{"title":"Benches","description":"","products":[{"product_id":"pair-of-benches-by-ton-in-bentwood-1","title":"Benches by Ton in Bentwood","description":"\u003cp\u003eTON, benches, bentwood, faux leather, Czech Republic, 1960s\u003cbr\u003e\u003cbr\u003eThese benches are manufactured by TON in the 1960s. The benches have a circular bentwood frame with striking round forms. Seat and backrest are upholstered in brown leatherette.  \u003cbr\u003e\u003cbr\u003eTON was founded after World War Two in former Thonet factories and continued with the furniture making tradition set up by Thonet. In the 1960s, TON asked various architects to contribute to research and developments of new designs using the technology of bentwood and leading to new, more contemporary designs. \u003cbr\u003e\u003cbr\u003ePlease note that the leatherette has tears and holes. Reupholstery is possible before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized reupholstery is possible as well. \u003cbr\u003e\u003cbr\u003eThe listed price, is the price per item.\u003c\/p\u003e \u003cp\u003e Please note that the price is per item. \u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48135405404503,"sku":"LU933124184142","price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45013102_03_org.jpg?v=1750669168"},{"product_id":"mobichalet-brutalist-benches-in-oak","title":"Mobichalet Brutalist Benches in Oak","description":"\u003cp\u003eMobichalet, bench, oak, beech, Belgium, 1950s.\r\u003cbr\u003e\r\u003cbr\u003eThis rustic bench will come forward nicely in a relaxing atmosphere, like a patio or a studio space. The Brutalist appearance is expressed through robust forms and strong lines. The viewer can follow the lines of the craftsman that treated the wood in a rough manner. The wooden materials are not heavily processed, resulting in organic and free-flowing edges. This piece of furniture will bring a lively and naturalistic feel to your interior.\r\u003cbr\u003e\r\u003cbr\u003eKindly be informed that the photographs provided are merely examples, as we currently have a large inventory of these benches in stock. It is important to note that the benches may vary in terms of wood species, grains, and tones. For further details, we encourage you to reach out to our team of design specialists.\r\u003cbr\u003e\r\u003cbr\u003eThe listed price, is the price per item.\u003c\/p\u003e \u003cp\u003e Please note that the price is per item. \u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48135435354455,"sku":"LU933133044252","price":2200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50113670_03__org.jpg?v=1750675933"},{"product_id":"mid-century-modern-daybed-or-bench-in-teak-and-black-upholstery","title":"Mid-Century Modern Daybed or Bench in Teak and Black Upholstery","description":"\u003cp\u003eBench or daybed, faux leather, teak, Europe, 1960s\u003cbr\u003e\u003cbr\u003eThis streamlined design is executed within a minimalist construction marked by clear, sharp lines and simple proportions. The seat is executed in black faux leather and the base is crafted from teak. Functionality comes into play through the various functions this item embraces: you can use it as a bench or daybed. The design will come forward nicely in a hall way or walk in closet. \u003cbr\u003e\u003cbr\u003ePlease note that the leather is in fair condition with tears, holes and, scratches. Reupholstery is possible before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized reupholstery is possible as well.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48201101312343,"sku":"LU933135116432","price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/490006478_01__org.jpg?v=1750678171"},{"product_id":"scandinavian-modern-bench-in-chestnut-upholstery-and-teak","title":"Scandinavian Modern Bench in Chestnut Upholstery and Teak","description":"\u003cp\u003eLarge bench, faux leather, teak, brass, Scandinavia, 1950s\u003cbr\u003e\u003cbr\u003eA charming furniture piece exuding a sense of harmony and purity. The bench, with its rectangular shape, showcases an upholstered seat in a rich reddish-brown hue. Brass nails run along the edges, adding a touch of elegance. Crafted from teak, the wooden frame embodies sleek, well-defined lines, and the exquisite carved feet delicately elevate the seat. This versatile design can be the centerpiece of your hallway or make a striking statement in your entrance hall.\u003cbr\u003ePlease note that this item is in good, used condition. The upholstery contains a few small tears and discoloration. Reupholstery or restoration is possible before shipping by our experienced craftsman and -women in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized reupholstery or restoration is possible as well.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48683481825623,"sku":"LU933135856902","price":1450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/490006494_01__org.jpg?v=1750680164"},{"product_id":"mobichalet-brutalist-long-bench-in-oak-and-pine","title":"Mobichalet Brutalist Long Bench in Oak and Pine","description":"\u003cp\u003eMobichalet, long bench, oak, pine, Belgium, 1950s\u003cbr\u003e\u003cbr\u003eThis rustic bench will come forward nicely in a relaxing atmosphere, like a patio or a studio space. The brutalist appearance is expressed through robust forms and strong lines. The viewer can follow the lines of the craftsman that treated the wood in a rough manner. The wooden materials are not heavily processed, resulting in organic and free-flowing edges. This piece of furniture will bring a lively and naturalistic feel to your interior.\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":47110037930327,"sku":"LU933136055082","price":2950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50113672_10__org.jpg?v=1750680990"},{"product_id":"mobichalet-brutalist-bench-in-oak-and-pine","title":"Mobichalet Brutalist Bench in Oak and Pine","description":"\u003cp\u003eMobichalet, bench, oak, pine, Belgium, 1950s\u003cbr\u003e\u003cbr\u003eThis rustic bench will come forward nicely in a relaxing atmosphere, like a patio or a studio space. The brutalist appearance is expressed through robust forms and strong lines. The viewer can follow the lines of the craftsman that treated the wood in a rough manner. The wooden materials are not heavily processed, resulting in organic and free-flowing edges. This piece of furniture will bring a lively and naturalistic feel to your interior.\u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48201111339351,"sku":"LU933136140072","price":2650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50113672_02__org.jpg?v=1750681298"},{"product_id":"italian-bench-in-plywood-and-metal","title":"Italian Bench in Plywood and Metal","description":"\u003cp\u003eBench, plywood, metal, Italy, 1960s\u003cbr\u003e\u003cbr\u003eThis bent plywood bench represents characteristic Italian design elements such as the playful lines of the bent frame and the typical basic design of the plywood. The overall effect of the bench is decidedly sculptural and floating due to the open character, but it's still very functional. The wood has a beautiful patina.