references to medieval architecture. The architects were also frequently employed to create interior spaces altogether with furniture designs.   \u003cbr\u003e\u003cbr\u003eKindly note that this item is in good, used condition with traces of age and use. Some plastic elements contain fissures and some lacquer fading on the corners of the drawers. Restoration is possible before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48100191469911,"sku":"LU933126991052","price":2650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50109916_01__org.jpg?v=1750670379"},{"product_id":"maison-regain-shelf-cabinet-in-elm","title":"Maison Regain Shelf Cabinet in Elm","description":"\u003cp\u003eMaison Regain, etarage \/ shelf cabinet, elm, France, 1960s\u003cbr\u003e\u003cbr\u003eThis cabinet in elm combines a simplified yet complex design with nifty, solid construction details that characterize Maison Regain's designs. The open and clean construction allows the user to display objects such as books and glassware to one’s taste. The possibility is created to change the position of the shelves and thereby you can create your own composition. \u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":47689323479383,"sku":"LU933130240802","price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50108791_01__org.jpg?v=1750673182"},{"product_id":"hvidt-molgaard-nielsen-for-soborg-mobelfabrik-chest-of-drawers-in-teak","title":"Hvidt \u0026 Mølgaard Nielsen for Søborg Møbelfabrik Chest of Drawers in Teak","description":"\u003cp\u003ePeter Hvidt \u0026amp; Orla Mølgaard-Nielsen for Søborg Møbelfabrik, chest of drawers, teak, Denmark, 1950s.\u003cbr\u003e\u003cbr\u003eThis chest of drawers executed in solid teak is a design by the Danish designers Peter Hvidt and Orla Mølgaard-Nielsen. It convinces both visual and functional, as characteristic for Danish mid-century design. The high-quality craftsmanship is notable in the details as the recessed hemisphere wooden handles. This dresser is perfect for storing clothing or personal items and shows five drawers, all with double recessed handles. Moreover, the joinery of this piece is very well made, as is visible in the box joints on the outer edge of the top and bottom.\u003cbr\u003e\u003cbr\u003eDanish designer duo Peter Hvidt (1916-1986) and Orla Mølgaard-Nielsen (1907-1993) worked together between 1944-1975. The couple, originally trained as architects, designed around 250 furniture objects. The first dismountable chair has been designed by the couple, that created an enormous boost for the Danish furniture export. In 1950, their best-known design, the AX-chair went into production by Fritz Hansen. The implementation of double bent laminated wood, a technique normally used to produce tennis rackets, was a huge breakthrough for the upscaling of furniture production as it reduces the average production time. Thanks to this revolutionary technique, Denmark became the leader in Modern furniture manufacturing.  \u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48201102819671,"sku":"LU933135919192","price":4950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50109524_04__org.jpg?v=1750680289"},{"product_id":"otto-zapf-for-zapfdesign-softline-cabinet-in-grey","title":"Otto Zapf for ZapfDesign 'Softline' Cabinet in Grey","description":"\u003cp\u003eOtto Zapf for Zapfdesign 'Softline' cabinet, plastic, fabric, Germany, 1969\u003cbr\u003e\u003cbr\u003eA grey-colored detachable 'Softline' cabinet with shelves designed by the German designer Otto Zapf. Press studs form the connections and allow a maximum in flexibility. Patterned fabric and plastic sheets coated with lacquer foil in white form an interesting composition. With the choice of materials and the smooth lines Otto Zapf hits the zeitgeist of the late 1960s\/early 1970s. ‘Softline’ resembles the characteristics of Pop Art and Space Age and follows the idea of modular living and working areas. Zapf uses an experimental material and combines it with an uncommon way of construction, marking himself as an avant-garde designer. The ‘Softline’ series is supposed to be installed on location. The modular elements can be easily detached and take minimum transport space.\u003cbr\u003e\u003cbr\u003eThe avant-garde ‘Softline’ series by Otto Zapf was designed in 1969 and gained international attention when presented for the first time. The functional clothing in bright colors and smart closing mechanisms with press studs and zippers, gave Zapf the idea to create a series that reinterpreted his experience during a ski trip. Following the three principles of modularity, functionality and flexibility Zapf designed a revolutionary furnishing line consisting of a wall unit, shelf, room divider, table, lounge chair and a bed; produced by ZapfDesign. The soft borders of the furnishings derive from Zapf’s conclusion “Because I have never discovered sharp edges on any person, I no longer want to believe that the objects we surround ourselves with must have sharp edges.” The ‘Softline’ series is supposed to be installed on location. The modular elements can be easily detached and take minimum transport space. Zippers and press studs form the connections and allow a maximum in flexibility. Frames and plastic sheets coated with lacquer foil in red, white, yellow, green, black, or blue allow any kind of color composition. With the choice of material in a bright color palette and the smooth lines Otto Zapf hit the zeitgeist of the late 1960s\/early 1970s. ‘Softline’ resembles the characteristics of Pop Art and Space Age and follows the idea of modular living and working areas. Zapf uses an experimental material and combines it with an uncommon way of construction, marking himself as an avant-garde designer. \u003cbr\u003e\u003cbr\u003eOtto Zapf (1931-2018) was born into a family of carpenters and cabinetmakers. His family had a carpentry business in Czechia in many generations. In 1945, Zapf’s family was forced to flee their home and business. They settle in Eschborn as expellees and in the mid 1950s Zapf’s father decides to open a workshop again. Zapf studied mathematics and physics at the University of Frankfurt. At the age of 25, Zapf joins a design collective together with graphic designer Günther Kieser and architect Rolf Schmidt, who encouraged Zapf to create his own designs. One year later (1957), Zapf began a collaboration with Dieter Rams who was employed at Braun at the time. From this time comes also the ‘RZ- design’ standing for Rams and Zapf. The ‘RZ’ was highlighting flexibility and individuality. In 1959, Zapf founded ‘Vitsoe + Zapf’ and marries his wife in the same year. Shortly afterwards, in 1967, Zapf leaves ‘Vitsoe + Zapf’ to open his own studio called ‘ZapfDesign’, a decision that helped Zapf to gain international recognition. Zapf, who died in 2018, was honored with a retrospective in 2020 in Eschborn, Germany.\u003cbr\u003e\u003cbr\u003ePlease note that the fabric contains wear. For further details, we encourage you to reach out to our team of design specialists.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48538289471831,"sku":"LU933136779812","price":3300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50113908_01__org.jpg?v=1750682909"},{"product_id":"studio-bbpr-for-olivetti-spazio-side-table-or-small-cabinet","title":"Studio BBPR for Olivetti ‘Spazio’ Side Table or Small Cabinet","description":"\u003cp\u003eStudio BBPR for Olivetti, 'Spazio' side table or cabinet, coated steel, vinyl, plastic, Italy, design 1959\/60, production 1960s \u003cbr\u003e\u003cbr\u003eIn 1954, Olivetti, the Italian office equipment manufacturer, hired BBPR to design their New York showroom on Fifth Avenue and to create their first series of office furniture, called Spazio (1959\/60). This line included chairs, desks, shelving, and cabinet systems, just like the one shown here. This free-standing ‘Spazio’ side table features three drawers and one door with a lock. It shows the typical characteristics of the ‘Spazio’ line that BBPR designed with great eye for proportions, textures and colors. The top in vinyl with an aubergine color hangs slightly over the doors. Admirable patina contributes to the unique look of the item. \u003cbr\u003e\u003cbr\u003eStudio B.B.P.R. was an Italian architectural partnership founded in Milan in 1932 by Gianluigi Banfi (1910-1945), Lodovico Barbiano di Belgiojoso (1909-2004), Enrico Peressutti (1908-1976) and Ernesto Nathan Rogers (1909-1969) who had studied at the Politecnico di Milano. B.B.P.R. was thus an acronym formed from the first letters of their family names. The architects found each other in their opposition to fascism in Italy in the 1930s and 1940s during Mussolini's autocratic regime. The architects therefore believed in developing a style that would have no references to contemporary politics. During the Second World War, they all joined the resistance. However, Rogers, a Jew, fled to Switzerland and both Belgiojoso and Banfi were deported to the Mauthausen concentration camp in Austria, where Banfi died in 1945. Despite the immense loss of Banfi, their architectural practice continued in the same name as before after the war. Especially during the 1950s, they created many of their great projects. With their designs, they strongly reacted against the International Style with its rectilinear forms and taut plane surfaces that have been completely stripped of applied ornamentation. Instead, the group enriched their buildings with medieval references. For B.B.P.R., their philosophy on art and architecture is somewhat between tradition and modernism; their use of post-beam structures and modular elements parallels with the constructive thinking of modern architects. However, as modernism rejects the existence of historical forms, B.B.P.R. reinterprets history's heritage and continues with respect for the work of their predecessors. Ernesto Nathan Rogers referred to it as “preesistenze ambientali” (the pre-existing environment) and adopt a “caso per caso” (case by case) interpretation to work with, instead of against, the surroundings. One of their well-known designs is the creation of the Torre Velasca in Milan, with strong references to medieval architecture. The architects were also frequently employed to create interior spaces altogether with furniture designs.   \u003cbr\u003e\u003cbr\u003ePlease note that this item is in used condition with visible traces of age and use, including scratches, stains, and imperfections in the plastic elements. Restoration is possible before shipping by our experienced craftsman and -women in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48961366229335,"sku":"LU933137003892","price":1650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50113917_01__org.jpg?v=1750684282"},{"product_id":"borge-mogensen-for-karl-andersson-oresund-in-oregon-pine","title":"Børge Mogensen for Karl Andersson 'Öresund' in Oregon Pine","description":"\u003cp\u003eBørge Mogensen for Karl Andersson \u0026amp; Söner, 'Öresund' cabinet, Oregon pine, Denmark, 1960s\u003cbr\u003e\u003cbr\u003eA neat and uncomplicated sideboard designed by the Danish master Børge Mogensen in the sixties. The piece contains a cubic shape defined by straight and concise lines. Its distinctive features include round contoured legs and recessed round handles, contributing to an overall smooth and soft aesthetic. Behind the sliding door, extendable drawers offer practical storage. The warm-toned Oregon pine, with expressive grains dominating the surface, gives the sideboard an organic and natural appearance.