{"title":"Sideboards","description":"","products":[{"product_id":"studio-bbpr-for-olivetti-spazio-sideboard-in-yellow-coated-steel","title":"Studio BBPR for Olivetti 'Spazio' Sideboard in Yellow Coated Steel","description":"\u003cp\u003eStudio BBPR for Olivetti, 'Spazio' sideboard, coated steel, plastic, glass, vinyl, Italy, design 1959\/60, production, 1960s.\u003cbr\u003e\u003cbr\u003eIn 1954, Olivetti, the Italian office equipment manufacturer, hired BBPR to design their New York showroom on Fifth Avenue and to create their first series of office furniture, called Spazio (1959\/60). This line included chairs, desks, shelving, and cabinet systems, just like the one shown here. It won the Compasso d'Oro Award in 1962. This piece is characterized by a sophisticated composition through the arrangement of different compartments. Two storage cabinets are placed underneath the table top.\u003cbr\u003e\u003cbr\u003eStudio B.B.P.R. was an Italian architectural partnership founded in Milan in 1932 by Gianluigi Banfi (1910-1945), Lodovico Barbiano di Belgiojoso (1909-2004), Enrico Peressutti (1908-1976) and Ernesto Nathan Rogers (1909-1969) who had studied at the Politecnico di Milano. B.B.P.R. was thus an acronym formed from the first letters of their family names. The architects found each other in their opposition to fascism in Italy in the 1930s and 1940s during Mussolini's autocratic regime. The architects therefore believed in developing a style that would have no references to contemporary politics. During the Second World War, they all joined the resistance. However, Rogers, a Jew, fled to Switzerland and both Belgiojoso and Banfi were deported to the Mauthausen concentration camp in Austria, where Banfi died in 1945. Despite the immense loss of Banfi, their architectural practice continued in the same name as before after the war. Especially during the 1950s, they created many of their great projects. With their designs, they strongly reacted against the International Style with its rectilinear forms and taut plane surfaces that have been completely stripped of applied ornamentation. Instead, the group enriched their buildings with medieval references. For B.B.P.R., their philosophy on art and architecture is somewhat between tradition and modernism; their use of post-beam structures and modular elements parallels with the constructive thinking of modern architects. However, as modernism rejects the existence of historical forms, B.B.P.R. reinterprets history's heritage and continues with respect for the work of their predecessors. Ernesto Nathan Rogers referred to it as “preesistenze ambientali” (the pre-existing environment) and adopt a “caso per caso” (case by case) interpretation to work with, instead of against, the surroundings. One of their well-known designs is the creation of the Torre Velasca in Milan, with strong references to medieval architecture. The architects were also frequently employed to create interior spaces altogether with furniture designs. \u003cbr\u003e\u003cbr\u003ePlease note that this piece is in used condition, it shows some signs of wear and age. Restoration can be done before shipping by our experienced craftsmen and -women in our own in-house restoration atelier. With high attention for the original, they make sure every piece contains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well. \u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":47357875781975,"sku":"LU933137078722","price":4250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/products\/50113913_01__master.jpg?v=1700464719"},{"product_id":"guillerme-chambron-sideboard-in-solid-oak-and-white-ceramic","title":"Guillerme \u0026 Chambron Sideboard in Solid Oak and White Ceramic","description":"\u003cp\u003eGuillerme et Chambron for Votre Maison, sideboard, solid oak, ceramic, France, 1960s\u003cbr\u003e\u003cbr\u003eThis charming sideboard, designed by the talented designer duo Guillerme et Chambron, stands out with its solid construction, exquisite carved lines, and sculptural details that highlight its structured design. The front is adorned with captivating concave and convex geometric carvings. With five drawers and compartments featuring shelves, this sideboard provides ample storage space. The natural oak's warm hue and inviting expression infuse the room with a pleasant ambiance and a refreshing touch.\u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life. by which they created a worldwide reputation. Most of the furniture designed by this duo this piece shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good condition with signs of use. This includes some stains. For further details, we encourage you to reach out to our team of design specialists.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48797682270551,"sku":"LU933140546442","price":13800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115976_01__master.jpg?v=1721023657"},{"product_id":"enrico-paolo-borghi-high-sideboard-in-mahogany-with-carved-doors-2","title":"Enrico \u0026 Paolo Borghi High Sideboard in Mahogany with Carved Doors","description":"\u003cp\u003eEnrico \u0026amp; Paolo Borghi, sideboard, mahogany, Italy, 1950s\u003cbr\u003e\u003cbr\u003eAdmirable high sideboard in mahogany with carved doors by Italian duo Enrico \u0026amp; Paolo Borghi, manufactured in the 1950s in Cantu. The storage piece consists of two elements. Firstly, the long sideboard and secondly a high cabinet on top. Both parts are individually designed in the way that a flat surface on the bottom piece is combined with a carved front on top. Four lockable doors are beautifully carved with horizontal lines. One wide, convex segment is followed by three thin lines. The relief creates an eye-catching rhythm. Long, vertical handles strengthen the design and are also discernible in small variant on the panels of the long cabinet. The interior houses an ingenious storage system, consisting of extendable drawers and shelves. The great craftsmanship in combination with detailed, well-proportioned design combines into a striking piece with both functional features as well as a high visual quality.\u003cbr\u003e \u003cbr\u003eKindly note that this item is in good, used condition. The mahogany type of this piece does not require an export license.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48961359184215,"sku":"LU933141051152","price":15400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50114799_01__master.jpg?v=1724047722"},{"product_id":"kurt-ostervig-sideboard-in-walnut-1","title":"Kurt Østervig Sideboard in Walnut","description":"\u003cp\u003eKurt Østervig, sideboard, walnut, Denmark, 1950s\u003cbr\u003e\u003cbr\u003eSophisticated walnut sideboard by Kurt Østervig. The quality of this piece is reflected in the very well made seamless wood joints and door grips, as well as the warm grain of the walnut wood used to produce this piece. The sideboard opens up with sliding doors that reveal several shelves and drawers. Worth noticing are the beautifully crafted grips on the drawers in the middle of the sideboard.\u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49007839740247,"sku":"LU933141144172","price":12800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50111666_01__master.jpg?v=1724652522"},{"product_id":"guillerme-chambron-sideboard-in-solid-oak-and-ceramic-1","title":"Guillerme \u0026 Chambron Sideboard in Solid Oak and Ceramic","description":"\u003cp\u003eGuillerme et Chambron for Votre Maison, 'Saint Véran' credenza, solid oak, ceramic, France, 1960s\u003cbr\u003e\u003cbr\u003eThis charming Saint Véran sideboard, designed by the talented designer duo Guillerme et Chambron, stands out with its solid construction, exquisite carved lines, and sculptural details that highlight its structured design. The front is adorned with captivating vertical-lined carvings. With five drawers and compartments featuring shelves, this sideboard provides ample storage space. The natural oak's warm hue and inviting expression infuse the room with a pleasant ambiance and a refreshing touch.