\u003cbr\u003e  \u003cbr\u003ePlease note that this item is in used condition and shows signs of wear and use common for pieces this age.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":47357871882583,"sku":"LU933137132062","price":2200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/products\/45004219_01__master.jpg?v=1700464659"},{"product_id":"atelier-c-demoyen-bench-in-solid-elm","title":"Atelier C. Demoyen Bench in Solid Elm","description":"\u003cp\u003eAtelier C. Demoyen, bench, solid elm, France, 1970s\u003cbr\u003e\u003cbr\u003eAtelier C. Demoyen (Claude de Moyen) gained prominence as a workshop recognized for crafting, among others, Pierre Chapo's designs. Consequently, their own furniture creations bear the hallmark of impeccable craftsmanship and the use of premium quality materials. Situated in a small French municipality of Moncel-lès-Lunéville, their operations commenced around 1976. Their body of work is distinguished by the primary utilization of solid wood, expertly constructed through intricate wood joinery techniques. The present seating furniture is a striking example of this approach. Crafted from solid elmwood, the bench (or long side table) exhibits a refined design that is both sleek and contemporary in appearance. The legs are expertly carved featuring concave contours with a thick structure. All together, this piece stands as a genuine masterpiece, excelling not just in its functionality but also in its aesthetic excellence.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48100169744727,"sku":"LU933139308252","price":3850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115500_01__master.jpg?v=1713766705"},{"product_id":"scandinavian-slatted-bench-in-solid-wood","title":"Scandinavian Slatted Bench in Solid Wood","description":"\u003cp\u003eBench, beech, Scandinavia, 1960s\u003cbr\u003e\u003cbr\u003eTranquil and stunning design made in Scandinavia in the 1960s. This slatted bench displays a natural and serene appearance, mainly due to the solid beech wood used to produce this piece. The height of the bench and the space in between the slats are in beautiful proportion, and make this piece very pleasing to the eye. This piece would be appropriate to be used multi purpose, for instance as a longer coffee table or bed end bench. Because of its size, over 300 cm, this piece is a standout item in any interior or space. \u003cbr\u003e\u003cbr\u003ePlease note that this piece is in good, used condition.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48135394066775,"sku":"LU933139394312","price":3300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45016421_01__master.jpg?v=1714371263"},{"product_id":"bench-in-braided-straw-and-blond-wood","title":"Bench in Braided Straw and Blond Wood","description":"\u003cp\u003eBench, beech, braided straw, Italy, 1940s \u003cbr\u003e\u003cbr\u003eA well-executed design that features a frame in wood with a border that is meticulously adorned with braided straw. The elegantly bent frame catches the eye, and the naturalistic properties of the straw are a perfect fit as a combination of materials used. The designer skillfully interweaved a captivating interplay of materials and textures. \u003cbr\u003e\u003cbr\u003ePlease note that this piece is in used condition and shows signs of age and use, common for pieces this age. The wood exhibits some small fissures around the armrests. We kindly ask you to reach out to our design specialists for more detailed information.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49127595639127,"sku":"LU933141440892","price":2450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45003799_01__master.jpg?v=1726466858"},{"product_id":"edward-wormley-for-dunbar-daybed-in-mahogany-brass-and-blue-grey-fabric","title":"Edward Wormley for Dunbar Daybed in Mahogany, Brass, and Blue-Grey Fabric","description":"Edward Wormley for Dunbar, daybed, mahogany, reupholstered fabric, brass-plated aluminum, United States, 1950s.\u003cbr\u003e\u003cbr\u003eThis rare design by Edward Wormley exemplifies his commitment to creating furniture that balances elegant form with practical functionality. What distinguishes this 1950s daybed is its strikingly intentional shape: precise, architectural, and quietly assertive. The form is linear yet softened by subtle curves, especially in the way the wooden frame wraps gently around the cushions at either end. Wormley’s design resists ornamentation, relying instead on proportion and contour to define its character. The silhouette is low and elongated, creating a horizontal emphasis that feels both grounded and serene. The cylindrical-shaped legs narrow delicately toward the floor, imparting the piece with a certain lightness. This daybed invites multiple interpretations: a seat, a lounger, a minimalist repose. \u003cbr\u003e\u003cbr\u003eEdward Wormley (1907–1995), was born in rural Illinois, United States. As a young man, he was passionate about design and enrolled in the School of the Art Institute of Chicago in 1926, but left due to financial issues and began working for an interior design company. He later joined the Dunbar Furniture Company in Indiana, where he served as director of design for almost 40 years. Following World War Two, he became an independent design consultant. Wormley passed away in 1995, but his legacy of creating elegant and high-quality furniture lives on. He was a master in combining classical 20th century design with modern innovations. \u003cbr\u003e\u003cbr\u003eKindly note that the daybed is newly upholstered and is perfectly ready to enjoy for many years. The mahogany type used to produce this piece does not require an export license. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50284054085975,"sku":"LU933144271402","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115587_St_P_22_896375bb-45f3-4413-aa8d-e9c85d9161b4.jpg?v=1743177402"},{"product_id":"william-p-taylor-for-sintoform-square-planter-bench","title":"William P. Taylor for Sintoform Square Planter Bench","description":"William P. Taylor for Sintoform, square planter bench, reinforced polyester, United States, 1970s\u003cbr\u003e\u003cbr\u003eA striking fusion of form and function, this sculptural planter bench, designed by William P. Taylor for Sintoform in the 1970s, embodies the era’s bold approach to modernist design. Crafted from fiberglass, it showcases a sleek, geometric silhouette with a seamless finish that enhances its futuristic aesthetic. The wide, angular base of this bench serves as both seating and structural support, while the integrated planter at its core brings nature into the design, creating a harmonious balance between the organic and the architectural. \u003cbr\u003e\u003cbr\u003eSintoform Architectural Fiberglass, was an innovative American company founded in Los Angeles, California, that made a significant mark in the 1970s with its postmodern furniture. Specializing in fiberglass, the company aimed to create lightweight, versatile pieces suitable for both indoor and outdoor spaces. Their designs were employed in a wide range of settings, including museums, airports, hospitals, schools, gardens, and offices. The company collaborated with notable designers such as William P. Taylor, Elsie Crawford, Douglas Deeds, and John Follis, who each created distinctive designs that helped define the company’s innovative approach to functional furniture.