\u003cbr\u003e\u003cbr\u003eBørge Mogensen (1914-1972) was a Danish designer. His designs are defined by being high-quality, simple and functional. Mogensen can be seen as a democratic and idealistic designer. He aimed to solve basic problems in residential living. This meant that he designed for the middle-class and everyday use instead of for the more exclusive costumer. Contrary to his contemporaries in other countries such as Le Corbusier, Mogensen did not work with new modern materials such as steel and glass. Instead, he chose to work with tested materials such as leather and wood. Being trained by Kaare Klint, he was very focused on the human body and his ideal was to create comfortable furniture, not furniture that would end up in a museum. His designs are therefore honest, functional, simple and production friendly. Mogensen was extremely productive: hundreds of his designs went into production in his lifetime. \u003cbr\u003e\u003cbr\u003eKindly note that this item is in good, used condition.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48683486970199,"sku":"LU933137652412","price":2950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45009463_02__org.jpg?v=1750696564"},{"product_id":"guillerme-chambron-buffet-in-stained-oak-1","title":"Guillerme \u0026 Chambron Buffet in Stained Oak","description":"\u003cp\u003eGuillerme \u0026amp; Chambron for Votre Maison, cupboard, stained oak, France, 1960s\u003cbr\u003e\u003cbr\u003eThis sculptural cabinet is made by the designer duo Guillerme \u0026amp; Chambron. The piece is executed in solid, stained oak and features sculptural lines and edges. The piece holds different sections. The upper part has two glass doors, which can perfectly function to display decorative items. The lower part holds door that are perfect for extra storage space. The doors of the lower part are finished with geometric inlayed wood. This cabinet rests on four sturdy legs. Highly versatile high board with plenty of storage space.\u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design.\u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition with visible traces of age and use, including overall wear, color fading and spots. For further details, we encourage you to reach out to our team of design specialists.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":47568411918679,"sku":"LU933137757592","price":3200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50110737_01__org.jpg?v=1750696838"},{"product_id":"de-coene-minimalist-highboard-in-brushed-aluminum-and-ash","title":"De Coene Minimalist Highboard in Brushed Aluminum and Ash","description":"\u003cp\u003eDe Coene, cabinet, lacquered ash, brushed aluminum, Belgium, 1970s.\u003cbr\u003e\u003cbr\u003eThis Postmodern cabinet, crafted by De Coene, features a striking design with aluminium doors and handles. The cabinet is divided into four asymmetrical doors, the largest of which folds downward to reveal a vivid orange interior. The frame and body are constructed from black-colored ash, creating a bold contrast with the aluminium doors. This distinctive piece exemplifies the Minimalist movement of the early 1970s. \u003cbr\u003e\u003cbr\u003eDe Coene was founded in 1887 in Kortrijk (Belgium) by Jozef de Coene, who was at that time 13 years old. In 1895, his younger brother Adolphe joined the company. In their early years, De Coene was inspired by Henry van de Velde, Art Deco and the Arts \u0026amp; Crafts movement. The company made many custom made furnishings which leads to an expansive growth. After world war one, the brother visited the United States where they became acquainted with laminated wood production, and purchased a wood-stripping machine. They were the first company that made triplex in Belgium which led to the ability to mass produce. In 1954 they received the right to produce Knoll furniture. But although the company produced on a large-scale, there were still world famous for their meticulously detailed, high-quality and Art Deco inspired furniture.\u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition with visible signs of age and use, including scratches on several parts. Restoration is possible before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48927477989719,"sku":"LU933137951082","price":2450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45005299_05__org.jpg?v=1750697387"},{"product_id":"guillerme-chambron-cabinets-in-stained-oak","title":"Guillerme \u0026 Chambron Cabinets in Stained Oak","description":"\u003cp\u003eGuillerme \u0026amp; Chambron for Votre Maison, cupboards, stained oak, glass, France, 1960s\u003cbr\u003e\u003cbr\u003eThis sculptural cabinet is made by the designer duo Guillerme \u0026amp; Chambron. The piece is executed in solid, stained oak and features sculptural lines and edges. The piece holds different sections. The upper part has two glass doors, which can perfectly function to display decorative items. The lower part holds door that are perfect for extra storage space. The doors of the lower part are finished with geometric inlayed wood. This cabinet rests on four sturdy legs. Highly versatile high board with plenty of storage space.\u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design.\u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition. The lacquer on the cabinets shows signs of wear and use. Renewing of the lacquer can be done in our in-house atelier. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e\u003cbr\u003eThe listed price is per item.\u003c\/p\u003e \u003cp\u003e Please note that the price is per item. \u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48961369964887,"sku":"LU933137949442","price":3200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50110737_12__org.jpg?v=1750697544"},{"product_id":"guido-faleschini-for-mariani-cabinets-in-red-brown-leather","title":"Guido Faleschini for Mariani Cabinets in Red Brown Leather","description":"\u003cp\u003eGuido Faleschini for i4 Mariani, cabinets from the 'Pace Collection', leather, fabric, chrome-plated steel, aluminum, mahogany, Italy, circa 1975 \u003cbr\u003e\u003cbr\u003eThis captivating set of four cabinets bears the distinctive mark of Italian designer Guido Faleschini, conceived as part of the iconic ‘Pace Collection’ for Italian furniture brand I4 Mariani. The design bursts with the bold colors and dynamic vibe of the seventies. The front showcases door panels clad in red brown leather, accented by leather strapped chromed ring pulls that underscore the essence of the design. The smooth surfaces of the brown fabric sides create a striking contrast with the rugged texture of the leather. The aluminum frames delicately outline each panel, emphasizing the sleek lines of the design. Within, a rail system facilitates organization, with one interior containing four drawers for added functionality. With its retro charm seamlessly integrated with modern aesthetics, this cabinet ensemble effortlessly complements contemporary interiors. \u003cbr\u003eKindly note that the items are in good, used condition with signs of age and use. One side of two cabinets is discolored. The wooden elements contain wear. Restoration is possible before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.\u003cbr\u003e\u003cbr\u003eThe price listed is per item. The mahogany type of this piece does not require an export license.\u003cbr\u003e \u003c\/p\u003e \u003cp\u003e Please note that the price is per item. \u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48239820865879,"sku":"LU933139723052","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115851_01__master.jpg?v=1716185703"},{"product_id":"modern-cabinet-with-circular-carvings-in-blond-oak","title":"Modern Cabinet with Circular Carvings in Blond Oak","description":"\u003cp\u003eCabinet, oak, Europe, 1990s\u003cbr\u003e\u003cbr\u003eCrafted in Europe from oak wood, this exquisite cupboard is a true testament to timeless design and masterful craftsmanship. The piece showcases a meticulously balanced layout, establishing a clear rhythm and flow that draws the eye and invites admiration. The carved circles, a distinctive signature element, immediately capture attention, adding a unique and artistic touch to this modern sideboard.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good condition. One side contains a deep scratch. For further details, we encourage you to reach out to our team of design specialists.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48637071720791,"sku":"LU933140130642","price":4950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115962_01__master.jpg?v=1718617510"},{"product_id":"hans-wegner-for-ry-mobler-open-cabinet-with-shelves-ry100-in-teak","title":"Hans Wegner for RY Møbler Open Cabinet with Shelves 'RY100' in Teak","description":"\u003cp\u003eHans Wegner for RY Møbler, bookcase, model ''RY100', teak, Denmark, 1960\u003cbr\u003e\u003cbr\u003eConceived in 1960, this sideboard is part of the RY100-line designed by Hans J. Wegner for Ry Møbler. The piece has a minimalistic structure with clean, straight lines and three main shelves for storage. Wegner’s influence can be seen in the simplicity and functional design, typical of his work. The craftsmanship focuses on practicality while showcasing the natural beauty of the wood grain, aligning with the Scandinavian design principles Wegner was known for.\u003cbr\u003e\u003cbr\u003eHans Wegner (1914-2007) is one of the most prolific furniture designers of the world. Wegner was born in 1914 in Denmark and began his apprenticeship with Danish master cabinetmaker H.F. Stahlberg when he was fourteen years old. Afterwards, he moved to Copenhagen and attended the School of Arts and Crafts between 1936 and 1938. In 1938, he was approached by the architects and designers Arne Jacobsen and Erik Møller. It was also during this period that he started to collaborate with cabinetmaker Johannes Hansen. In 1943, he established his own studio, and he became one of the most renowned and creative Danish furniture designers. Wegner's furniture was designed with the greatest understanding of materials, construction techniques, and use. Wegner is known to have thorough understanding of the materials he worked with, yet his greatest aim was to create expressive and exciting design. Although Wegner was a functionalist, he was not a rational dogmatist such as Kaare Klint, of whom he was a student. Instead, his designs sparkle with inventiveness and sculptural sense. But this never meant that his organic and sensuous forms left the strict rules of functionalism. At heart, Wegner was an idealist. He was relentless in his quest for the best chair: 'there is never one damn thing that cannot be made better'. However, Wegner was aware that he could not create the 'perfect' chair, which gave him the freedom to produce as much as possible. He left behind more than 3500 drawings and about 500 of his designs went into production. His designs feature in the UN Building and Seagram Building in New York, UNESCO's headquarters. NATO's headquarters in Paris, and several buildings by the architects Skidmore, Owings \u0026amp; Merrill.