\u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life. by which they created a worldwide reputation. Most of the furniture designed by this duo this piece shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49127600161111,"sku":"LU933141329402","price":13400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116076_01__org.jpg?v=1750700534"},{"product_id":"luigi-gorgoni-for-roche-bobois-sideboard-in-solid-elm-3","title":"Luigi Gorgoni for Roche Bobois Sideboard in Solid Elm","description":"Luigi Gorgoni for Roche Bobois, sideboard, solid elm, France, 1980s\u003cbr\u003e\u003cbr\u003eThe Italian designer and architect Luigi Gorgoni designed furniture pieces for Roche Bobois since the mid 1970s. Gorgoni is known for its streamlined and clear designs, this piece is therefore also completely free of decorations. All attention goes to the essential function, form and material. This sideboard has an utterly well-balanced construction embracing a great sense of proportions. Four door panels structure the front and feature a concave shape above to make space for the extended drawer. This curved shape is echoed in the corners of the top, contributing to the balanced appearance. A natural and serene look is created by the elm's properties, showcasing vivid grains and a pleasant warm tone.\u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition with traces of age and use, including scratches and imperfections in the wood. For further details, we encourage you to reach out to our team of design specialists. \u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51754151903575,"sku":null,"price":6950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50112727_P_18_0ab0d48f-cf54-47ec-913c-de5ff5b7dbab.jpg?v=1758614186"},{"product_id":"andre-le-picard-sideboard-in-solid-oak-1930s","title":"André Le Picard Sideboard in Solid Oak 1930s","description":"André Le Picard, sideboard, solid oak, France, 1930s\u003cbr\u003e\u003cbr\u003eDesigned by the Frenchman André Le Picard, this sideboard is a testament to exquisite craftsmanship and profound artistry. The piece can be interpreted within the context of the Seiz Breur art movement, which draws significant influence from the Arts and Crafts movement. The corpus is solidly built marked by distinct geometrical elements with a clear, defined structure. The doorpanels embrace elegant carvings comprised of curling motifs that decorate the cabinet in a sophisticated manner. The base features curled, rounded forms at each end, suggesting a classical influence, paired with a rectangular foundation for stability. On each side, the sideboard is furnished with four drawers. Its decorative execution of ornamental arrangements, material use, and woodwork, are all hallmarks for which André Le Picard is celebrated.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49779155304791,"sku":"LU933142927082","price":22000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116548_P_13.jpg?v=1788437830"},{"product_id":"guillerme-chambron-sideboard-in-oak-and-brass-1","title":"Guillerme \u0026 Chambron Sideboard in Oak and Brass","description":"Guillerme et Chambron for Votre Maison, sideboard, oak, France, 1960s.\u003cbr\u003e\u003cbr\u003eThis charming sideboard is made by the designer duo Guillerme \u0026amp; Chambron. This particular design is characterized by a solid construction with beautiful carved lines and sculptural details, underlining the clear structured design. This sideboard offers plenty of storage space, not only behind the sliding doors, but also the sides are accompanied with shelves that are hidden behind the doors. The brass geometric hinges add to its decorative charm. The natural color and warm expression of the oak adds a pleasant ambience and a fresh touch to the room.\u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life. by which they created a worldwide reputation. Most of the furniture designed by this duo this piece shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good condition with some signs of age and use. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52333909639511,"sku":null,"price":12700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116646_P_9_jpg.jpg?v=1765557275"},{"product_id":"rare-raoul-clement-r-verot-french-highboard-in-sycamore-1","title":"Rare Raoul Clement \u0026 R. Verot French Highboard in Sycamore","description":"Raoul Clement and R. Verot, cabinet, varnished sycamore, dark stained wood, France, 1955\u003cbr\u003e\u003cbr\u003eThis rare cabinet is designed by French cabinetmaker Paul Clément et R. Verot and was presented at the 'Salon des arts household' in 1955. With regard to its essential form and material use, this highboard is a testimony to post-Art Deco French decorative creations. Clarity, simplicity, and structure are the main characteristics. This is, for instance, expressed through the clear rhythm of the horizontal three-dimensional lining. The pronounced geometry of the base contributes to the unit's sculptural silhouette. Sufficient amount of storage space is available by means of the built-in shelves and drawers within the interior. The natural appearance of the sycamore gives this piece a harmonious and serene look.\u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition.\u003cbr\u003e   \u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49922927329623,"sku":"LU933143361392","price":13800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50111835_P_43_jpg.jpg?v=1787929184"},{"product_id":"italian-post-modern-sideboard-with-geometric-front-1","title":"Italian Post-Modern Sideboard with Geometric Front","description":"\u003cp\u003eSideboard, cherry, mahogany, ebonized wood, Italy 1970s\u003cbr\u003e\u003cbr\u003eThis stunning sideboard, made from a luxurious combination of cherry, ebonized wood, and mahogany, is a true statement piece that enhances any space it occupies. The design showcases meticulously crafted compartments and clean, geometric lines, adding structure and elegance to its appearance. The intricate wood work on the panels highlights the natural beauty of the wood grain with symmetrical patterns, demonstrating exceptional attention to detail. Every aspect of this piece has been thoughtfully designed, making it not only a functional storage solution but also a timeless piece of design, perfect for elevating sophisticated interiors.\u003cbr\u003e\u003cbr\u003eKindly note that this item is in good, used condition. The mahogany type used for this piece does not require an export license.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50052028825943,"sku":"LU933143706862","price":6400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116669_00__master.jpg?v=1740381407"},{"product_id":"ernesto-valabrega-sideboard-in-oak-2","title":"Ernesto Valabrega for Studio Vittorio Valabrega Sideboard in Solid Oak and Iron","description":"Ernesto Valabrega sideboard, metal, oak, Italy, 1930s\u003cbr\u003e\u003cbr\u003eImpressive sideboard designed by Ernesto Valabrega. This sideboard holds every aspect of a true Valabrega design: handcrafted, sturdy and unique. Its almost trapezoid overall shape is emphasized by the embossed sides and the pointed iron details. Beautiful details are the hammered surface of the metal connections, and the beautiful woodcarving that has been done on a large part of this wonderful design.