\u003cbr\u003e\u003cbr\u003eKindly note that this piece has been completely restored and refinished, and is perfectly ready to enjoy for many years. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50341865652567,"sku":"LU933144376402","price":14400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116716_St_P_10.jpg?v=1788435891"},{"product_id":"pierre-chapo-s14b-bench-in-elm","title":"Pierre Chapo 'S14B' Bench in Elm","description":"Pierre Chapo, bench, model 'S14B', solid elm, France, design circa 1960\u003cbr\u003e\u003cbr\u003eStunning early edition 'S14B' bench designed by Pierre Chapo, known for his hallmark use of solid elmwood and a commitment to pure and clean design and construction principles. The bench has a robust, straightforward form, highlighted by his signature joinery techniques, which underscore both the structural integrity and the aesthetic elegance of his work.\u003cbr\u003e\u003cbr\u003ePierre Chapo (1927-1987) was born in a family of craftsmen and trained as an architect at the École Nationale Supérieure des Beaux-Arts in Paris. Already from a young age, he felt the need to roam the world. He was only twenty-one when he left France in order to spend the next few years traveling through England and Scandinavia. In December of 1951, he was living back in Paris, where he met his future wife, Nicole. Their meeting was the beginning of a lifelong union. Together, the lovebirds travelled through South and North America being captivated by the architectural diversity. Back in France, he and his partner Nicole set up Société Chapo in 1957. Société Chapo was a design workshop and gallery in one where he showed his own creations. However, Nicole also presented her ceramics, and textiles here and they even exhibited other great designers of that period. In 1958, they opened their famous gallery at 14 Boulevard de l'Hopital. Chapo's work originated by means of special commissions that could later be adapted to universal needs. Throughout his career, Chapo combined his interest for contemporary design with his love for traditional craftsmanship. In his designs, he was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and the ideas of Bauhaus. The three principles that motivated Pierre Chapo were 'material, form, and function.' He measured his furniture by means of golden ratio and used elmwood as his preferred material. Unfortunately, Chapo fell ill, and he died in 1987, however, until his last day, he kept on designing and working. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51053077987671,"sku":null,"price":9400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117561_St_P_8.jpg?v=1751036733"},{"product_id":"mid-century-modern-bench-in-walnut","title":"Mid-Century Modern Bench in Walnut","description":"Bench, walnut, faux leather, Europe, 1950s\u003cbr\u003e\u003cbr\u003eThis European bench from the 1950s combines a walnut frame with black faux leather upholstery. The design is straightforward and functional, with a long rectangular seat and two separate backrests that provide simple comfort. The tapered legs are connected by horizontal stretchers, adding stability and a touch of refinement to the otherwise modest construction.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51738195558743,"sku":null,"price":2450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45004707_St_P_10_2bd5d351-ef27-4032-9438-783fd11ab680.jpg?v=1758291037"},{"product_id":"mid-century-modern-french-bench-in-warm-wood-and-rush","title":"Mid-Century Modern French Bench in Warm Wood and Rush","description":"Bench, beech, rush, France, 1950s \u003cbr\u003e\u003cbr\u003eA charming French bench from the 1950s, crafted in beechwood with a focus on clarity of line and proportion. The geometric backrest is elegantly designed, featuring a central trapezoidal motif framed by horizontal beams that create airy apertures, giving the piece a refined lightness. Woven rush seats introduce an organic texture that contrasts beautifully with the smooth, polished wood. The tapered legs lift the form with grace and balance. A modernist design imbued with rustic warmth.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52078355120471,"sku":null,"price":4200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117918_St_P_9.jpg?v=1762163017"},{"product_id":"giuseppe-rivadossi-for-officina-rivadossi-rare-bench-in-oak","title":"Giuseppe Rivadossi for Officina Rivadossi Rare Bench in Oak","description":"Giuseppe Rivadossi for Officina Rivadossi, bench, oak, Italy, design 1980s\u003cbr\u003e\u003cbr\u003eThis lovely bench is a design by Giuseppe Rivadossi. The material used to make this piece is oak, which shows a striking grain pattern and warm tone. The bench reflects the vision of the designer. Movement and depth is added to the design with thoughtful technique and refined execution through the joinery and finish.\u003cbr\u003e\u003cbr\u003eGiuseppe Rivadossi (1935) was born in Monteclana di Nave, Italy, where he continues to live and work. His journey with wood carving began at a young age, each piece embodying his poetic vision of life. In 1962, Rivadossi took over the carpentry business founded by his father, Clemente, in 1920, transforming it into an atelier, or rather a creative workshop. In 1976, Rivadossi and his collaborators established ‘Officina Rivadossi’, where he began crafting unique wooden objects and modern furniture, blending artistry with craftsmanship.\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52307087720791,"sku":null,"price":14200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117725_St_P_2.jpg?v=1786572310"},{"product_id":"early-pierre-chapo-s38a-benches-in-solid-elm-2","title":"Early Pierre Chapo 'S38A’ Benches in Solid Elm","description":"Pierre Chapo, benches, model 'S38A', elm, France, 1960s.\u003cbr\u003e\u003cbr\u003eThis wonderful ‘S38A’ set of benches is designed by Pierre Chapo in the 1960s. A soft, warm all-over patina is visible on the wood of this bench. This emphasizes the natural expression of the item. This design is another great example of the quality and craftsmanship of Pierre Chapo. The shape of the base creates a very open look and makes this an object to make a space more interesting. The perfectly made solid wood joints, also shown on the side of the top with double connection made of solid elmwood, are true Chapo trademarks.