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49436998730071,"sku":"LU933142098092","price":2200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116519_01__master.jpg?v=1730704443"},{"product_id":"rare-emiel-veranneman-cabinet-in-off-white-and-green-lacquered-wood","title":"Rare Emiel Veranneman Cabinet in Off-White and Green Lacquered Wood","description":"\u003cp\u003eEmiel Veranneman, cabinet, lacquered wood, mahogany veneer, Belgium, circa 1970 \u003cbr\u003e\u003cbr\u003eFew cabinets, tables, or chairs express such a distinct identity as the design creations of Flemish interior architect, furniture designer, and art collector Emiel Veranneman (1924-2003). His work is marked by a strong sense of purpose, bold craftsmanship, and a unique context that demands attention. From the time he introduced his first \"social furniture\" in 1948, to his later projects, Veranneman's focus shifted from mass production towards designing exclusive, custom-made pieces for individual clients.  \u003cbr\u003e\u003cbr\u003eFrom the start of his career, Veranneman played with a number of defining characteristics that run like a common thread throughout his body of work. Veranneman excelled in blending geometric precision with softer, curved forms, transforming rigid squares and rectangles into flowing circles and ovals. He gave mass and volume a sense of spatial lightness while balancing asymmetry with refined elegance. His expert use of color brought subtle vibrancy to even the most solid structures, and his attention to material maximization was unparalleled. Among his most recognizable pieces are his lacquered furniture, celebrated for their striking geometric color patterns. \u003cbr\u003e\u003cbr\u003eWhile studying at the National Higher Institute for Architecture and Decorative Arts (Ter Kameren) in Brussels, Veranneman developed a strong architectural sensibility that he later applied to his furniture designs, exemplified by his creation of exquisitely lacquered pieces with monumental constructions. These works are further distinguished by a graphic play of straight lines and showcase Veranneman's ability to manipulate color in a way that enhances the monumentality of each piece without compromising its simplicity. Veranneman was deeply influenced by the furniture-making traditions of 16th and 17th century China, an influence that is particularly evident in his use of lacquer. Veranneman's lacquered furniture, which he perfected through the painstaking application of multiple layers, reflects the precision and refinement characteristic of traditional Chinese craftsmanship. Each piece was often coated with up to twenty layers of lacquer, each layer requiring a ten-day drying period, resulting in a final product that took six to seven months to complete. The outcome of this method is a rich, glass-smooth finish.  \u003cbr\u003e\u003cbr\u003eVeranneman never compromised on functionality, considering it a fundamental principle in the development of his furniture pieces. In his lacquered designs, ornamentation is minimal, manifesting only through constructive elements such as subtle relief work, geometric outlines, and contrasting color fields.  \u003cbr\u003e\u003cbr\u003eHis furniture could be described as radical and uncompromising – a form of expression uninfluenced by economic constraints, passing trends, or the whims of clients. His creations stand on their own, distinct and unrivaled among his contemporaries. His style is often described as \"strict, serious, sober, and calm,\" qualities that he himself acknowledged as central to his vision. He sought balance, precision, and robust construction, all brought together with impeccable craftsmanship, which he deemed essential. His powerful, sculptural furniture pieces exude a refined sense of equilibrium, combining materiality, color, and artisanal quality in a way that reflects his deep commitment to both form and function. Veranneman's work is not just furniture, but art in its purest, most functional form.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49436999090519,"sku":"LU933142098922","price":42000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116372_01__master.jpg?v=1730704449"},{"product_id":"andre-sornay-large-cabinet-in-oregon-pine-and-copper","title":"André Sornay Large Cabinet in Oregon Pine and Copper","description":"\u003cp\u003eAndré Sornay, large cabinet, Oregon pine, copper, France, circa 1934\u003cbr\u003e\u003cbr\u003eThis large cabinet, designed by André Sornay around 1934, exemplifies his idiosyncratic approach to design. Crafted from Oregon pine, a material Sornay adopted from 1934 onwards, the cabinet showcases the designer’s innovative use of an unconventional wood in traditional cabinetmaking. Alongside figures like architect and furniture designer Eileen Gray (1878-1976) and bookbinder and interior designer Pierre Legrain (1889-1929), Sornay was one of the few 20th-century creators to embrace Oregon pine, setting his work apart. Sornay treated Oregon pine in a highly specific manner to achieve an extraordinary finish. The wood was rotary-cut, a process where the log is spun to produce continuous sheets of veneer, resulting in a more dynamic and varied pattern than the conventional flat-slicing technique. He further enhanced this by brushing the wood with metal to create texture, staining it black, and then sanding the surface. This method left the recessed grain black, while the raised areas retained their natural orange hue, creating an intricate two-tone pattern of sinuous black and orange waves reminiscent of sun flames. By altering the direction of the grain and adding a bicolor effect, Sornay disrupted the linearity of the cabinet’s front panels, emphasizing its volume and adding depth. \u003cbr\u003e\u003cbr\u003eThis manipulation of form and pattern was closely tied to another key aspect of Sornay’s design philosophy: the projection of volume. In this cabinet, the principle is further evident through the careful arrangement of structural elements, where certain components are recessed or extend beyond the frame. These deliberate choices give the piece a strong architectural presence and a heightened sense of three-dimensionality.\u003cbr\u003e\u003cbr\u003eThe cabinet also employs Sornay’s signature cloutage technique, patented in the early 1930s. Cloutage, derived from the French word \"clou\" (meaning nail), involves affixing thin plywood panels to a solid frame with an intricate pattern of nails. In Sornay's work, the nails not only served a decorative purpose but were also integral to the construction, with their deliberate visibility becoming a defining feature. The '1-2-3 cloutage' pattern on this cabinet, characterized by its calculated spacing, enhances the structural framework. \u003cbr\u003e\u003cbr\u003eAdditionally, the cabinet is distinguished by vertical, concave copper bars that run the full length of the doors and function as handles. This striking design element highlights the structure of the piece, juxtaposing the expressive grain of the Oregon pine with the smooth, polished copper. For Sornay, aesthetics was always secondary to technique; he stated that “a cleverly placed lock can suffice to decorate the whole.”. The practical aspect doubled as decoration, creating a feature that appears authentic precisely because it serves a useful purpose. \u003cbr\u003e\u003cbr\u003eThis cabinet is a stunning manifestation of Sornay’s design ethos, where construction, assembly, and ornamentation become one. It is a modernist masterpiece that bridges the gap between traditional craftsmanship and the emerging industrial techniques of the first half of the 20th century.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49483073028439,"sku":"LU933142174252","price":49500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116371_01__master.jpg?v=1731308918"},{"product_id":"gianfranco-frattini-for-cantieri-carugati-cabinet-in-walnut","title":"Gianfranco Frattini for Cantieri Carugati Cabinet in Cherry","description":"\u003cp\u003eGianfranco Frattini for Cantieri Carugati, cabinet, cherry, Italy, 1958\u003cbr\u003e\u003cbr\u003eThis piece of furniture is crafted with a solid design, characterized by clean, straight lines and angular shapes. The front features two sliding doors, seamlessly integrated with recessed rectangular handles that harmonize with the linearity of the structure. Frattini elevated the cabinet on a carefully proportioned base, giving it an architectural presence that highlights its refined lines and meticulous construction details.\u003cbr\u003e\u003cbr\u003eCantiere Carugati established their furniture business in 1925 and worked with prominent architects and designers in designing hotels, office spaces, shops, and ships. In the post-war era, they created a series of furniture in the Italian region Rovellasca (Como), which was a great success. \u003cbr\u003e\u003cbr\u003eGianfranco Frattini (1926-2004) was born in Padua and studied architecture at the Milan Politechnico. After his studies, Frattini started working for Gio Ponti until 1956. Afterwards, he opened his own practice in Milan and began creating his own designs. His work is mostly part of the generation that created the Italian design movement of the late 1950s through the 1960s. The designer eventually died in Milan in 2004. \u003cbr\u003e\u003cbr\u003eKindly note that the piece is in used condition. The cabinet exhibits wear marks and discoloration spots. Restoration can be done before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49661189194071,"sku":"LU933142478292","price":5850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116229_01__org.jpg?v=1750701270"},{"product_id":"guillerme-chambron-cabinet-thierry-in-black-lacquered-oak","title":"Guillerme \u0026 Chambron Cabinet 'Thierry' in Black Lacquered Oak","description":"\u003cp\u003eGuillerme et Chambron for Votre Maison, cabinet, model 'Thierry', lacquered oak, ceramic, France, 1960s.\u003cbr\u003e\u003cbr\u003eThis elegant sideboard evokes the European Gothic Revival period of the nineteenth century with its heavy black lacquered wood, capturing the era's dramatic and ornate aesthetic. The design seamlessly integrates with any interior, infusing one's home with an antiquated charm. The whole construction is solidly built showing the typical characteristics of the designer duo Guillerme et Chambron. Par exemple, the graphic pattern of carved lines on the sliding door panels and the sculptural base. Functionality is at the forefront, featuring ample storage space provided by drawers and shelves with an additional drop-down panel. This thoughtful design ensures practical organization and convenience. The combination of color and specific design characteristics underline the essence of the design, resulting in a bold, luxurious credenza with a wink to the Medieval Ages. \u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design. \u003cbr\u003e\u003cbr\u003ePlease note that the depicted photographs show an example of the way this item can be lacquered. We kindly ask you to contact our design experts to discuss your wishes regarding upholstery and finishing. Your special requests can be realized by the experienced craftspeople in our own in-house restoration and upholstery atelier. With high attention to the original, they make sure every piece retains its value and is ready for the many years to come. Please note that a custom-made piece has a lead-time of twelve to fourteen weeks. All to meet our high-quality and standards. \u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49628743336279,"sku":"LU933142488912","price":7450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50109277_01__master_ab86b830-838d-49f3-92e6-002711c2fa19.jpg?v=1733123180"},{"product_id":"guillerme-chambron-cabinet-in-solid-oak-and-glass","title":"Guillerme \u0026 Chambron Cabinet in Solid Oak and Glass","description":"\u003cp\u003eGuillerme et Chambron for Votre Maison, cupboard, solid oak, glass, France, 1960s\u003cbr\u003e\u003cbr\u003eCharming cupboard designed by the acclaimed designer duo Guillerme et Chambron. One can hide its personal belongings by situating them behind closed doors, or alternatively, opt for a clean and open layout by arranging them behind the clear glass panels. The solid doors are adorned with captivating vertical-lined carvings, imparting the piece with a textural quality. The natural oak's warm hue and inviting expression infuse the room with a pleasant ambiance and a refreshing touch.