\u003cbr\u003e\u003cbr\u003eItalian designer Ernesto Valabrega (1901-1944) was born in Turin, as the son of celebrated designer and cabinetmaker Vittorio Valabrega (1861-1952). His father Vittorio was, together with his brother, the founder of Fratelli Valabrega (Valabrega Brothers Company, since 1884) that was situated in Turin. During the 1890s, Vittorio became the sole owner of the company and had great success with his refined wooden furniture. Vittorio Valabrega became well-known for his furniture in the floral Art Nouveau style, but as a true child of the 19th century, his company also manufactured furniture in Neo-Renaissance and the French Rococo Louis XV-style. His designs received positive attention and were awarded at World Exhibitions. At the famous exhibition in Paris in 1900, Vittorio even received a gold medal. It was at the age of 24 that Ernesto got on board with his father’s business. His involvement from 1925 onwards had a great impact on the company. Ernesto decided to change the company’s name to Mobilart in 1928 and radically redirected the course. Whereas Vittorio was inspired by a variety of contemporary and historic styles, Ernesto chose for a different approach. He renounced the 19th century mixture of styles and approached furniture design in the same manner as the highly influential William Morris of the English Arts and Crafts movement. Their reform was an artistic reaction to the widespread industrialization of the 19th century. Ernesto despised products of poor quality and chose high quality materials that would last a lifetime. The furniture he created in the late 1920s and 1930s are a true testament to his beliefs. With his irregular carvings of oakwood, the hammered hinges, flowing edges, embossed surfaces his furniture shows quality, attention to detail and ultimate craftsmanship. \u003cbr\u003e\u003cbr\u003eItalian designer Ernesto Valabrega (1901-1944) was born in Turin, as the son of celebrated designer and cabinetmaker Vittorio Valabrega (1861-1952).  \u003cbr\u003e\u003cbr\u003eHis father Vittorio was, together with his brother, the founder of Fratelli Valabrega (Valabrega Brothers Company, since 1884) that was situated in Turin. During the 1890s, Vittorio became the sole owner of the company and had great success with his refined wooden furniture. Vittorio Valabrega became well-known for his furniture in the floral Art Nouveau style, but as a true child of the 19th century, his company also manufactured furniture in Neo-Renaissance and the French Rococo Louis XV-style. His designs received positive attention and were awarded at World Exhibitions. At the famous exhibition in Paris in 1900, Vittorio even received a gold medal. \u003cbr\u003e\u003cbr\u003eIt was at the age of 24 that Ernesto got on board with his father’s business. His involvement from 1925 onwards had a great impact on the company. Ernesto decided to change the company’s name to Mobilart in 1928 and radically redirected the course. Whereas Vittorio was inspired by a variety of contemporary and historic styles, Ernesto chose for a different approach. He renounced the 19th century mixture of styles and approached furniture design in the same manner as the highly influential William Morris of the English Arts and Crafts movement. Their reform was an artistic reaction to the widespread industrialization of the 19th century.  \u003cbr\u003e\u003cbr\u003eErnesto despised products of poor quality and chose high quality materials that would last a lifetime. The furniture he created in the late 1920s and 1930s are a true testament to his beliefs. With his irregular carvings of oakwood, the hammered hinges, flowing edges, embossed surfaces his furniture shows quality, attention to detail and ultimate craftsmanship. \u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition. It shows some minor scratching and water spots on top. One of the legs displays a chip missing from the wood. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52239782642007,"sku":null,"price":19400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50112907_St_P_36_31d4dc79-110e-48f3-903e-016d57af07c9.jpg?v=1764257541"},{"product_id":"charles-flandres-sideboard-in-solid-elm-and-wrought-iron-1","title":"Charles Flandre Sideboard in Solid Elm and Wrought Iron","description":"Charles Flandre, sideboard, solid elm, pine, wrought iron, France, 1960s\u003cbr\u003e\u003cbr\u003eCrafted by French cabinetmaker Charles Flandre, this exquisite elmwood sideboard beautifully blends rustic charm with organic elegance. Its free-flowing edges highlight the wood’s rich grain and warm tones, adding a natural sophistication to any space. The unique base, featuring two sturdy legs set perpendicularly into a horizontal beam, provides both stability and an airy, open feel. Decorative wrought iron hinges and hammered handles enhance its artisanal appeal, showcasing Flandres' exceptional craftsmanship and ability to merge traditional techniques with a modern organic aesthetic.\u003cbr\u003e\u003cbr\u003eKindly note that this item is in good, used condition. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51800282726743,"sku":null,"price":26400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117032_St_P_4_572bb72e-87a9-41c0-a427-566f1f665dbc.jpg?v=1759136549"},{"product_id":"florence-knoll-for-knoll-international-sideboard-with-marble-top-1","title":"Florence Knoll for Knoll International Sideboard with Marble Top","description":"Florence Knoll for Knoll International, sideboard, lacquered oak, metal, Carrara marble, United States, 1960s. \u003cbr\u003e\u003cbr\u003eCredenza with chromed base designed by Florence Knoll for Knoll International. This exceptional and minimalistic designed credenza has elegant details, such as the chromed base and handles. The wood is lacquered into a deep black color, which nicely combines with the light white marble top with fine grey veins. The silver metal base and handles bring some freshness to the quite dark cabinet. Equipped with efficient storage possibilities.\u003cbr\u003e\u003cbr\u003eFlorence Knoll (1917) was trained as an architect and had a sense of style from a very young age. During her school time at Cranbrook, Eliel Saarinen (then the headmaster) and his family included her in their family. In 1936 she met Alvar Aalto and was trained by Marcel Breuer, Walter Gropius and (as if the long list of eminent designers is not long enough) Mies van der Rohe. This meant that although she was barely out of her teens, she was educated by the best of the European modernists. When she arrived in New York she worked on interior projects (being the only female) which is how she came to know Hans Knoll. When Florence joined Knoll, the planning unit started. Florence also made sure that the designs where more 'American Modernist' instead of Scandinavian, When Hans Knoll died she took over and did it with the utmost skill and professionality. Her long list of architect friends designed many famous pieces yet her own imprint on the company including her designs in what can be called 'humanist modernism' is what truly had the greatest impact. Knoll International was founded in New York by the 26 year old German Hans Knoll (1914-1955) in 1938. Hans' father, Walter Knoll was a true modernist and furniture manufacturer who had a reputation for quality. When Hans Knoll died at a young age his wife Florence Knoll took over and under her influence the company flourished and created its best designs. She designed and led the company where she cooperated with talented designers such as Eero Saarinen, Ludwig Mies van der Rohe, Richard Schultz and Harry Bertoia.\u003cbr\u003e\u003cbr\u003ePlease note that the marble contains two small chips. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50689007354199,"sku":null,"price":7450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50111597_P_6.jpg?v=1747410823"},{"product_id":"taichiro-nakai-for-la-permanente-mobili-adjustable-wall-cabinet-in-teak-1","title":"Taichiro Nakai for La Permanente Mobili Adjustable Wall Cabinet in Teak","description":"Taichiro Nakay (Nakai) for La Permanente Mobili, bookcase, lacquered iron, teak, glass, brass, maple, ca. 1955\u003cbr\u003e\u003cbr\u003eTaichiro Nakai is an incredibly talented Japanese designer who is mostly known for his participation at the Selettiva del Mobili competition in Cantù. During the twentieth century, Cantu was considered the Italian city of furniture. However, after the war, Cantu was unable to catch up with the rapid changes and advances and there were more foreign countries such as Scandinavia who, with their styles, grew in popularity and formed a massive competition for Cantu. Therefore, Cantu needed to renewal their designs that were often outdated, in order to stay up to date with trends and gain new popularity. In the spring of 1954, the board of Cantu decided to launch an international prize competition for furniture designers that would in order to revive the economy of the local design and draw attention to Cantu. The “Selettiva del Mobile” was born and would be organized every two years up until 1975. Set up as a real international competition, it brought together designers from all over the world such as Franco Albini, Gio Ponti, Ico Parisi, Paolo Buffa, Ettore Sotssas, BBPR, and many others. The selection for received projects was done by the Concorso Internazionale del Mobili, a highly qualified jury.\u003cbr\u003e\u003cbr\u003eTaichiro Nakai made his notable debut during the exhibition held from September 17th to October 5th, 1955, unveiling this distinctive wall cabinet. While similar models would follow suit, this cabinet stands as the original embodiment of the concept. Notably, it is the sole version that allows for the outer columns to be adjusted forward, allowing for different configurations. The structural framework in black lacquered iron adheres to a minimalist zigzag pattern, creating a sleek and understated aesthetic. The composition is composed of three columns, each uniquely configured to accommodate various open and closed storage units. One can hide its personal belongings by situating them behind closed doors, or alternatively, opt for a clean and open layout by arranging them upon shelves.\u003cbr\u003e\u003cbr\u003eOverall, the 1955 edition was incredibly interesting thanks to the exceptional jury consisting of Gio Ponti, Alvar Aalto, Carlo De Carli and Finn Juhl. It was furthermore possible to win prices. As did Taichiro Nakai. With his presentation of a living room design, Nakai won a special prize together with Finish designer Ilmari Tapiovaraa and the Milanese architect Eugenia Alberti Reggio. It is easily understandable why Nakai had attracted the attention of the jury. With his salon, he had analyzed the market clearly and he was able to create designs with Japanese principles as well Italian constraints. His lines are simple and clean yet energetic and organic, all characteristic for Japanese creations. The structure of the storage unit feels similar to a Franco Albini bookcase, but is carried out with Japanese geometric simplicity. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50984048296279,"sku":null,"price":22000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50109109_St_P_2.jpg?v=1750432858"},{"product_id":"joseph-savina-sideboard-in-oak-and-wrought-iron","title":"Joseph Savina Sideboard in Oak and Wrought Iron","description":"Joseph Savina, sideboard, oak, wrought iron, France, 1950s\u003cbr\u003e\u003cbr\u003eDesigned by the Frenchman Joseph Savina, this cabinet is a testament to exquisite craftsmanship and profound artistry. The corpus is solidly built marked by distinct geometrical elements with a clear, defined structure. The doorpanels embrace a very detailed and complex relief composition of carved lines and undulating shapes, exemplifying the intricate craftsmanship and deep understanding of sculptural woodworking. The interior houses ample of storage space with shelves and drawers structuring the interior. Its decorative execution of ornamental arrangements, premium material use, and refined woodwork, are all hallmarks for which Savina is celebrated.\u003cbr\u003e\u003cbr\u003eJoseph Savina (1901-1983), a skilled Breton cabinetmaker and sculptor, was an integral member of the Seiz Breur art movement, heavily influenced by the Arts and Crafts movement. He emerged as the principal woodworker within this group and established a workshop 'Atelier d’Art Celtique' in Tréguier, France. Notably, he maintained a close friendship and collaboration with the renowned architect Le Corbusier. Le Corbusier entrusted Savina to produce some of his sculptures, a testament to Savina's remarkable skill in reinventing regional furniture with a radical modern approach. Their initial meeting in 1935 marked the beginning of a lasting friendship founded on mutual respect and admiration. The two artists frequently exchanged ideas, with Corbusier particularly admiring the \"sense of plasticity\" present in Savina's work. Savina also brought to life carvings based on Corbusier's drawings.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with some signs of age and use. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52423907869015,"sku":null,"price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117457_St_P_4_b5154937-92b1-4f3a-a83b-ed410111a454.jpg?v=1767007415"},{"product_id":"guillerme-chambron-sideboard-with-sliding-doors-in-solid-oak","title":"Guillerme \u0026 Chambron Sideboard with Sliding-Doors in Solid Oak","description":"Guillerme et Chambron for Votre Maison, sideboard, solid oak, glass, ceramic, France, 1960s\u003cbr\u003e\u003cbr\u003eThis credenza in oak, designed by the French duo Guillerme \u0026amp; Chambron, offers a confident and joyful statement in mid-century modern design. At once practical and expressive, this sideboard balances structure and ornament with a particular French ease. Functionally, the piece is composed with clarity: sliding doors conceal spacious storage, providing a striking rhythm and contrast due to the black glass panels and the warm-toned oak. A dish rest on the upper right is composed of black ceramic tiles. The natural oak's warm hue and geometric pattern infuse the room with a pleasant ambiance and a refreshing touch.\u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design. \u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51114088661335,"sku":null,"price":12700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45016420_P_20.jpg?v=1751644857"},{"product_id":"studio-bbpr-for-olivetti-spazio-sideboard-in-grey-coated-steel-2","title":"Studio BBPR for Olivetti ‘Spazio’ Sideboard in Grey Coated Steel","description":"Studio BBPR for Olivetti, 'Spazio' sideboard, coated steel, vinyl, plastic, Italy, design 1959\/60, production 1960s \u003cbr\u003e\u003cbr\u003eIn 1954, Olivetti, the Italian office equipment manufacturer, hired BBPR to design their New York showroom on Fifth Avenue and to create their first series of office furniture, called Spazio (1959\/60). This line included chairs, shelving, cabinet systems, and desks, just like the one shown here. It won the Compasso d'Oro Award in 1962. This cabinet features a closed compartment with door panels and an open compartment furnished with shelves. Due to the sloping edges of the top, a burgundy red line accentuates the front and back. Notable are also the gaps at the side that add to the industrial look of the piece. It shows the typical characteristics of the ‘Spazio’ line that BBPR designed with great eye for proportions, textures and colors.