\u003cbr\u003e\u003cbr\u003ePierre Chapo (1927-1987) was born in a family of craftsmen and trained as an architect in Paris. After spending many years traveling through south and north America he and his partner Nicole set up Société Chapo, an architectural research consultancy and interior design firm. In 1958 they opened their famous gallery at 14 Boulevard de l'Hopital. Chapo's work originated by means of special commissions that could later be adapted to universal needs. Chapo was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and the minimalist tendencies of Bauhaus. Societe Chapo was a design workshop and gallery in one where Nicole presented ceramics, textiles and other design by the great designers of the day. The three principles that motivated Pierre Chapo were 'material, form, and function.' He measured his furniture by means of golden ratio and used elm wood as his preferred material.\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52288833913175,"sku":null,"price":12800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117562_St_P_22_7ebd0abc-61ea-4e76-a0fa-a190132da8b3.jpg?v=1764949939"},{"product_id":"elsie-crawford-for-sintoform-carousel-sofa-bench-in-fiberglass-1","title":"Elsie Crawford for Sintoform Large 8-Seat 'Carousel' Sofa in Fiberglass","description":"Elsie Crawford for Sintoform, 'Carousel' sofa bench, fiberglass, United States, 1969\u003cbr\u003e\u003cbr\u003eThe Carousel sofa bench, designed by American artist Elsie Crawford for Sintoform, is a distinctive eight-seat furniture piece. Resembling a sculptural disc, this seating object serves as a captivating focal point for both indoor and outdoor spaces. The molded design showcases a central opening at the top, providing a unique space for incorporating plants. The sleek high-gloss white lacquer imparts the sofa bench with a Postmodern, Space Age stance.\u003cbr\u003e\u003cbr\u003ePlease note that the depicted photographs of this bench show the final result of what the item will look like after respraying. The price on offer is valid for this final result, including lacquer and labor. The refinished item has a current lead-time of twelve to fourteen weeks and will be performed by our experienced craftspeople in our in-house restoration atelier. All to meet our high-quality and standards. For further questions please contact our design specialists regarding restoration and specific lead-time.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52404454162775,"sku":null,"price":21700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116424_St_P_7.jpg?v=1787923164"},{"product_id":"pierre-chapo-s14b-bench-in-solid-elm","title":"Pierre Chapo 'S14B' Bench in Solid Elm","description":"Pierre Chapo, bench, model 'S14B', solid elm, France, design circa 1960\u003cbr\u003e\u003cbr\u003eStunning early edition 'S14B' bench designed by Pierre Chapo, known for his hallmark use of solid elmwood and a commitment to pure and clean design and construction principles. The bench has a robust, straightforward form, highlighted by his signature joinery techniques, which underscore both the structural integrity and the aesthetic elegance of his work.\u003cbr\u003e\u003cbr\u003ePierre Chapo (1927-1987) was born in a family of craftsmen and trained as an architect at the École Nationale Supérieure des Beaux-Arts in Paris. Already from a young age, he felt the need to roam the world. He was only twenty-one when he left France in order to spend the next few years traveling through England and Scandinavia. In December of 1951, he was living back in Paris, where he met his future wife, Nicole. Their meeting was the beginning of a lifelong union. Together, the lovebirds travelled through South and North America being captivated by the architectural diversity. Back in France, he and his partner Nicole set up Société Chapo in 1957. Société Chapo was a design workshop and gallery in one where he showed his own creations. However, Nicole also presented her ceramics, and textiles here and they even exhibited other great designers of that period. In 1958, they opened their famous gallery at 14 Boulevard de l'Hopital. Chapo's work originated by means of special commissions that could later be adapted to universal needs. Throughout his career, Chapo combined his interest for contemporary design with his love for traditional craftsmanship. In his designs, he was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and the ideas of Bauhaus. The three principles that motivated Pierre Chapo were 'material, form, and function.' He measured his furniture by means of golden ratio and used elmwood as his preferred material. Unfortunately, Chapo fell ill, and he died in 1987, however, until his last day, he kept on designing and working. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52380950626647,"sku":null,"price":9400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118117_St_P_3.jpg?v=1766146841"},{"product_id":"naturalistic-carved-bench-in-solid-elm-with-storage-space","title":"Naturalistic Carved Bench in Solid Elm with Storage Space","description":"Bench, solid elm, fabric, Europe, 1960s\u003cbr\u003e\u003cbr\u003eThis bench expresses a naturalistic and grounded character. Crafted by hand from solid elm, the piece features beautiful carved contours, honoring traditional woodworking techniques and adding an artisanal quality. A storage compartment beneath the seat provides space for things like blankets and cushions. \u003cbr\u003e\u003cbr\u003eThe material plays the central role: elm’s expressive surface and organic texture create a dialogue between nature and craft. This approach, valuing integrity over ornament, embodies a quiet sophistication that celebrates the authenticity of the wood itself, much in the spirit of Franz Xaver Sproll's work.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52423641694551,"sku":null,"price":9400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118007_St_P_4_172651fe-c9d7-4847-bf2a-0374e155936f.jpg?v=1766998647"},{"product_id":"pierre-chapo-early-s38-benches-in-solid-elm","title":"Pierre Chapo Early 'S38A' Benches in Solid Elm","description":"Pierre Chapo, benches, model 'S38A', solid elm, France, 1960s\u003cbr\u003e\u003cbr\u003eThese S38A benches are one of the early editions designed by Pierre Chapo, known for his hallmark use of solid elmwood and a commitment to pure and clean design and construction principles. When placed together, these sculptural benches form a graceful, curved composition that is both inviting and architectural. Their semicircular shape creates a dynamic dialogue between the two parts, resulting in a striking and harmonious presence. The benches give off a soft, warm all-over patina. This emphasizes the natural expression of the items. This design is another great example of the quality and craftsmanship of Pierre Chapo. The shape of the base creates a very open look and makes this an object to make a space more interesting. The perfectly made solid wood joints, also shown on the side of the top with double connection made of solid elmwood, are true Chapo trademarks.