\u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with some signs of age and use. For further details, we encourage you to reach out to our team of design specialists.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49726791450967,"sku":"LU933142667342","price":3850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116583_01__org.jpg?v=1750701674"},{"product_id":"rare-ico-parisi-for-fratelli-rizzi-cabinet-or-vanity-in-chestnut","title":"Rare Ico Parisi for Fratelli Rizzi Cabinet or Vanity in Chestnut","description":"\u003cp\u003eIco Parisi for Fratelli Rizzi, Intimiano, cabinet or vanity, a desk from the same series referenced under cat. no, '1950.56', chestnut, mahogany, brass, mirrored glass, Italy, 1950\u003cbr\u003e\u003cbr\u003eThis exquisite piece is designed by the acclaimed master of Italian midcentury design, Ico Parisi (1916–1996). His design language is distinguished by expressive lines and richly grained wood, reflecting his exceptional taste for form and harmonious compositions. The highboard showcases Parisi's architectural sensibility, constructed with precise geometric forms and well-considered proportions. It offers ample storage, featuring compartments equipped with drawers and shelving. Additionally, the tabletop conceals a hidden compartment accessible via a mirrored panel. When paired with a chair, the cabinet can double as a dressing table. The door panels, composed of vertical slats interspersed with engraved elements, bear Parisi's unmistakable signature, making the piece instantly recognizable as one of his creations. \u003cbr\u003e\u003cbr\u003eKindly note that this piece is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e\u003cbr\u003eThe mahogany type used for this piece does not require an export license.\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49752978555223,"sku":"LU933142889892","price":17500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50112526_01__master_924b4608-b637-4f44-9092-61499793e33f.jpg?v=1735542714"},{"product_id":"mid-century-modern-1950s-italian-cabinet-in-mahogany","title":"Mid-Century Modern 1950s Italian Cabinet in Mahogany","description":"\u003cp\u003eCabinet, mahogany, mirrored glass, glass, brass, Italy, 1950s \u003cbr\u003e\u003cbr\u003eThis charming cabinet stands out with its graphical door panels, featuring carved horizontal lines that add character and showcase the skilled craftsmanship behind its design. The main body is supported by a curved pedestal, accented with a distinctive sphere for an extra touch of detail. Opening the doors reveals a charming surprise: a square-shaped mirror engraved with figures from classical antiquity. One figure depicts a woman playing the lyre, while her companion holds a Pegasus in mid-air. It is a lovely, unexpected detail that adds personality to the interior. The design is very much in the style of Osvaldo Borsani, known for blending artistic touches with modernist ideas. This piece has a unique charm and can easily become a standout feature in any décor.\u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition with visible signs of age and use. The piece needs to be mounted to a wall to ensure stability. The mahogany type of this piece does not require an export license. For further details, we encourage you to reach out to our team of design specialists.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49887443747159,"sku":"LU933143233892","price":15400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50111481_01__master_6abee2aa-dfa8-496b-ab70-769e9596bcec.jpg?v=1737961559"},{"product_id":"franz-xaver-sproll-hand-crafted-large-cabinet-in-solid-pine","title":"Franz Xaver Sproll Hand-Crafted Large Cabinet in Solid Pine","description":"\u003cp\u003eFranz Xaver Sproll, large cabinet or wardrobe, pine, Switzerland, 1960s \u003cbr\u003e\u003cbr\u003eSwiss furniture maker Franz Xaver Sproll is known for his high-quality, handcrafted solid wood furniture, defined by characteristic details. This wardrobe, for example, clearly reflects his craftsmanship. The viewer can follow the artisan’s touch in the carefully worked pine wood. The distinctive handles, with their slightly curved shape and faceted surface, add to the wonderful detailing of this piece of design. The well-balanced proportions, combined with handcrafted elements, contrast beautifully with the natural, expressive grain of the pinewood. All together, this cabinet is a natural and highly enjoyable piece of furniture. \u003cbr\u003e\u003cbr\u003eKindly note that this item is in good, used condition.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49922928050519,"sku":"LU933143338912","price":16400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116811_2_01__master.jpg?v=1738566484"},{"product_id":"ernesto-valabrega-for-vittorio-valabrega-art-deco-cabinet-in-oak-and-iron","title":"Ernesto Valabrega for Vittorio Valabrega Art Deco Cabinet in Oak and Iron","description":"\u003cp\u003eErnesto Valabrega for Vittorio Valabrega Studio, cabinet, oak, iron, Italy, 1930s\u003cbr\u003e\u003cbr\u003eThis cabinet, crafted in oak and designed by Ernesto Valabrega, exemplifies both aesthetic refinement and functional design. It features a compact yet well-organized structure with open shelving, two drawers, and a drop down leaf that enhances the versatility of this piece. The intricate details, such as the scalloped trim along the top that alludes to Andalusian windows  and the decorative iron accents on the sides, highlight the fine craftsmanship. The sturdy legs, adorned with cut-out arches, which are characteristic for Ernesto Valabrega's designs. The great craftsmanship of the designer comes forward into this exceptional piece. \u003cbr\u003e\u003cbr\u003eItalian designer Ernesto Valabrega (1901-1944) was born in Turin, as the son of celebrated designer and cabinetmaker Vittorio Valabrega (1861-1952).  \u003cbr\u003e\u003cbr\u003eHis father Vittorio was, together with his brother, the founder of Fratelli Valabrega (Valabrega Brothers Company, since 1884) that was situated in Turin. During the 1890s, Vittorio became the sole owner of the company and had great success with his refined wooden furniture. Vittorio Valabrega became well-known for his furniture in the floral Art Nouveau style, but as a true child of the 19th century, his company also manufactured furniture in Neo-Renaissance and the French Rococo Louis XV-style. His designs received positive attention and were awarded at World Exhibitions. At the famous exhibition in Paris in 1900, Vittorio even received a gold medal. \u003cbr\u003e\u003cbr\u003eIt was at the age of 24 that Ernesto got on board with his father’s business. His involvement from 1925 onwards had a great impact on the company. Ernesto decided to change the company’s name to Mobilart in 1928 and radically redirected the course. Whereas Vittorio was inspired by a variety of contemporary and historic styles, Ernesto chose for a different approach. He renounced the 19th century mixture of styles and approached furniture design in the same manner as the highly influential William Morris of the English Arts and Crafts movement. Their reform was an artistic reaction to the widespread industrialization of the 19th century.  \u003cbr\u003e\u003cbr\u003eErnesto despised products of poor quality and chose high quality materials that would last a lifetime. The furniture he created in the late 1920s and 1930s are a true testament to his beliefs. With his irregular carvings of oakwood, the hammered hinges, flowing edges, embossed surfaces his furniture shows quality, attention to detail and ultimate craftsmanship.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50052029251927,"sku":"LU933143707412","price":9700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116680_01__master.jpg?v=1740381410"},{"product_id":"johan-rohde-unique-sideboard-in-birchwood","title":"Johan Rohde Unique Sideboard in Birchwood","description":"\u003cp\u003eJohan Rohde sideboard, birchwood, Denmark, 1909\u003cbr\u003e\u003cbr\u003eThis exquisite sideboard, designed by Johan Rohde in 1909, is a rare piece of furniture and a distinguished example of his creativity and craftsmanship. This particular sideboard is made in birchwood, a material he used to make a very small number of pieces. The warm, richly grained birchwood enhances its refined appearance, while the carefully considered proportions give it a sense of lightness and balance. A defining feature of this sideboard is its sophisticated top railing with an X-shaped lattice, which adds an airy, decorative element. The corners are adorned with Rohde’s characteristic carvings, further highlighting his expertise. The front is symmetrically arranged with four small drawers and a central fold-down door, offering practical storage without compromising the clean, geometric design. Standing on six gracefully tapering legs, the sideboard maintains a sturdy yet refined presence. \u003cbr\u003e\u003cbr\u003eKindly note that this item is in good, used condition.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50142785274199,"sku":"LU933143933462","price":27500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/tmp_image_master_319f9761-a2cb-4296-9ba2-6b1c1121ee4b.jpg?v=1741590890"},{"product_id":"william-watting-high-cabinet-in-walnut-with-elegant-tambour-doors","title":"William Watting High Cabinet in Walnut with Elegant Tambour Doors","description":"\u003cp\u003eWilliam Watting sideboard, walnut, lacquered wood, brass, Europe, 1940s\u003cbr\u003e\u003cbr\u003eThis exquisite cabinet, designed by William Watting, is a rare and elegant piece from the 1940s. Crafted in Europe, it showcases a beautifully grained walnut exterior, enhanced by striking tambour doors and finely detailed drawers with brass handles. The sideboard is elevated on lacquered wooden legs with brass capped feet. The base is connected by an elegant wooden cross stretcher, adding to its refined aesthetic. The combination of high-quality materials and Watting his masterful design results in a sophisticated piece.\u003cbr\u003e\u003cbr\u003eIn the 1940s, William Watting operated his own furniture store in Copenhagen, where he crafted bespoke pieces tailored to individual clients. This particular design originates from that era and reflects his signature attention to detail and craftsmanship. Created as a made to order piece, it stands as a rare example of his work.\u003cbr\u003e\u003cbr\u003eKindly note that this item is in good, used condition.