\u003cbr\u003e\u003cbr\u003eStudio B.B.P.R. was an Italian architectural partnership founded in Milan in 1932 by Gianluigi Banfi (1910-1945), Lodovico Barbiano di Belgiojoso (1909-2004), Enrico Peressutti (1908-1976) and Ernesto Nathan Rogers (1909-1969) who had studied at the Politecnico di Milano. B.B.P.R. was thus an acronym formed from the first letters of their family names. The architects found each other in their opposition to fascism in Italy in the 1930s and 1940s during Mussolini's autocratic regime. The architects therefore believed in developing a style that would have no references to contemporary politics. During the Second World War, they all joined the resistance. However, Rogers, a Jew, fled to Switzerland and both Belgiojoso and Banfi were deported to the Mauthausen concentration camp in Austria, where Banfi died in 1945. Despite the immense loss of Banfi, their architectural practice continued in the same name as before after the war. Especially during the 1950s, they created many of their great projects. With their designs, they strongly reacted against the International Style with its rectilinear forms and taut plane surfaces that have been completely stripped of applied ornamentation. Instead, the group enriched their buildings with medieval references. For B.B.P.R., their philosophy on art and architecture is somewhat between tradition and modernism; their use of post-beam structures and modular elements parallels with the constructive thinking of modern architects. However, as modernism rejects the existence of historical forms, B.B.P.R. reinterprets history's heritage and continues with respect for the work of their predecessors. Ernesto Nathan Rogers referred to it as “preesistenze ambientali” (the pre-existing environment) and adopt a “caso per caso” (case by case) interpretation to work with, instead of against, the surroundings. One of their well-known designs is the creation of the Torre Velasca in Milan, with strong references to medieval architecture. The architects were also frequently employed to create interior spaces altogether with furniture designs.   \u003cbr\u003e\u003cbr\u003ePlease note that this item is in used condition with visible traces of age and use. The top contains tears along the edges and overall wear. One plastic corner contains a fissure. Restoration is possible before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51248991568215,"sku":null,"price":7450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115113_St_P_3.jpg?v=1753079952"},{"product_id":"andre-le-picard-sideboard-in-oak-1930s","title":"André Le Picard Sideboard in Oak 1930s","description":"André Le Picard, sideboard, solid oak, France, 1930s\u003cbr\u003e\u003cbr\u003eDesigned by the Frenchman André Le Picard, this sideboard is a testament to exquisite craftsmanship and profound artistry. The piece can be interpreted within the context of the Seiz Breur art movement, which draws significant influence from the Arts and Crafts movement. The corpus is solidly built marked by distinct geometrical elements with a clear, defined structure. The doorpanels embrace elegant carvings comprised of curling motifs that decorate the cabinet in a sophisticated manner. The base features curled, rounded forms at each end, suggesting a classical influence, paired with a rectangular foundation for stability. On each side, the sideboard is furnished with four drawers. Its decorative execution of ornamental arrangements, material use, and woodwork, are all hallmarks for which André Le Picard is celebrated.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51234206351703,"sku":null,"price":28500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117458_St_P_2.jpg?v=1752856169"},{"product_id":"luciano-frigerio-sideboard-in-brass-and-wood","title":"Luciano Frigerio Sideboard in Brass and Wood","description":"Luciano Frigerio, sideboard, brass, lacquered elm burl, Italy, 1970s\u003cbr\u003e\u003cbr\u003eThis exquisite sideboard, created by the creative Italian designer Luciano Frigerio, exemplifies the aesthetic sensibilities that prevailed during the 1970s. The front facade features a captivating interplay of angular brass panels arranged in an asymmetrical configuration, imbuing the piece with a dynamic and visually compelling quality. The top and base are meticulously crafted in lacquered elm burl wood, forming an elegant contrast with the brass. Concealed behind the brass paneling, doors provide access to the creme colored lacquered interior comprised of shelves and drawers for conveniently storing belongings. The application of the finest materials in conjunction with pure forms results in a luxurious and bold appearance. This sideboard serves as a testament to the artistry and impeccable craftsmanship of the designer.\u003cbr\u003e\u003cbr\u003eLuciano Frigerio (1922-1999) had a dream to create furniture that became art through clever design and the use of high-quality materials. From this notion, “Mobili Scultura” or the concept of furniture sculpture was born.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51290113769815,"sku":null,"price":17500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117508_St_P_4.jpg?v=1753453268"},{"product_id":"afra-tobia-scarpa-for-maxalto-artona-sideboard-in-black-lacquered-wood","title":"Afra \u0026 Tobia Scarpa for Maxalto 'Artona' Sideboard in Black Lacquered Wood","description":"Afra \u0026amp; Tobia Scarpa for Maxalto, 'Artona' sideboard, walnut, lacquered wood, ebony, brass, Italy, 1975\/1979\u003cbr\u003e\u003cbr\u003eThis sideboard with strong geometrical lines is a design by Afra \u0026amp; Tobia Scarpa, developed within the acclaimed Artona line. The sideboard features a walnut frame with contrasting high-gloss black panel doors. The sideboard's wooden frame exhibits clean, vertical and horizontal lines, emphasizing the symmetry and balance of the design. The distinctive Artona lines, seen as black accents running along the length of the wooden components, add an element of elegance to the design and highlight the exceptional craftsmanship behind the piece.\u003cbr\u003e\u003cbr\u003eThe ‘Artona’ line by the Scarpa duo was in fact the first line ever produced by Maxalto, the specialist division of B\u0026amp;B Italia. Maxalto was originally set up in 1975 as a high-end division of B\u0026amp;B Italia to focus exclusively on the production of artisanal, mostly wood furniture. The ‘Artona’ was their first project and also functions as a counter-message against the common prevailing use of plastics in furniture design during the Postwar period.\u003cbr\u003e\u003cbr\u003eAfra (1937–2011) and Tobia (1935–) Scarpa are a renowned duo of Italian architects and designers, celebrated for their contributions to postmodern design. Afra Bianchin was born in Montebelluna in 1937, while Tobia Scarpa, the son of prominent architect Carlo Scarpa, was born in Venice in 1935. The two met while studying at the Venice Institute of Architecture and later married. Tobia initially worked as a glass designer at the Murano glassworks of Venini from 1957 to 1961. However, in 1960, the pair began collaborating professionally and went on to establish one of the most successful design studios of their time. Their collaborations included work for prestigious companies such as Flos, Gavina, B\u0026amp;B Italia, and Knoll. Throughout their career, the couple received numerous accolades, including the Compasso d’Oro and recognition from the International Forum Design. They also took on high-profile commissions for companies like Benetton. Afra and Tobia Scarpa’s designs are admired for their modernist aesthetic, which blends elegance with comfort. At the same time, their work is known for its subtle nods to classical design and