\u003cbr\u003e\u003cbr\u003ePierre Chapo (1927-1987) was born in a family of craftsmen and trained as an architect at the École Nationale Supérieure des Beaux-Arts in Paris. Already from a young age, he felt the need to roam the world. He was only twenty-one when he left France in order to spend the next few years traveling through England and Scandinavia. In December of 1951, he was living back in Paris, where he met his future wife, Nicole. Their meeting was the beginning of a lifelong union. Together, the lovebirds travelled through South and North America being captivated by the architectural diversity. Back in France, he and his partner Nicole set up Société Chapo in 1957. Société Chapo was a design workshop and gallery in one where he showed his own creations. However, Nicole also presented her ceramics, and textiles here and they even exhibited other great designers of that period. In 1958, they opened their famous gallery at 14 Boulevard de l'Hopital. Chapo's work originated by means of special commissions that could later be adapted to universal needs. Throughout his career, Chapo combined his interest for contemporary design with his love for traditional craftsmanship. In his designs, he was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and the ideas of Bauhaus. The three principles that motivated Pierre Chapo were 'material, form, and function.' He measured his furniture by means of golden ratio and used elmwood as his preferred material. Unfortunately, Chapo fell ill, and he died in 1987, however, until his last day, he kept on designing and working. \u003cbr\u003e\u003cbr\u003eThe listed price is per item. \u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53174461661527,"sku":null,"price":6400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118296_St_P_1_ba5f98b8-0727-4b0d-9fa6-73633809182b.jpg?v=1775042312"},{"product_id":"maison-regain-grid-side-benches-in-elm","title":"Maison Regain Grid Side Benches in Elm","description":"Maison Regain benches, elm, France, 1970s\u003cbr\u003e\u003cbr\u003eLovely benches by Maison Regain, a lovely example of French design from the 1970s. Made from solid elm wood, the benches emphasize clear construction and material quality. The grid-like side supports give the design an architectural character, while the long seat surfaces highlight the natural grain and warm tones of the elm. Solid proportions and precise joinery underline the craftsmanship. Functional and versatile, these benches reflect Maison Regains sober, honest approach to furniture design.\u003cbr\u003e\u003cbr\u003eThe price listed is per bench. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52762019004759,"sku":null,"price":5450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118130_St_P_7_dc1d5fed-b967-4a88-be1d-38218817212a.jpg?v=1770714790"},{"product_id":"pierre-chapo-benches-model-s14d-in-elm","title":"Pierre Chapo Benches Model 'S14D' in Elm","description":"Pierre Chapo, benches, model 'S14B', solid elm, France, design circa 1960\u003cbr\u003e\u003cbr\u003eStunning early edition 'S14B' bench designed by Pierre Chapo, known for his hallmark use of solid elmwood and a commitment to pure and clean design and construction principles. The bench has a robust, straightforward form, highlighted by his signature joinery techniques, which underscore both the structural integrity and the aesthetic elegance of his work.\u003cbr\u003e\u003cbr\u003ePierre Chapo (1927-1987) was born in a family of craftsmen and trained as an architect at the École Nationale Supérieure des Beaux-Arts in Paris. Already from a young age, he felt the need to roam the world. He was only twenty-one when he left France in order to spend the next few years traveling through England and Scandinavia. In December of 1951, he was living back in Paris, where he met his future wife, Nicole. Their meeting was the beginning of a lifelong union. Together, the lovebirds travelled through South and North America being captivated by the architectural diversity. Back in France, he and his partner Nicole set up Société Chapo in 1957. Société Chapo was a design workshop and gallery in one where he showed his own creations. However, Nicole also presented her ceramics, and textiles here and they even exhibited other great designers of that period. In 1958, they opened their famous gallery at 14 Boulevard de l'Hopital. Chapo's work originated by means of special commissions that could later be adapted to universal needs. Throughout his career, Chapo combined his interest for contemporary design with his love for traditional craftsmanship. In his designs, he was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and the ideas of Bauhaus. The three principles that motivated Pierre Chapo were 'material, form, and function.' He measured his furniture by means of golden ratio and used elmwood as his preferred material. Unfortunately, Chapo fell ill, and he died in 1987, however, until his last day, he kept on designing and working. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52845124944215,"sku":null,"price":23600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118313_St_P_10.jpg?v=1771681481"},{"product_id":"dom-hans-van-der-laan-bench-in-lacquered-pine-with-copper-nails","title":"Dom Hans van der Laan Bench in Lacquered Pine with Copper Nails","description":"Dom Hans van der Laan, bench, copper, steel, the Netherlands, 1960s\u003cbr\u003e\u003cbr\u003eDesigned by Dutch Benedictine monk and architect Dom Hans van der Laan, this bench was initially conceived for the Abbey Church of St. Benedictusberg near the Dutch town of Vaals. Aligned with his theoretical pursuits, he valued both the design of individual objects and architecture equally. His approach centers on perceiving liturgy as a transformative process, elevating ordinary actions to a sacred realm. With its restrained character and ascetic formal language, the furniture and liturgical items seamlessly integrate into the comprehensive design of the buildings.