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50192683794775,"sku":"LU933143933902","price":16700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/tmp_image_org_e4ae459d-80b7-455f-ab05-a29ebd601f19.jpg?v=1750702600"},{"product_id":"aldo-tura-illuminated-bar-cabinet-in-cherry-brass-and-mirrored-glass","title":"Aldo Tura Illuminated Bar Cabinet in Cherry Brass and Mirrored Glass","description":"Aldo Tura, bar cabinet, braided straw, mirrored glass, brass, glass, cherry, Italy, 1940s\u003cbr\u003e\u003cbr\u003eThis exceptional piece is designed by Aldo Tura and perfectly illustrates his commitment to material excellence, whimsical surfaces, and streamlined contours. This bar cabinet is a compelling study in sculptural geometry and surface tension. The shape challenges traditional cabinet forms; eschewing the rectilinear in favor of a chunkier, almost totemic block resting atop a curved, sled-like base. The two monolithic compartments, that are separated by a darker-toned central divide, are deeply textured, with a rippling surface that resembles hammered metal or even inflated, organic forms. The overall silhouette is squat and dense, but the arched base gently lifts it from the ground, preventing it from feeling heavy. The woven straw ropes slice horizontally across the facade, visually dividing the piece in equally sized blocks, while providing a striking material contrast. \u003cbr\u003e\u003cbr\u003eOnce openend, the contrast is deliberate and sharp: the outside is sculptural; the inside is all about light, reflection, radiation, and order. The integrated lighting casts a refined glow on the displayed objects. Mirrored glass serves as a backdrop, while glass shelves and brass racks articulate the compartments with structured elegance. In short, the cabinet’s form is more expressive than it is restrained, and that is where its charm lies: in turning a utilitarian object into something muscular, unexpected, and oddly animate.\u003cbr\u003e\u003cbr\u003eBiography\u003cbr\u003e\u003cbr\u003eAldo Tura’s body of work is defined by bold design, vibrant materials, and his signature use of goatskin to create striking surfaces. Even within his own avant-garde approach—bridging Art Deco and modernism—this piece stands out for its daring form. Tura was renowned for his use of luxurious materials, sculptural silhouettes, and meticulous artisanal techniques. At a time when many furniture makers were shifting toward mass production, Tura remained steadfast in his dedication to traditional craftsmanship and refined detail.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50283805999447,"sku":"LU933144270822","price":36500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115042_St_P_17_35f4ca06-7741-4764-b016-35e780c4b213.jpg?v=1743175496"},{"product_id":"1940s-cabinet-in-solid-oak-with-latticework","title":"1940s Cabinet in Solid Oak with Latticework","description":"Cabinet, oak, glass, Italy, 1940s\u003cbr\u003e\u003cbr\u003eA design that quietly bridges the gap between sleek modernism and handcrafted warmth. The cabinet’s facade is composed of four tall, narrow doors evenly spaced, each framed with an arched framework with latticework and glass. The lattice itself offers a subtle nod to classical architectural motifs, like old window grille or a simplified Gothic tracery. The door knobs are small, round, and slightly domed. The gently tapered legs light the volume of the ground, lending it a feeling of lightness despite its solid oak construction. The oak used in this cabinet has a rich, grounded presence – solid, warm, and quietly expressive. Its grain is broad and flowing, with visible variations that give the surface a natural rhythm. There is something about its presence that evokes a quiet, rural elegance. The warm oak, the hand-finished feel, and especially the lattice doors all suggest a connection to traditional craftsmanship. \u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50535482786135,"sku":null,"price":12400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117119_St_P_1_3eb68d32-ab87-496c-a3d0-ed903ee7c583.jpg?v=1745593266"},{"product_id":"cubical-cabinet-in-oregon-pine","title":"Cubical Cabinet in Oregon Pine","description":"Cabinet, Oregon pine, Europe, 1970s\u003cbr\u003e\u003cbr\u003eConcise in design, this cabinet is a versatile piece for various settings or interiors. It could serve as a practical storage solution for an office environment and can also be a stylish addition to a living room. The linear elements impart a sense of structural rhythm, vividly juxtaposing the otherwise organic and flowing grain patterns of the premium Oregon pine. The designer's minimal use of decoration allows the distinctive properties of the wood to stand out. The cabinet features two drawers with half-moon shaped handles, creating a cohesive and visually appealing aesthetic.\u003cbr\u003e\u003cbr\u003eKindly note that this item is in good, used condition.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50593640120663,"sku":null,"price":3850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115780_St_P_37_f681f89f-6029-434a-b0f7-3f3cd6de51d1.jpg?v=1746195661"},{"product_id":"andre-sornay-cabinets-or-wardrobes-with-sliding-doors-in-mahogany","title":"André Sornay Cabinets or Wardrobes with Sliding Doors in Mahogany","description":"Andre Sornay for Sornay Meubles, cabinets or wardrobes, mahogany, lacquered wood, lacquered metal, France, 1960s\u003cbr\u003e\u003cbr\u003eThese tall cabinets, designed by André Sornay in the 1960s, are exemplary of his later work and showcase his innovative use of the patented tigette system: a modular construction technique that defined this phase of his career. With his final major invention, André Sornay demonstrated a remarkable capacity for self-reflection and innovation, rethinking his design approach to align with the evolving needs of his era. He introduced a groundbreaking concept: furniture constructed entirely from removable components, allowing for flexible assembly, transport, and adaptation; an idea well ahead of its time. The structure of the cabinets are spare and orderly, yet visually engaging, thanks to a careful play of line, proportion, and contrast. At a glance, their silhouette is severe and rectangular, with rigid vertical and horizontal divisions in dark, rich mahogany that give the pieces a modular, almost architectural quality. Despite the geometric rigidity, there is a quiet warmth and refinement to the design. The muted color palette, deep brown and soft off-white, keeps the cabinets from appearing cold or clinical. The black painted metal legs lift the form off the ground just enough to give it air and lightness. It also connects with an aesthetic lineage that runs through both Bauhaus and Japanese design. There is no ornamentation for its own sake; every element, from the vertical strips to the inset panels, serves a structural purpose. A storage unit that is thoughtful, resolved, and elegant in its quiet logic.\u003cbr\u003e\u003cbr\u003eThe listed price is per item. \u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50689360724311,"sku":null,"price":11000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45011379_P_26.jpg?v=1747412034"},{"product_id":"andre-sornay-cabinet-or-wardrobe-with-sliding-doors-in-mahogany","title":"André Sornay Cabinet or Wardrobe with Sliding Doors in Mahogany","description":"Andre Sornay for Sornay Meubles, cabinet or wardrobe, mahogany, lacquered wood, lacquered metal, France, 1960s\u003cbr\u003e\u003cbr\u003eThis tall cabinet, designed by André Sornay in the 1960s, is exemplary of his later work and showcases his innovative use of the patented tigette system: a modular construction technique that defined this phase of his career. With his final major invention, André Sornay demonstrated a remarkable capacity for self-reflection and innovation, rethinking his design approach to align with the evolving needs of his era. He introduced a groundbreaking concept: furniture constructed entirely from removable components, allowing for flexible assembly, transport, and adaptation; an idea well ahead of its time. The structure of the cabinet is spare and orderly, yet visually engaging, thanks to a careful play of line, proportion, and contrast. At a glance, its silhouette is severe and rectangular, with rigid vertical and horizontal divisions in dark, rich mahogany that give the piece a modular, almost architectural quality. Despite the geometric rigidity, there is a quiet warmth and refinement to the design. The muted color palette, deep brown and soft off-white, keeps the cabinet from appearing cold or clinical. The black painted metal legs lift the form off the ground just enough to give it air and lightness. It also connects with an aesthetic lineage that runs through both Bauhaus and Japanese design. There is no ornamentation for its own sake; every element, from the vertical strips to the inset panels, serves a structural purpose. A storage unit that is thoughtful, resolved, and elegant in its quiet logic.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50743407018327,"sku":null,"price":11000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45011379_P_27_e48dc2b3-7325-44c1-a5d5-d671923b9dbe.jpg?v=1748014879"},{"product_id":"brutalist-wall-mounted-cabinet-with-graphical-surface-1","title":"Brutalist Wall-Mounted Cabinet with Graphical Surface","description":"Wall-mounted cupboard, wood, aluminum, Belgium, 1970s. \u003cbr\u003e\u003cbr\u003eThis well-designed cupboard features a modern and clean aesthetics based on two-door panels, each with an exceptional three-dimensional pattern. The continuous pattern gives this cabinet a very strong expression and is the signature for this item; a design that is established during the seventies when Brutalism was at his highest level specifically in Belgium. This movement is an architectural style started from the mid-20th century, aiming for raw, geometric and compromise-less buildings. Characterized by blatant concrete-skeletons with geometric patterns and Puritan materials. In decorative arts brutalism is highly represented in furniture design. \u003cbr\u003e\u003cbr\u003ePlease note that this item is in used condition. It shows some signs of use and wear around the sides and top of the cabinet. The wiring for the lighting inside the cabinet needs to be renewed. Restoration can be done before shipping by our experienced craftsmen and -women in our own in-house restoration atelier. With high attention for the original, they make sure every piece contains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well. \u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50927309095255,"sku":null,"price":4950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45005920_St_P_5.jpg?v=1749828797"},{"product_id":"1940s-cabinet-in-solid-oak-with-latticework-1","title":"1940s Cabinet in Solid Oak with Latticework","description":"Cabinet, oak, glass, Italy, 1940s\u003cbr\u003e\u003cbr\u003eA design that quietly bridges the gap between sleek modernism and handcrafted warmth. The cabinet’s facade is composed of three tall, narrow doors evenly spaced, each framed with an arched framework with latticework and glass. The lattice itself offers a subtle nod to classical architectural motifs, like old window grille or a simplified Gothic tracery. The door knobs are small, round, and slightly domed. The gently tapered legs light the volume of the ground, lending it a feeling of lightness despite its solid oak construction. The oak used in this cabinet has a rich, grounded presence – solid, warm, and quietly expressive. Its grain is broad and flowing, with visible variations that give the surface a natural rhythm. There is something about its presence that evokes a quiet, rural elegance. The warm oak, the hand-finished feel, and especially the lattice doors all suggest a connection to traditional craftsmanship. \u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51114115563863,"sku":null,"price":11000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117118_St_P_27.jpg?v=1751645191"},{"product_id":"pierre-chapo-cabinet-model-r18-in-solid-elm-1","title":"Pierre Chapo Cabinet Model 'R18' in Solid Elm","description":"Pierre Chapo, cabinet model 'R18', solid elm, France, 1960s\u003cbr\u003e\u003cbr\u003eThis exquisitely crafted 'R18' cabinet combines a simplified yet complex design combined with nifty, solid construction details that characterize Chapo's work. Two doors of different sizes and drawers are structuring the front and inside of the cabinet. Beautiful detail is the closing mechanism and the way that Chapo sculpted the handles. The elm wood has a striking grain that pleases the eye.