their deep understanding of materials. Today, many of their iconic creations are housed in major museums around the world, including the Museum of Modern Art in New York, the Musée du Louvre, and the National Museum of Design in New York. \u003cbr\u003e\u003cbr\u003ePlease note that the piece is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51458894070103,"sku":null,"price":13800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117719_St_P_5.jpg?v=1755074448"},{"product_id":"french-brutalist-sideboard-with-graphic-doors-in-solid-elm-1","title":"French Brutalist Sideboard with Graphic Doors in Solid Elm","description":"Sideboard, solid elm, France, 1970s\u003cbr\u003e\u003cbr\u003eThis sideboard exemplifies exceptional woodworking, highlighted by its graphically designed doors that create a dynamic and tactile rhythm across the front. Each door panel features an asymmetrical arrangement of angular wooden sections in varying sizes. The hinges further enhance the design, contributing an additional layer of depth and visual intrigue. Crafted from solid elm, the material showcases a beautifully soft and visually appealing texture, lending the piece an organic allure. The sideboard offers versatile storage options, including shelves and drawers, making it as functional as it is aesthetically pleasing.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with some signs of age and use. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51421280960855,"sku":null,"price":6950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50114619_St_P_9_f15b91b7-cd23-4d4d-9ab8-8a9722bd9e15.jpg?v=1787585791"},{"product_id":"franz-xaver-sproll-sideboard-in-walnut-2","title":"Franz Xaver Sproll Sideboard in Walnut","description":"Franz Xaver Sproll, sideboard, walnut, Switzerland, 1960s \u003cbr\u003e\u003cbr\u003eSwiss furniture maker Franz Xaver Sproll is known for high-quality, hand-crafted furniture in solid wood, featuring characteristic details. The viewer can follow the lines of the craftsman that treated the walnut. Same goes for the exceptional door panels with a slightly curved form and a faceted surface. The overall well-balanced proportions of the cabinet and the geometric outlay with hand-crafted features, is contrasted by the natural, subtle grain of the walnut wood.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51537058333015,"sku":null,"price":3850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50112560_St_P_6.jpg?v=1755876960"},{"product_id":"nikol-international-tall-post-modern-sideboard-in-walnut-and-smoked-glass","title":"Nikol International Tall Post-Modern Sideboard in Walnut and Smoked Glass","description":"Nikol International, storage unit\/sideboard, walnut, smoked glass, Italy, 1970s\/early 1980s\u003cbr\u003e\u003cbr\u003ePresenting an exquisite post-modern sideboard that skillfully balances form and function with its graceful use of round lines, this piece is a visual delight. The yin and yang appearance, achieved through the warm tones of walnut and the modern allure of smoked glass, creates a harmonious contrast. The doors, featuring round grips, add a functional and ergonomic touch, contributing to the overall seamless design.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51585228243287,"sku":null,"price":8450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115038_St_P_4.jpg?v=1787585803"},{"product_id":"italian-mid-century-modern-sideboard-in-chestnut-and-patinated-brass-1","title":"Italian Mid-Century Modern Sideboard in Chestnut and Patinated Brass","description":"Mario e Enrico Dassi, sideboard, chestnut, patinated brass, Italy, 1940s\u003cbr\u003e\u003cbr\u003eAt the turn of the century, in the industrious town of Lissone – known for its centuries-old tradition of woodworking – the carpentry shop of Mario e Enrico Dassi contributed to this legacy, producing furniture in the varied styles of the time. This 1940s chestnut sideboard embodies that moment in which rustic craft encountered the formal clarity of mid-century design. The structure is conceived with a strong horizontal emphasis: a long, rectangular volume resting on sculptural legs joined by a stretcher. The legs, carved in a subtle organic outline, recall vernacular craftsmanship. Yet their slight inward curve introduces a sense of refinement. The façade is the true protagonist of the piece. Its surface is articulated by a rhythmic sequence of horizontal wooden slats, their relief lending depth and tactility. Within this wooden cadence, a rectangular brass panel punctuates the rhythm. As a composition, the sideboard balances rustic tendencies with a distinctly modern sensibility. Its rusticity lies in the materiality; the visible grain in wood, the handcrafted allure, and the irregular patina of the brass. Its modernity, however, is visible in the clarity of the proportions, the disciplined geometry, and the way ornament becomes structural pattern rather than applied decoration. In this sense, the Dassi brothers’ work exemplifies the essence of Italian mid-century modernism. \u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51637301707095,"sku":null,"price":8700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117270_St_P_12.jpg?v=1757082864"},{"product_id":"rare-paolo-buffa-sideboard-in-cherry-1","title":"Rare Paolo Buffa Sideboard in Cherry","description":"Paolo Buffa, sideboard, cherry, brass, Italy, 1940s\u003cbr\u003e\u003cbr\u003eCrafted by the visionary Italian designer and architect Paolo Buffa (1903-1970), this rare piece exudes a refined decorative allure. It serves as a quintessential embodiment of the modern sensibilities prevalent in the 1940s. The front of this exquisite piece showcases an artistic composition, skillfully crafted through the interplay of vertical and horizontal slats thoughtfully layered upon one another. The base of the credenza embraces an undulating wave pattern, a motif favored by renowned Italian designers of that era, including Lina Bo Bardi, Carlo Pagani, and Mario Quarti. The gracefully elevated legs not only provide structural support but also contribute to its overall elegance. Crafted from cherry wood, the material reveals a remarkably naturalistic visual texture, showcasing the intricate wood grains and a delightful, age-appropriate patina. In every stylistic detail, this sideboard possesses the precise charm and vitality required to encapsulate the essence of 1940s Italian design. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePaolo Buffa (born 1903, Milan – died 1970, Milan), a distinguished figure in the world of Italian furniture design and architecture, graced the scene with his unmistakable style for a span of almost fifty years. Buffa’s artistic repertoire is notably distinguished by his expert fusion of neoclassical and sleek Art Deco formal elements. Crafted with finesse and elegance, Buffa’s premium-quality pieces were fashioned from refined materials, with the explicit purpose of furnishing the homes of a discerning and affluent clientele. These furniture creations were tailored to meet the demands of individuals who were inclined towards contemporary aesthetics, functionalism, and comfort. Buffa’s creative repertoire extended beyond furniture design to architecture, and he undertook an array of commissions that spanned public buildings, as well as villas and country homes.  \u003cbr\u003e\u003cbr\u003ePaolo Buffa’s formative years were spent amidst an artistic milieu, having been born to Giovanni Buffa, a renowned draftsman of ex- ceptional talent. Giovanni Buffa shared ownership of a highly pros- perous workshop dedicated to the creation of exquisite stained glass artistry. Among his notable works are the stained glass windows of the illustrious Duomo di Milano, a historic cathedral located in Milan. Such a creative household fostered an environ- ment of artistic excellence, which undoubtedly played a crucial role in shaping Paolo Buffa’s artistic sensibilities.  \u003cbr\u003e\u003cbr\u003eBuffa’s artistic training commenced at the prestigious Accademia di Belle Arti di Brera, and he eventually obtained his degree from the Politecnico di Milano in 1927. After gaining experience working in his father’s studio, Buffa went on to work as an apprentice at the Ponti e Lancia studio, which was jointly owned by the celebrated architects Gio Ponti (1891- 1979) and Emilio Lancia (1890-1973). This experience proved to be a significant turning point in Buffa’s career, as he drew inspiration from Lombard Neoclassicism and was exposed to the ideas and concepts of some of the most prominent architects of the region. He assimilated these teachings and employed them in his own work, which was characterized by a fusion of traditional Lombard woodworking techniques and modern design aesthetics.  \u003cbr\u003e\u003cbr\u003eIn 1928, Paolo Buffa founded his own design studio in Milan in partner- ship with architect Antonio Cassi Ramelli (1905-1980). Here, they pro- duced an extensive collection of furniture designs that drew inspiration from the classical revival style, albeit with a softened touch. In 1936, Buffa branched out on his own to establish an independent studio. He made a name for himself by showcasing his work at exhibitions, including the prestigious Triennale di Milano. Buffa’s furnishings were numerous and varied, but always tailored to the specific needs and desires of his discerning clients. Each piece was crafted to perfection by highly skilled artisans, such as cabinetmakers Turri Mosè, Fratelli Lietti, Quarti, Serafino Arrighi, Colico, and Angelo Marelli. Buffa’s passion for design persisted throughout his life, and he remained actively engaged in the field until his death in 1970.      ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51738255327575,"sku":null,"price":76000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116694_St_P_18.jpg?v=1758292109"},{"product_id":"osvaldo-borsani-for-abv-arredamenti-borsani-varedo-sideboard-in-chestnut","title":"Osvaldo Borsani for ABV Arredamenti Borsani-Varedo Sideboard in Chestnut","description":"Osvaldo Borsani for Arredamenti Borsani Varedo,  sideboard, chestnut, brass, Italy, first half of the 1930s\u003cbr\u003e\u003cbr\u003eAn early and refined design by Italian visionary Osvaldo Borsani, this rare high sideboard for Arredamenti Borsani Varedo embodies the elegance and craftsmanship of the 1930s. Executed in richly grained chestnut, the façade presents four drawers with horizontally carved relief, creating a rhythmic, sculptural surface. The drawers are accented with geometric pulls in a diamond shape, adding a subtle decorative detail. Raised on an open frame with carved legs featuring cross-shaped notches and a central shelf, the piece balances architectural solidity with visual lightness. The natural warmth of the chestnut enhances its sculptural form, while the precise proportions and interplay of structure and ornament reveal Borsani’s ability to merge Art Deco elegance with the rationalist spirit of modern Italian design. This sideboard is a rare and sophisticated example of Borsani’s early oeuvre, where material richness and architectural rigor meet timeless refinement.\u003cbr\u003e\u003cbr\u003eBiography\u003cbr\u003e\u003cbr\u003eOsvaldo Borsani (1911-1985) was an Italian designer and architect, raised by a family of fine furniture makers in Varedo. At the age of 16, he joined his father’s furniture shop, the Atelier di Varedo, which was fully engaged in designing and furnishing homes inspired by the Italian Art Deco movement. The designer of the atelier was the Italian architect Gino Maggioni (1898-1955) who was known for his Viennese Jugendstil orientation of the early 20th century. In the 1930s, he graduated from the Accademia di Belle Arti di Brera and Politecnico di Milano, where he studied Fine Arts and Architecture respectively. In 1932, the family company was renamed ‘Arredamenti Borsani’ and opened its first studio in Milan. During this period, he encountered Avant-Garde artists of various artistic disciplines like Lucio Fontana (1899-1968), Agenore Fabbri (1911-1998), Aligi Sassu (1912-2000), Roberto Crippa (1921-1972), Fausto Melotti (1901-1986), Arnaldo Pomodoro (1926-) and Giò Pomodoro (1930-2002). These collaborations resulted in the creation of furniture and interior design projects with a high-level of craftsmanship and artistry. In 1953, Borsani founded together with his twin brother Fulgenzio Borsani ‘Tecno’, a design and manufacturing company that produced items based on mechanical innovations and refined technicality. The ‘P40’ adjustable lounge chair (1953) has become the ideological manifesto of Borsani's Tecno program, and still remains the best known, exemplary piece in the Tecno catalogue. Other iconic works that were produced by Tecno were created by Gio Ponti (1891-1979), Vico cham (1920-2006), Carlo de Carli (1910-1999), Gae Aulenti (1927-2012), and many other influential Italian designers. Osvaldo Borsani died in 1985 in Milan. His diverse and sophisticated oeuvre is to be found in permanent collections, such as of the Museum of Modern Art (MoMA) in New York, the Victoria \u0026amp; Albert Museum in London, Neue Sammlung in Munich, the Centre Pompidou in Paris, and the Trienalle di Milano Museum. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51836393357655,"sku":null,"price":27500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117712_St_P_6.jpg?v=1759576240"},{"product_id":"francisque-chaleyssin-french-art-deco-sideboard-in-cerused-oak","title":"Francisque Chaleyssin French Art Deco Sideboard in Cerused Oak","description":"Francisque Chaleyssin, sideboard, cerused oak, formica, France, late 1940s\u003cbr\u003e\u003cbr\u003eFrancisque Chaleyssin (1872–1951) was a prominent ébéniste and décorateur based in Lyon, active through the interwar and immediate postwar decades. His work bridged the transition from the ornamental vocabulary of Art Deco toward the more pared-down modernism that emerged in postwar France. Chaleyssin’s designs often embodied a synthesis of traditional artisanal techniques, art deco influences, and modern stylistic restraint, aligning him with other regional ateliers that sought to maintain French craftsmanship in an era increasingly defined by industrial production. This remarkable sideboard exemplifies Chaleyssin’s fusion of paradigms. This cabinet is a quietly powerful piece; substantial in form, yet richly detailed in texture – its structure is weighty and grounded. The overall shape is boxy, geometric, almost monolithic, but not without nuance. Each element is deliberate, from the thick block pedestals that anchor it to the floor, to the juxtaposition of materials and textures. The cabinet's doors are where the hand of the artisan truly shows. Each geometrically raised panel is carefully hand-carved, and it is striking how the mirrored grains create a square opposing the orientation of the panels themselves. Executed in oak, the surface features a distinctive, pronounced grain pattern, further accentuated by a cerused finish. This technique, which involves applying a contrasting pigment to highlight the wood's natural grain, adds remarkable depth and texture. The top, surfaced in a grid of black formica tiles, introducing a modern material and subtle counterpoint to the tactility of the wood. The sideboard formed part of an interior ensemble in Lyon, furnished by Chaleyssin.