\u003cbr\u003e\u003cbr\u003eSince the 1940s, van der Laan has been meticulously crafting liturgical objects for churches, consistently adhering to the principles of the plastic number. Each piece of furniture is not only intricately sketched and designed but is also assigned a specific place within the interior. The furniture is crafted based on a foundational system first implemented by him in Vaals in the onset of the 1960s. \u003cbr\u003e\u003cbr\u003eEach furniture piece is centered around a common U-profile, extending in various directions. A cabinet adopts a horizontal U-profile, extending upward, while benches, tables and stools feature a vertical U-profile elongated lengthwise. Other tables and chairs consist of extruded compositions of U-profiles. The outer edges of the foundation exhibit straight corners, whereas the inner edges are added with beveled contours. \u003cbr\u003e\u003cbr\u003eAll the furniture is constructed from wooden planks, primarily pine, fastened using hinge nails thoughtfully placed following the 'extrusion' pattern. When viewed from the side, the ending of the planks and the foundational wood to which they are affixed are both visible. The furniture is predominantly painted in an array of earthy tones like brown and grey, with the occasional use of maroon and blue. \u003cbr\u003e\u003cbr\u003eBiography\u003cbr\u003eIn 1904, Hans van der Laan was born into a family of architects in Leiden. His father and brothers, Jan and Nico, were also architects. Between 1923 and 1926, he pursued his architectural studies in Delft under the guidance of M.J. Granpré Molière (1883-1972), a leading figure among Dutch Catholic architects of that era. However, van der Laan discontinued his work in Delft within a few years, dissatisfied with the lack of fulfillment in his quest for the 'essence of architecture.'. In 1926, he sought a deeper spiritual connection and chose to become a monk at St. Paul's Abbey in Oosterhout. In 1934, he was ordained as a priest and became increasingly immersed in the realms of liturgical design and architecture.\u003cbr\u003e\u003cbr\u003eAfter the Second World War came to an end, Hans van der Laan, accompanied by his brother Nico, was enlisted to lead and guide the reconstruction in Catholic architecture. In 's-Hertogenbosch, he directed the Ecclesiastical Architecture course, specifically dedicated to the construction of churches. This initiative laid the foundation for the 'Bossche School,' where van der Laan played a crucial role as the primary architect and theoretician. Under his leadership, the primary focus was placed on the fundamental essence of all architecture: Well-proportioned and human-scale dimensions. \u003cbr\u003e\u003cbr\u003eIn the realm of 20th-century architectural history, the monk-architect held a distinctive position. Amidst the conflict between traditionalists and modernists in The Netherlands, van der Laan formulated his unique perspectives and formal language. His buildings and writings alike reflect a dedicated exploration of the laws of architecture and the connection between humanity and nature. The legacy left by the architect comprises a modest yet significant collection, encompassing seven buildings, including several monasteries, a chapel, and a church library. \u003cbr\u003e\u003cbr\u003eAs a theorist, van der Laan dedicated a significant portion of his life to contemplating form, proportion, and the human experience within architectural spaces. His focus centered on exploring the essence of architecture, leading him to formulate a comprehensive theory involving space, shape, and size. Central to his ideas was the plastic number, a three-dimensional extension of the golden ratio. This numerical concept sheds light on the proportional relationship between the thickness, length, and width of architectural elements. Apart from architectural creations, van der Laan applied the principles of the plastic number to design liturgical items, notebooks, uniforms, and furniture, resulting in a subtly impactful body of work.\u003cbr\u003e\u003cbr\u003eDom Hans van der Laan, a Dutch Benedictine monk and architect, played a pivotal role as a key figure in the Bossche School. Renowned for his influential theories on numerical proportions in architecture, his ideas continue to be explored and shared. On August 19, 1991, Hans van der Laan passed away at the St. Benedictusberg Abbey near Vaals.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53155222389079,"sku":null,"price":14400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45016030_St_P_4.jpg?v=1774859962"},{"product_id":"mid-century-long-benches-in-oak-and-straw","title":"Mid-Century Long Benches in Oak and Straw","description":"Benches, straw, oak, Europe, 1950s \u003cbr\u003e\u003cbr\u003eAn impressive set of comfortable long benches, measuring an exceptional 3.5 meters in width, combining simplicity with striking presence. Crafted from warm-toned oak, the clean lines and gently tapered legs reflect a timeless, understated design. The seats and backrests are finished in woven straw, adding a natural texture and lightness that beautifully contrasts with the solid wooden frame. This combination of materials creates a balanced, airy look while remaining durable and functional.\u003cbr\u003e\u003cbr\u003eThe listed price is per item. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53296249569623,"sku":null,"price":14700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118762_St_P_14_e3961070-923c-4956-82b0-0c023b710961.jpg?v=1776066491"},{"product_id":"g-w-rietveld-and-j-tricht-long-bench","title":"G.W. Rietveld and J. Tricht Long Bench","description":"Gerrit Rietveld and interior designer J. Tricht, bench, faux-leather, metal, the Netherlands, 1965\u003cbr\u003e\u003cbr\u003eThis bench was originally designed for a local bank in Dedemsvaart, The Netherlands. J. Tricht was the interior decorator of this space and was a partner of Gerrit Rietveld from 1965. The bench is made of metal and covered in original high-quality white leatherette. The bench exemplifies Rietveld's characteristic geometric precision and robust aesthetics.\u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53665910587735,"sku":null,"price":11700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45002231_St_P_7.jpg?v=1780068329"},{"product_id":"pierre-chapo-l09-bench-in-solid-elm","title":"Pierre Chapo 'L09' Bench in Solid Elm","description":"Pierre Chapo, bench, 'L09', oak and fabric, France, 1960s\u003cbr\u003e\u003cbr\u003eThis piece is an early edition designed by Pierre Chapo, known for his commitment to pure and clean design and construction principles The 'L09' sofa or bench by Pierre Chapo is characterized for its taut, sober design with simple lines and the box joints at the corners of the frame. The length of this piece is a great asset for its practicality and makes it easy to use as multiple pieces of furniture, a three seat sofa, bench, or daybed.