\u003cbr\u003e\u003cbr\u003ePierre Chapo (1927-1987) was born in a family of craftsmen and trained as an architect in Paris. After spending many years traveling through south and north America he and his partner Nicole set up Société Chapo, an architectural research consultancy and interior design firm. In 1958 they opened their famous gallery at 14 Boulevard de l'Hopital. Chapo's work originated by means of special commissions that could later be adapted to universal needs. Chapo was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and Bauhaus. Societe Chapo was a design workshop and gallery in one where Nicole presented ceramics, textiles and other design by the great designers of the day. The three principles that motivated Pierre Chapo were 'material, form, and function.' He measured his furniture by means of golden ratio and used elmwood as his preferred material.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51290394165591,"sku":null,"price":17600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117671_St_P_2_1b3b34c4-45f5-4a04-8a53-80e5ae659f9f.jpg?v=1753455608"},{"product_id":"massimo-and-lella-vignelli-for-poltronova-saratoga-cabinet-1","title":"Massimo and Lella Vignelli for Poltronova 'Saratoga' Cabinet","description":"Massimo and Lella Vignelli for Poltronova 'Saratoga', cabinet, polyester lacquered wood, Italy, 1964.\u003cbr\u003e\u003cbr\u003eChest of drawers made in a reflective polyester lacquer. The Vignelli's were known for their clean designs, this piece is therefore also completely free from decorative details. All attention goes to the essential form and material in this design by Vignelli. The “Saratoga” is one of the first examples of modular and modern living in twentieth century.\u003cbr\u003e \u003cbr\u003eKindly be aware that this piece is in used condition and shows signs of age and wear. Scratches in the polyester are visible. We kindly ask you to reach out to design specialists for further information.\u003cbr\u003e   \u003cbr\u003e   ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51458536210775,"sku":null,"price":4700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115597_P_13_28d257f1-5757-4056-88f4-0390ec015d14.jpg?v=1755071487"},{"product_id":"chiffonier-cabinet-in-solid-oak-by-danish-cabinetmaker","title":"Chiffonier Cabinet in Solid Oak by Danish Cabinetmaker","description":"Cabinet, oak, brass, felt, Denmark, 1940s. \u003cbr\u003e\u003cbr\u003eThis refined chiffonier cabinet is certainly made by a cabinetmaker who understood how to design a high-quality piece of furniture. Excellent craftsmanship is combined with a well-balanced eye for the composition of functional and decorative elements. Executed in solid oak, this high cabinet with a lockable curved front door offers multiple shelves and a drawer. In all likelihood, this design was used in a store or office environment, and will be of great service in a contemporary \/ mid-century work space.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with some signs of age and use. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51420540010839,"sku":null,"price":3200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50111540_St_P_16_ad103397-8b41-43d4-9181-ac896c18f87c.jpg?v=1754665663"},{"product_id":"mid-century-tall-filing-archive-cabinets-in-steel","title":"Mid-Century Tall Filing Archive Cabinets in Steel","description":"Filing cabinets, lacquered steel, metal, Germany, 1960s \u003cbr\u003e\u003cbr\u003eThese filing cabinets from the 1960s are unusual because of their cylindrical shape. Instead of the usual boxy, rectangular form we expect from office storage, they stand like tall, rounded columns. The light grey lacquered steel gives them a cool, industrial look, but the curved surface softens the hardness of the material.\u003cbr\u003e\u003cbr\u003eInside, the system is even more surprising: the shelves rotate around a central axis. Rather than pulling out drawers, the user turns the inner sections, almost like a carousel. The partitions on each shelf divide the space neatly, so documents can be stored in clear sections, all accessible with a simple rotation.\u003cbr\u003e\u003cbr\u003eKindly note that the pieces are in good, used condition with some signs of age and use. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e\u003cbr\u003eThe listed price is per item. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51537119707479,"sku":null,"price":3900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50113552_St_P_14.jpg?v=1755877901"},{"product_id":"luxurious-italian-cabinet-in-bamboo-and-brass","title":"Luxurious Italian Cabinet in Bamboo and Brass","description":"Cabinet, lacquered bamboo and ash, brass, Italy, 1970s. \u003cbr\u003e\u003cbr\u003eThis glamorous cabinet, dating from the 1970s, has a compact geometric shape that is at once simple and assertive. Yet the essence lies in the bamboo's geometry, giving it its rhythm, luxury, and unmistakable presence. The bamboo strips are laid in a herringbone-like pattern, forming a play of diagonals across the flat planes. The corners of the cabinet are marked by brass fittings, small yet deliberate accents that add a touch of luxury to the piece. The deep red color adds character and depth to the sideboard. Italian design of that decade often celebrated bold material choices, surface experimentation, and an unapologetic embrace of luxury – think of Gabriella Crespi and Willy Rizzo. This piece embodies those qualities.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with some signs of age and use. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51585382646103,"sku":null,"price":5250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50109158_St_P_9_475b8ead-8b86-4810-9857-cb990865f908.jpg?v=1756485661"},{"product_id":"mid-century-tall-filing-archive-cabinet-in-steel","title":"Mid-Century Tall Filing Archive Cabinet in Steel","description":"Filing cabinet, lacquered steel, metal, Germany, 1960s \u003cbr\u003e\u003cbr\u003eThis filing cabinet from the 1960s is unusual because of its cylindrical shape. Instead of the usual boxy, rectangular form we expect from office storage, it stands like a tall, rounded column. The light grey lacquered steel gives it a cool, industrial look, but the curved surface softens the hardness of the material.\u003cbr\u003e\u003cbr\u003eInside, the system is even more surprising: the shelves rotate around a central axis. Rather than pulling out drawers, the user turns the inner sections, almost like a carousel. The partitions on each shelf divide the space neatly, so documents can be stored in clear sections, all accessible with a simple rotation.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with some signs of age and use. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51585391133015,"sku":null,"price":3900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50113552_St_P_16_f159a83b-3067-42c6-a3ce-90691ad0e6ee.jpg?v=1756485897"},{"product_id":"ernest-igl-for-wilhelm-werndl-cabinet-in-off-white-polyurethane","title":"Ernest Igl for Wilhelm Werndl Cabinet in Off-White Polyurethane","description":"Ernest Igl for Wilhelm Werndl, sideboard, polyurethane, Germany, 1970\/71\u003cbr\u003e\u003cbr\u003eErnest Hofmann, also known by his artist name 'Igl', recently gained an international audience for his design work. An orange-colored version of a desk furnished the MIB headquarters in the movie Men in Black 3 (2012). In 2009, the US company Steelcase re-edited Hofmann's desk, the 'Igl-Jet', producing a limited edition of 1,970 pieces. When the desk was first made in 1970-71, Hofmann employed groundbreaking technology for his designs. His initial desk was one of the first to be made entirely out of plastic. The revolutionary concept and grand vision behind this desk are evident in its rounded corners, soft edges, and stunning shapes. \u003cbr\u003e\u003cbr\u003eErnest Igl strived for the creation of a cabinet that focused on functionality combined with an aesthetically pleasing design for daily use. This is discernible in the playful composition of sturdy lines and round corners implemented in the whole construction. For this outspoken layout, the designer used a pure off-white color. The recessed round contoured handles add a quirky element to the piece. \u003cbr\u003e\u003cbr\u003eIn 1969, a successful collaboration between German office furniture maker Werndl and Ernest Hofmann began. With the desks 'Igl-Top' and 'Igl-Jet', as well as a shelf, Hofmann secured an important role in office furniture design during 1970-1971. His designs were groundbreaking and only possible due to the use of a new material. Hofmann designed the first one-piece desk made entirely out of polyurethane. The material was liquid and poured into a mold, where two components reacted together to form a flat, hard surface. By using plastic, Hofmann was able to create a desk with unusual organic shapes and rounded corners.\u003cbr\u003e\u003cbr\u003eErnest Hofmann (1920-2001) – in 1954, he gave himself the artist name ‘Igl’ – was a multi talent. He, a designer, sculptor, illustrator, and inventor, designed everything from a harvester machine to office appliances, a microscope, and rubber boots. His oeuvre includes an impressive number of products used for all kinds of situations in life. Hofmann, born in Prague in 1920, studied graphic arts in his hometown, in Karlsbad and in Munich, where he and his wife settled. Hofmann firstly worked as an illustrator, graphic artist, and cartoonist for well-known schoolbook publishers. In 1962, they moved to Rosenheim, which marked the beginning of Hofmann’s more design orientated career. \u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with visible signs of age and use, such as scratches and wear marks. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51637384446295,"sku":null,"price":3850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50112088_St_P_6_475541b0-df76-46ff-b417-17472edbfd2f.jpg?v=1757083136"},{"product_id":"small-brutalist-cabinet-in-soft-grey-2","title":"Small Brutalist Cabinet in Soft Grey","description":"Cabinet or cupboard, lacquered wood, brushed aluminum, Belgium, 1970s. \u003cbr\u003e\u003cbr\u003eModern and geometric two-door sideboard cabinet. Two-door panels, each with an exceptional three-dimensional pattern. The continuous pattern gives this bar-cabinet a very strong expression. The aluminum base makes a nice addition to the grey cabinet and provides a match both in color as in opposition to the material of the body. The sideboard is equipped with shelves. Brutalism is an architectural style started from the mid-20th century, aiming for raw, geometric and compromise-less buildings. Characterized by blatant concrete-skeletons with geometric patterns and Puritan materials. In decorative arts brutalism is highly represented in furniture design.