\u003cbr\u003e\u003cbr\u003ePierre Chapo (1927-1987) was born in a family of craftsmen and trained as an architect at the École Nationale Supérieure des Beaux-Arts in Paris. Already from a young age, he felt the need to roam the world. He was only twenty-one when he left France in order to spend the next few years traveling through England and Scandinavia. In December of 1951, he was living back in Paris, where he met his future wife, Nicole. Their meeting was the beginning of a lifelong union. Together, the lovebirds travelled through South and North America being captivated by the architectural diversity. Back in France, he and his partner Nicole set up Société Chapo in 1957. Société Chapo was a design workshop and gallery in one where he showed his own creations. However, Nicole also presented her ceramics, and textiles here and they even exhibited other great designers of that period. In 1958, they opened their famous gallery at 14 Boulevard de l'Hopital. Chapo's work originated by means of special commissions that could later be adapted to universal needs. Throughout his career, Chapo combined his interest for contemporary design with his love for traditional craftsmanship. In his designs, he was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and the ideas of Bauhaus. The three principles that motivated Pierre Chapo were 'material, form, and function.' He measured his furniture by means of golden ratio and used elmwood as his preferred material. Unfortunately, Chapo fell ill, and he died in 1987, however, until his last day, he kept on designing and working.\u003cbr\u003e\u003cbr\u003ePlease note that the depicted photographs show an example of the way this bench can be tailored to specific wishes of our clients.  The listed price includes the cushions, which are custom-made in our in-house atelier by experienced craftspeople. For more information, please contact one of our design specialists.\u003cbr\u003e ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53891316678999,"sku":null,"price":23800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118972_St_P_9.jpg?v=1782726781"},{"product_id":"dom-hans-van-der-laan-long-bench-in-grey-lacquered-pine-400cm-157-48in","title":"Dom Hans van der Laan Long Bench in Grey Lacquered Pine 400cm\/157.48in.","description":"Dom Hans van der Laan, bench, lacquered pine, steel, the Netherlands, 1960s\u003cbr\u003e\u003cbr\u003eDesigned by Dutch Benedictine monk and architect Dom Hans van der Laan, this bench was initially conceived for the Abbey Church of St. Benedictusberg near the Dutch town of Vaals. Aligned with his theoretical pursuits, he valued both the design of individual objects and architecture equally. His approach centers on perceiving liturgy as a transformative process, elevating ordinary actions to a sacred realm. With its restrained character and ascetic formal language, the furniture and liturgical items seamlessly integrate into the comprehensive design of the buildings.\u003cbr\u003e\u003cbr\u003eSince the 1940s, van der Laan has been meticulously crafting liturgical objects for churches, consistently adhering to the principles of the plastic number. Each piece of furniture is not only intricately sketched and designed but is also assigned a specific place within the interior. The furniture is crafted based on a foundational system first implemented by him in Vaals in the onset of the 1960s.\u003cbr\u003e\u003cbr\u003eEach furniture piece is centered around a common U-profile, extending in various directions. A cabinet adopts a horizontal U-profile, extending upward, while benches, tables and stools feature a vertical U-profile elongated lengthwise. Other tables and chairs consist of extruded compositions of U-profiles. The outer edges of the foundation exhibit straight corners, whereas the inner edges are added with beveled contours.\u003cbr\u003e\u003cbr\u003eAll the furniture is constructed from wooden planks, primarily pine, fastened using hinge nails thoughtfully placed following the 'extrusion' pattern. When viewed from the side, the ending of the planks and the foundational wood to which they are affixed are both visible. The furniture is predominantly painted in an array of earthy tones like brown and grey, with the occasional use of maroon and blue.\u003cbr\u003e\u003cbr\u003eBiography\u003cbr\u003eIn 1904, Hans van der Laan was born into a family of architects in Leiden. His father and brothers, Jan and Nico, were also architects. Between 1923 and 1926, he pursued his architectural studies in Delft under the guidance of M.J. Granpré Molière (1883-1972), a leading figure among Dutch Catholic architects of that era. However, van der Laan discontinued his work in Delft within a few years, dissatisfied with the lack of fulfillment in his quest for the 'essence of architecture.'. In 1926, he sought a deeper spiritual connection and chose to become a monk at St. Paul's Abbey in Oosterhout. In 1934, he was ordained as a priest and became increasingly immersed in the realms of liturgical design and architecture.\u003cbr\u003e\u003cbr\u003eAfter the Second World War came to an end, Hans van der Laan, accompanied by his brother Nico, was enlisted to lead and guide the reconstruction in Catholic architecture. In 's-Hertogenbosch, he directed the Ecclesiastical Architecture course, specifically dedicated to the construction of churches. This initiative laid the foundation for the 'Bossche School,' where van der Laan played a crucial role as the primary architect and theoretician. Under his leadership, the primary focus was placed on the fundamental essence of all architecture: Well-proportioned and human-scale dimensions.\u003cbr\u003e\u003cbr\u003eIn the realm of 20th-century architectural history, the monk-architect held a distinctive position. Amidst the conflict between traditionalists and modernists in The Netherlands, van der Laan formulated his unique perspectives and formal language. His buildings and writings alike reflect a dedicated exploration of the laws of architecture and the connection between humanity and nature. The legacy left by the architect comprises a modest yet significant collection, encompassing seven buildings, including several monasteries, a chapel, and a church library.\u003cbr\u003e\u003cbr\u003eAs a theorist, van der Laan dedicated a significant portion of his life to contemplating form, proportion, and the human experience within architectural spaces. His focus centered on exploring the essence of architecture, leading him to formulate a comprehensive theory involving space, shape, and size. Central to his ideas was the plastic number, a three-dimensional extension of the golden ratio. This numerical concept sheds light on the proportional relationship between the thickness, length, and width of architectural elements. Apart from architectural creations, van der Laan applied the principles of the plastic number to design liturgical items, notebooks, uniforms, and furniture, resulting in a subtly impactful body of work.\u003cbr\u003e\u003cbr\u003eDom Hans van der Laan, a Dutch Benedictine monk and architect, played a pivotal role as a key figure in the Bossche School. Renowned for his influential theories on numerical proportions in architecture, his ideas continue to be explored and shared. On August 19, 1991, Hans van der Laan passed away at the St. Benedictusberg Abbey near Vaals.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":54502452658519,"sku":null,"price":22000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50114747_St_P_10.jpg?v=1787348225"},{"product_id":"dom-hans-der-laan-bench-in-pine-and-copper","title":"Dom Hans der Laan Bench in Pine and Copper","description":"Dom Hans van der Laan, bench, lacquered pine, copper, the Netherlands, 1975\u003cbr\u003e\u003cbr\u003eThis bench was conceived in 1975 by Dutch Benedictine monk and architect Dom Hans van der Laan for a private home he designed himself. Aligned with his theoretical pursuits, he valued both the design of individual objects and architecture equally. His approach centers on perceiving liturgy as a transformative process, elevating ordinary actions to a sacred realm. With its restrained character and ascetic formal language, the furniture and liturgical items seamlessly integrate into the comprehensive design of the buildings.\u003cbr\u003e\u003cbr\u003eSince the 1940s, van der Laan has been meticulously crafting liturgical objects for churches, consistently adhering to the principles of the plastic number. Each piece of furniture is not only intricately sketched and designed but is also assigned a specific place within the interior. The furniture is crafted based on a foundational system first implemented by him in Vaals in the onset of the 1960s. \u003cbr\u003e\u003cbr\u003eEach furniture piece is centered around a common U-profile, extending in various directions. A cabinet adopts a horizontal U-profile, extending upward, while benches, tables and stools feature a vertical U-profile elongated lengthwise. Other tables , benches, and chairs consist of extruded compositions of U-profiles. The outer edges of the foundation exhibit straight corners, whereas the inner edges are added with beveled contours. \u003cbr\u003e\u003cbr\u003eAll the furniture is constructed from wooden planks, primarily pine, fastened using hinge nails thoughtfully placed following the 'extrusion' pattern. When viewed from the side, the ending of the planks and the foundational wood to which they are affixed are both visible. The furniture is predominantly painted in an array of earthy tones like brown and grey, with the occasional use of maroon and blue. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBiography\u003cbr\u003e\u003cbr\u003eIn 1904, Hans van der Laan was born into a family of architects in Leiden. His father and brothers, Jan and Nico, were also architects. Between 1923 and 1926, he pursued his architectural studies in Delft under the guidance of M.J. Granpré Molière (1883-1972), a leading figure among Dutch Catholic architects of that era. However, van der Laan discontinued his work in Delft within a few years, dissatisfied with the lack of fulfillment in his quest for the 'essence of architecture.'. In 1926, he sought a deeper spiritual connection and chose to become a monk at St. Paul's Abbey in Oosterhout. In 1934, he was ordained as a priest and became increasingly immersed in the realms of liturgical design and architecture.\u003cbr\u003e\u003cbr\u003eAfter the Second World War came to an end, Hans van der Laan, accompanied by his brother Nico, was enlisted to lead and guide the reconstruction in Catholic architecture. In 's-Hertogenbosch, he directed the Ecclesiastical Architecture course, specifically dedicated to the construction of churches. This initiative laid the foundation for the 'Bossche School,' where van der Laan played a crucial role as the primary architect and theoretician. Under his leadership, the primary focus was placed on the fundamental essence of all architecture: Well-proportioned and human-scale dimensions. \u003cbr\u003e\u003cbr\u003eIn the realm of 20th-century architectural history, the monk-architect held a distinctive position. Amidst the conflict between traditionalists and modernists in The Netherlands, van der Laan formulated his unique perspectives and formal language. His buildings and writings alike reflect a dedicated exploration of the laws of architecture and the connection between humanity and nature. The legacy left by the architect comprises a modest yet significant collection, encompassing seven buildings, including several monasteries, a chapel, and a church library. \u003cbr\u003e\u003cbr\u003eAs a theorist, van der Laan dedicated a significant portion of his life to contemplating form, proportion, and the human experience within architectural spaces. His focus centered on exploring the essence of architecture, leading him to formulate a comprehensive theory involving space, shape, and size. Central to his ideas was the plastic number, a three-dimensional extension of the golden ratio. This numerical concept sheds light on the proportional relationship between the thickness, length, and width of architectural elements. Apart from architectural creations, van der Laan applied the principles of the plastic number to design liturgical items, notebooks, uniforms, and furniture, resulting in a subtly impactful body of work.\u003cbr\u003e\u003cbr\u003eDom Hans van der Laan, a Dutch Benedictine monk and architect, played a pivotal role as a key figure in the Bossche School. Renowned for his influential theories on numerical proportions in architecture, his ideas continue to be explored and shared. On August 19, 1991, Hans van der Laan passed away at the St. Benedictusberg Abbey near Vaals.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":54804834910551,"sku":null,"price":20000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45009706_St_P_15.jpg?v=1787929034"},{"product_id":"vico-magistretti-carimate-bench-in-red-stained-wood-and-straw","title":"Vico Magistretti 'Carimate' Bench in Red Stained Wood and Straw","description":"Vico Magistretti, ‘Carimate’ bench stained beech, straw, Italy, design 1963\u003cbr\u003e\u003cbr\u003eThis bench belongs to the 'Carimate' line, one of Vico Magistretti’s most well-known furniture series. Chairs within this line were originally created in 1959 for the clubhouse of the Carimate Golf Club near Como, Italy, a building also designed by Magistretti.\u003cbr\u003e\u003cbr\u003eThe chairs were specifically designed for the restaurant, made of red aniline-dyed wood and straw, embracing a rustic flavor. Magistretti focused on small yet significant details, such as the anatomical curvature of the backrest and the attachment of the seat to the legs. The present bench has a woven straw seat with a red stained wooden beech framework. \u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":54891600019799,"sku":null,"price":3950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50119608_St_P_9.jpg?v=1788615733"}],"url":"https:\/\/www.morentz.com\/en-gb\/collections\/benches-1.oembed","provider":"Morentz","version":"1.0","type":"link"}