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51637377958231,"sku":null,"price":5450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45009521_St_P_33_435de6a3-b64b-4194-9f7c-f2b2ff36038f.jpg?v=1757083117"},{"product_id":"ernest-igl-for-wilhelm-werndl-shelving-cabinet-in-off-white-polyurethane","title":"Ernest Igl for Wilhelm Werndl Shelving Cabinet in Off-White Polyurethane","description":"Ernest Igl for Wilhelm Werndl, shelving sideboard, polyurethane, Germany, 1970\/71\u003cbr\u003e\u003cbr\u003eErnest Hofmann, also known by his artist name 'Igl', recently gained an international audience for his design work. An orange-colored version of a desk furnished the MIB headquarters in the movie Men in Black 3 (2012). In 2009, the US company Steelcase re-edited Hofmann's desk, the 'Igl-Jet', producing a limited edition of 1,970 pieces. When the desk was first made in 1970-71, Hofmann employed groundbreaking technology for his designs. His initial desk was one of the first to be made entirely out of plastic. The revolutionary concept and grand vision behind this desk are evident in its rounded corners, soft edges, and stunning shapes. Ernest Igl strived for the creation of a cabinet that focused on functionality combined with an aesthetically pleasing design for daily use. This is discernible in the playful composition of sturdy lines and round corners implemented in the whole construction. For this outspoken layout, the designer used a pure off-white color. The recessed round contoured handles add a quirky element to the piece. The sophisticated storage facility, along with details such as geometrically shaped drawers and round ornaments on the sides, truly contribute to the unique design idea.\u003cbr\u003e\u003cbr\u003eIn 1969, a successful collaboration between German office furniture maker Werndl and Ernest Hofmann began. With the desks 'Igl-Top' and 'Igl-Jet', as well as a shelf, Hofmann secured an important role in office furniture design during 1970-1971. His designs were groundbreaking and only possible due to the use of a new material. Hofmann designed the first one-piece desk made entirely out of polyurethane. The material was liquid and poured into a mold, where two components reacted together to form a flat, hard surface. By using plastic, Hofmann was able to create a desk with unusual organic shapes and rounded corners.\u003cbr\u003e\u003cbr\u003eErnest Hofmann (1920-2001) – in 1954, he gave himself the artist name ‘Igl’ – was a multi talent. He, a designer, sculptor, illustrator, and inventor, designed everything from a harvester machine to office appliances, a microscope, and rubber boots. His oeuvre includes an impressive number of products used for all kinds of situations in life. Hofmann, born in Prague in 1920, studied graphic arts in his hometown, in Karlsbad and in Munich, where he and his wife settled. Hofmann firstly worked as an illustrator, graphic artist, and cartoonist for well-known schoolbook publishers. In 1962, they moved to Rosenheim, which marked the beginning of Hofmann’s more design orientated career. \u003cbr\u003e\u003cbr\u003eKindly take note that this item is in good, used condition with visible traces of age and use, including imperfections in the lacquer. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51637994520919,"sku":null,"price":5850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115339_P_15_15edea3f-74be-470f-928f-f1109f32e5c0.jpg?v=1757085251"},{"product_id":"1970s-italian-tall-cabinets-in-walnut-1","title":"1970s Italian Tall Cabinets in Walnut","description":"Cabinets, walnut, glass, Italy, 1970s\u003cbr\u003e\u003cbr\u003eThese three walnut cabinets from 1970s Italy have a strong and unusual shape that immediately stands out. The most noticeable element is the rounded top – like a half-cylinder or an arch cut in half. This curved top gives the cabinets a softer, more sculptural look, almost like small architectural structures. The bodies of the cabinets are tall and slightly tapered, getting a bit wider at the bottom. This adds stability but also makes them feel more grounded. As the cabinets have a slightly different layout – one with full drawers combined with doors and one with a glass-fronted display – they avoid looking too uniform. When seen together, the repeating arch form at the top links them, creating a kind of visual harmony, but the small differences keep it interesting. The walnut wood adds warmth and a sense of craftsmanship. The grain is expressive, and the tone of the wood fits the 1970s feeling - natural, honest, a bit earthy. \u003cbr\u003e\u003cbr\u003eKindly note that the price listed is per piece.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51691888214359,"sku":null,"price":8700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117115_St_P_2.jpg?v=1757690377"},{"product_id":"guillerme-chambron-bookcase-with-cabinet-in-solid-oak","title":"Guillerme \u0026 Chambron Bookcase with Cabinet in Solid Oak","description":"Guillerme et Chambron for Votre Maison, bookcase, oak, black glass, France, 1960s\u003cbr\u003e\u003cbr\u003eElegant bookcase with integrated sideboard designed by Jacques Chambron and Robert Guillerme for Votre Maison in the 1960s. The structure is crafted from solid oak, showcasing the duo’s signature robust yet refined design language. The upper part consists of three spacious open shelves, ideal for books or decorative objects. The lower section forms a sideboard, fitted with two sliding doors in black glass, which add a striking contrast to the warm oak. This combination of materials highlights the designers’ eye for balance between texture, tone, and function. With its generous storage and clean architectural lines, this piece exemplifies the Guillerme et Chambron aesthetic.\u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51800020746583,"sku":null,"price":5850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45016419_St_P_9.jpg?v=1759134627"},{"product_id":"luigi-saccardo-topline-highboards-in-vibrant-green-and-black-color","title":"Luigi Saccardo 'Topline' Highboards in Vibrant Green and Black Color","description":"Luigi Saccardo, 'Beehive' large cabinets from the 'Topline' series, lacquered laminated wood, metal, Italy, circa 1976\u003cbr\u003e\u003cbr\u003eBack in the seventies, Topline was a newly introduced collection by Casem, a company based in Castelfiorentino (Florence). Conceptualized by Luigi Saccardo, the collection featured a range of premium furniture pieces that combined minimalist design with practical functionality. As exemplified, the units feature open compartments, of which each individual compartment is 40 cm \/ 15.75 in. The clean and open layout of the cabinets allows to display objects in several ways. The top and bottom sections are provided with green door panels with subtle round metal door handles. The combination of the black and green high gloss laminated wooden panels really catches the eye. Luigi Saccardo clearly created a postmodern design that breathes the characteristics of Italian design of that period.\u003cbr\u003e\u003cbr\u003eKindly note that the pieces are in good, used condition with signs of age and use, including scratches and wear marks. Restoration is possible before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51800212832599,"sku":null,"price":6450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50109844_St_P_1.jpg?v=1759135900"},{"product_id":"guglielmo-ulrich-for-ar-ca-milano-bar-cabinet","title":"Guglielmo Ulrich for Ar.Ca Milano Bar Cabinet in Parchment and Wood","description":"Guglielmo Ulrich for Ar.Ca, chest of drawers, parchment, wood, birdseye maple, Italy, early 1930s \u003cbr\u003e\u003cbr\u003eThis exceptional bar cabinet by Guglielmo Ulrich for Ar.Ca Milano exemplifies the refined Italian modernism of the 1930s, where elegance meets impeccable craftsmanship. The piece features a striking architectural composition and use of materials. The body of this cabinet is executed in parchment, and with its warm, tactile appearance, it adds both interest and refinement. The dark wood base introduces depth and contrast through its natural grain and sculptural silhouette. Inside, the cabinet reveals a finely crafted maple interior, creating a beautiful yet subtle contrast to the parchment exterior while remaining within the same color palette. A perfect harmony of geometry, proportion, and material, this piece captures Ulrich’s distinctive approach, merging neoclassical restraint with modernist clarity. It stands as a testament to the sophistication of Italian design in the post–Art Deco era.\u003cbr\u003e\u003cbr\u003eThis sideboard, like many of Ulrich’s pieces, would have appealed to the growing bourgeoisie of 1930s Italy, who desired furniture that reflected their taste for quality and modernity. Additionally, its inclusion of innovative materials such as parchment further underscores Ar.Ca’s forward-thinking approach to design and production. Ulrich successfully created a piece that embodies elegance without compromising on practicality. \u003cbr\u003e\u003cbr\u003eIn 1930, architect, furniture designer, and writer Guglielmo Ulrich (1904-1977) founded the home furniture company Ar.Ca (Arredamento Casa) in Milan, Italy. He established the firm alongside Renato Wild, a cultured furniture maker and dealer, and Baron Attilio Scaglia, an entrepreneur and owner of a furniture shop. Together, they envisioned a company that would not only design but also produce and sell high-quality furniture, blending artisanal craftsmanship with the emerging industrial production methods of the time. Ulrich, who also served as the company’s artistic director, played a pivotal role in creating a distinctive line of furniture that reflected the evolving tastes and cultural shifts of the early 20th century.\u003cbr\u003e\u003cbr\u003eA key aspect of Ar.Ca’s rise to prominence in the Italian furniture industry was its close relationship with Domus, the influential Italian design magazine founded by Gio Ponti. In 1932, just two years after its establishment, Ar.Ca began advertising consistently in Domus. Ulrich’s furniture designs, known for their luxury and modernity, were featured in the magazine five times that year, which positioned Ar.Ca as a leading force in contemporary furniture design.\u003cbr\u003e\u003cbr\u003eGio Ponti, as the editor of Domus, was instrumental in promoting Ar.Ca’s work, recognizing its ability to bridge the gap between high design and mass appeal. Ponti’s goal was to demonstrate that luxury furniture could have a broader cultural and educational role, influencing trends in the way people lived and thought about their surroundings. By showcasing Ar.Ca’s work, Ponti hoped to inspire a shift within the Italian furniture industry, encouraging other designers and manufacturers to elevate the quality of their products. This collaboration aimed to enhance Italy’s reputation in the international design community, particularly against strong competitors like France and Austria.\u003cbr\u003e\u003cbr\u003eThe balance between handcrafted luxury and industrial efficiency became a defining feature of Ulrich’s work at Ar.Ca. His ability to maintain this balance while meeting the growing demand for high-quality, accessible furniture was one of the reasons for his lasting success. The Ar.Ca operation was a model of how a company could thrive by merging artistic vision with practical production techniques. By controlling both the design and production processes, Ulrich ensured that the furniture maintained the highest standards of craftsmanship, even as the company expanded its reach.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53231462187351,"sku":null,"price":38500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117248_St_P_8_29f3682d-4aa9-4dbb-b44c-1ece472a0dee.jpg?v=1775230442"},{"product_id":"ernesto-valabrega-for-vittorio-valabrega-cabinet-in-oak","title":"Ernesto Valabrega for Vittorio Valabrega Cabinet in Oak","description":"Ernesto Valabrega for Vittorio Valabrega, cabinet, oak, leather, brass, Italy, 1930s \u003cbr\u003e\u003cbr\u003eThis exceptional sideboard, designed by Ernesto Valabrega for Vittorio Valabrega in the 1930s, is a striking example of Italian craftsmanship. Executed in oak with refined detailing, the piece reveals a meticulous attention to proportion and surface texture. The geometric structure is softened by subtle decorative accents, its fluted edges and recessed panels lend rhythm and depth, while circular leather escutcheons punctuate the facade with warm, tactile contrast. Inside, the composition features brass fittings, finely arranged shelves and drawers designed for both elegance and practicality.\u003cbr\u003e\u003cbr\u003eItalian designer Ernesto Valabrega (1901-1944) was born in Turin, as the son of celebrated designer and cabinetmaker Vittorio Valabrega (1861-1952). His father Vittorio was, together with his brother, the founder of Fratelli Valabrega (Valabrega Brothers Company, since 1884) that was situated in Turin. During the 1890s, Vittorio became the sole owner of the company and had great success with his refined wooden furniture. Vittorio Valabrega became well-known for his furniture in the floral Art Nouveau style, but as a true child of the 19th century, his company also manufactured furniture in Neo-Renaissance and the French Rococo Louis XV-style. His designs received positive attention and were awarded at World Exhibitions. At the famous exhibition in Paris in 1900, Vittorio even received a gold medal. It was at the age of 24 that Ernesto got on board with his father’s business. His involvement from 1925 onwards had a great impact on the company. Ernesto decided to change the company’s name to Mobilart in 1928 and radically redirected the course. Whereas Vittorio was inspired by a variety of contemporary and historic styles, Ernesto chose for a different approach. He renounced the 19th century mixture of styles and approached furniture design in the same manner as the highly influential William Morris of the English Arts and Crafts movement. Their reform was an artistic reaction to the widespread industrialization of the 19th century. Ernesto despised products of poor quality and chose high quality materials that would last a lifetime. The furniture he created in the late 1920s and 1930s are a true testament to his beliefs. With his irregular carvings of oakwood, the hammered hinges, flowing edges, embossed surfaces his furniture shows quality, attention to detail and ultimate craftsmanship. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51934202855767,"sku":null,"price":17500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117820_St_P_9.jpg?v=1760698778"},{"product_id":"francisque-chaleyssin-french-art-deco-cabinet-in-cerused-oak","title":"Francisque Chaleyssin French Art Deco Cabinet in Cerused Oak","description":"Francisque Chaleyssin, cabinet, cerused oak, formica, mirrored glass, glass, France, late 1940s\u003cbr\u003e\u003cbr\u003eFrancisque Chaleyssin (1872–1951) was a prominent ébéniste and décorateur based in Lyon, active through the interwar and immediate postwar decades. His work bridged the transition from the ornamental vocabulary of Art Deco toward the more pared-down modernism that emerged in postwar France. Chaleyssin’s designs often embodied a synthesis of traditional artisanal techniques, art deco influences, and modern stylistic restraint, aligning him with other regional ateliers that sought to maintain French craftsmanship in an era increasingly defined by industrial production. This remarkable sideboard exemplifies Chaleyssin’s fusion of paradigms. This cabinet is a quietly powerful piece; substantial in form, yet richly detailed in texture – its structure is weighty and grounded. The overall shape is boxy, geometric, almost monolithic, but not without nuance. Open shelves on either side frame the design, and a top vitrine provides space to display your favorite belongings. The cabinet's doors are where the hand of the artisan truly shows. Each geometrically raised panel is carefully hand-carved, and it is striking how the mirrored grains create a cross  opposing the orientation of the panels themselves. Executed in oak, the surface features a distinctive, pronounced grain pattern, further accentuated by a cerused finish. This technique, which involves applying a contrasting pigment to highlight the wood's natural grain, adds remarkable depth and texture. The top, surfaced in a grid of black formica tiles, introducing a modern material and subtle counterpoint to the tactility of the wood. The sideboard formed part of an interior ensemble in Lyon, furnished by Chaleyssin.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52058524221783,"sku":null,"price":8450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117932_St_P_8.jpg?v=1761917938"},{"product_id":"jarl-heger-for-jason-mobler-cabinet-in-teak","title":"Jarl Heger for Jason Møbler Cabinet in Teak","description":"Jarl Heger for Jason Møbler, cabinet, teak, brass, white and black lacquered wood, Denmark, 1959\u003cbr\u003e\u003cbr\u003eA striking example of Danish modern design, this tall cabinet was designed in 1959 by Jarl Heger for manufacturer Jason Møbler. Crafted from rich teak, it features elegant brass accents and bold white and black lacquered wood elements, offering a refined balance in its appearance. Showcased at the Furniture Fair Forum in Denmark in 1959, the storage unit reflects the innovative spirit and craftsmanship of the Mid-century design period. With its clean lines and thoughtful materiality, this piece exemplifies sophisticated Danish design. \u003cbr\u003e\u003cbr\u003eKindly note that this piece is in good, used condition. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52164130963799,"sku":null,"price":6450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118239_St_P_1.jpg?v=1763139095"},{"product_id":"ernesto-valabrega-for-vittorio-valabrega-tall-cabinet-in-carved-solid-oak","title":"Ernesto Valabrega for Vittorio Valabrega Tall Cabinet in Carved Solid Oak","description":"Ernesto Valabrega for Vittorio Valabrega, tall cabinet, oak, Italy, 1930s \u003cbr\u003e\u003cbr\u003eThis exceptional cabinet, designed by Ernesto Valabrega for Vittorio Valabrega, is a distinguished example of Italian Art Deco craftsmanship from the 1930s. Executed in oak, the piece harmoniously balances structure and ornamentation, revealing the refined cabinetmaking traditions of the Valabrega atelier. \u003cbr\u003e\u003cbr\u003eThe cabinet's sculptural façade is composed of carved rims, elegantly enveloping the structure. The handles animate deeply carved organic motifs, evoking the fluidity of waves or draped fabric. These carvings lend a dynamic rhythm to the surface, contrasting elegantly with the clean linear geometry of the central doors.\u003cbr\u003e\u003cbr\u003eItalian designer Ernesto Valabrega (1901-1944) was born in Turin, as the son of celebrated designer and cabinetmaker Vittorio Valabrega (1861-1952).  \u003cbr\u003e\u003cbr\u003eHis father Vittorio was, together with his brother, the founder of Fratelli Valabrega (Valabrega Brothers Company, since 1884) that was situated in Turin. During the 1890s, Vittorio became the sole owner of the company and had great success with his refined wooden furniture. Vittorio Valabrega became well-known for his furniture in the floral Art Nouveau style, but as a true child of the 19th century, his company also manufactured furniture in Neo-Renaissance and the French Rococo Louis XV-style. His designs received positive attention and were awarded at World Exhibitions. At the famous exhibition in Paris in 1900, Vittorio even received a gold medal. \u003cbr\u003e\u003cbr\u003eIt was at the age of 24 that Ernesto got on board with his father’s business. His involvement from 1925 onwards had a great impact on the company. Ernesto decided to change the company’s name to Mobilart in 1928 and radically redirected the course. Whereas Vittorio was inspired by a variety of contemporary and historic styles, Ernesto chose for a different approach. He renounced the 19th century mixture of styles and approached furniture design in the same manner as the highly influential William Morris of the English Arts and Crafts movement. Their reform was an artistic reaction to the widespread industrialization of the 19th century.  \u003cbr\u003e\u003cbr\u003eErnesto despised products of poor quality and chose high quality materials that would last a lifetime. The furniture he created in the late 1920s and 1930s are a true testament to his beliefs. With his irregular carvings of oakwood, the hammered hinges, flowing edges, embossed surfaces his furniture shows quality, attention to detail and ultimate craftsmanship. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52286258118999,"sku":null,"price":11000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117822_St_P_8_55c75513-030a-488b-a8da-15ad84bc3c79.jpg?v=1764922828"},{"product_id":"mogens-koch-for-rud-rasmussen-tall-cabinet-or-wardrobe-in-mahogany","title":"Mogens Koch for Rud Rasmussen Tall Cabinet or Wardrobe in Mahogany","description":"Mogens Koch for Rud Rasmussen, tall cabinet or wardrobe, mahogany, mirrored glass, brass, Denmark, design 1928 \u003cbr\u003e\u003cbr\u003eTall cabinet or wardrobe by Danish designer Mogens Koch. The interior is furnished with diagonally-placed shelves, a coat rack in brass, and a mirror attached to one of the door panels. The execution of this design is wonderful and a typical example for Scandinavian modern furniture. The appearance of this storage unit comes across as fresh in its progressive design but deep and warm due to the use of the mahogany wood that has amazing depth and color to it. \u003cbr\u003e\u003cbr\u003eMogens Koch (1898-1993) was a Danish architect, furniture-designer, teacher and typographer. Koch studied under Kaare Klint and always challenged the complexity of materials and designs. He is known for his functional, comfortable yet highly aesthetic designs.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52288847479127,"sku":null,"price":8450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116853_St_P_5_1eecb513-8e9a-4612-af1d-fef30bc5e5f3.jpg?v=1764950183"},{"product_id":"french-art-deco-cabinet-in-oak-and-brass-detailing","title":"French Art Deco Cabinet in Oak and Brass Detailing","description":"Cabinet, oak, brass, France, 1930s\u003cbr\u003e\u003cbr\u003eThis French cabinet from the 1930s is crafted in oak, it features strong geometric lines and finely worked surfaces. The fluted panels framing the doors add refined contrast. Inside, the double doors reveal a practical storage compartment. With its warm oak tones and thoughtful craftsmanship, this piece stands as a timeless example of French Art Deco style.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52307929235799,"sku":null,"price":13800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118193_St_P_8_f59499e0-b662-4810-a7e6-341aa6d8994a.jpg?v=1765204252"}],"url":"https:\/\/www.morentz.com\/en-gb\/collections\/cabinets.oembed?page=3","provider":"Morentz","version":"1.0","type":"link"}