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52001410089303,"sku":null,"price":23500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117930_St_P_2_380480d8-e383-4ea5-8756-d11d77e7cb1b.jpg?v=1761318230"},{"product_id":"studio-bbpr-for-olivetti-spazio-sideboard-in-green-coated-steel-with-red-top-1","title":"Studio BBPR for Olivetti ‘Spazio’ Sideboard in Green Coated Steel with Red Top","description":"Studio BBPR for Olivetti, 'Spazio' sideboard, coated steel, vinyl, plastic, Italy, design 1959\/60, production 1960s \u003cbr\u003e\u003cbr\u003eIn 1954, Olivetti, the Italian office equipment manufacturer, hired BBPR to design their New York showroom on Fifth Avenue and to create their first series of office furniture, called Spazio (1959\/60). This line included chairs, shelving, cabinet systems, and desks, just like the one shown here. It won the Compasso d'Oro Award in 1962. This free-standing sideboard features two sliding doors with a lock. Due to the sloping edges of the top, a red line accentuates the front and back. Notable are also the gaps at the side that add to the industrial look of the piece. It shows the typical characteristics of the ‘Spazio’ line that BBPR designed with great eye for proportions, textures and colors.\u003cbr\u003e\u003cbr\u003eStudio B.B.P.R. was an Italian architectural partnership founded in Milan in 1932 by Gianluigi Banfi (1910-1945), Lodovico Barbiano di Belgiojoso (1909-2004), Enrico Peressutti (1908-1976) and Ernesto Nathan Rogers (1909-1969) who had studied at the Politecnico di Milano. B.B.P.R. was thus an acronym formed from the first letters of their family names. The architects found each other in their opposition to fascism in Italy in the 1930s and 1940s during Mussolini's autocratic regime. The architects therefore believed in developing a style that would have no references to contemporary politics. During the Second World War, they all joined the resistance. However, Rogers, a Jew, fled to Switzerland and both Belgiojoso and Banfi were deported to the Mauthausen concentration camp in Austria, where Banfi died in 1945. Despite the immense loss of Banfi, their architectural practice continued in the same name as before after the war. Especially during the 1950s, they created many of their great projects. With their designs, they strongly reacted against the International Style with its rectilinear forms and taut plane surfaces that have been completely stripped of applied ornamentation. Instead, the group enriched their buildings with medieval references. For B.B.P.R., their philosophy on art and architecture is somewhat between tradition and modernism; their use of post-beam structures and modular elements parallels with the constructive thinking of modern architects. However, as modernism rejects the existence of historical forms, B.B.P.R. reinterprets history's heritage and continues with respect for the work of their predecessors. Ernesto Nathan Rogers referred to it as “preesistenze ambientali” (the pre-existing environment) and adopt a “caso per caso” (case by case) interpretation to work with, instead of against, the surroundings. One of their well-known designs is the creation of the Torre Velasca in Milan, with strong references to medieval architecture. The architects were also frequently employed to create interior spaces altogether with furniture designs.   \u003cbr\u003e\u003cbr\u003ePlease note that this item is in used condition and shows signs of wear and use common for pieces this age. Restoration is possible before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52118061318487,"sku":null,"price":9250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50114327_St_P_8.jpg?v=1762531955"},{"product_id":"silvio-coppola-for-bernini-geometric-sideboard-in-walnut-1","title":"Silvio Coppola for Bernini Geometric Sideboard in Walnut","description":"Silvio Coppola for Bernini, sideboard, walnut, Italy, design 1966\u003cbr\u003e\u003cbr\u003eThis geometrically convincing sideboard is designed by the Italian designer-architect Silvio Coppola. It is well-structured with different compartments to store your belongings. Two doors in the middle and two corner doors access the main storage space. The sideboard’s top features two more compartments that can be opened upwards, and are divided into smaller sections. The thought-through structure and well-balanced design results in a striking credenza with great visual qualities.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52307688587607,"sku":null,"price":6200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50111943_St_P_11.jpg?v=1788254996"},{"product_id":"mario-marenco-for-mobil-girgi-sapporo-sideboard-in-walnut-4","title":"Mario Marenco for Mobil Girgi 'Sapporo' Sideboard in Walnut","description":"Mario Marenco for Mobil Girgi, sideboard model 'Sapporo', walnut, Italy, 1970s\u003cbr\u003e\u003cbr\u003eAn extraordinary credenza by the renowned Italian designer and actor Mario Marenco (1933–2019), showcasing exceptional craftsmanship in woodwork. This meticulously constructed piece features beveled edges that enhance its finesse and elegance. The sideboard features a striking interplay of wood tones, creating a visually rhythmic surface. Its rectangular shape offers ample storage space, providing a practical solution for organizing belongings. This monumental and voluminous design reflects the designer’s intent to captivate and impress with a bold, architectural statement.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52289174372695,"sku":null,"price":7200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118005_St_P_10.jpg?v=1764952834"},{"product_id":"vittorio-introini-for-saporiti-mirrored-sideboard-in-polished-aluminum-and-glass","title":"Vittorio Introini for Saporiti Mirrored Sideboard in Polished Aluminum and Glass","description":"Vittorio Introini for Saporiti, wall-mounted cabinet, aluminum, glass, Italy, 1960s \u003cbr\u003e\u003cbr\u003eExceptional cabinet designed by Vittorio Introini for Saporiti in the 1960s. This rationalist aluminum and glass sideboard features a clear, functionalist design that openly displays its joints and construction. The use of polished aluminum creates a dynamic interaction with its surroundings, as the surface mirrors and reflects light. Behind the glass doors and drawers, the sideboard offers ample storage space. The distinctive keys, an unmistakable signature of Introini, add a unique visual accent and immediately catch the viewer’s eye. Altogether, this piece is ideal for those seeking a modern wall-mounted sideboard with strong character and refined detailing.\u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition with some signs of use. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52398426390871,"sku":null,"price":22700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50114502_St_P_6.jpg?v=1778573497"},{"product_id":"guillerme-chambron-sideboard-in-oak-glass-and-ceramic","title":"Guillerme \u0026 Chambron Sideboard in Oak, Glass and Ceramic","description":"Guillerme et Chambron for Votre Maison sideboard, oak, glass, ceramic tiles, France, 1960s\u003cbr\u003e\u003cbr\u003eThis oak sideboard by Guillerme \u0026amp; Chambron combines strong design with everyday practicality. The warm wood and slatted doors give it a calm, architectural look, while the interior offers generous storage with shelves and drawers, making it as functional as it is elegant.\u003cbr\u003e\u003cbr\u003eA charming detail is the small ceramic tile countertop, which adds texture and contrast to the wood and subtly highlights the craftsmanship. Thoughtful, well made, and timeless, this piece reflects the designers’ refined approach to form and function.\u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design. \u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52761984631127,"sku":null,"price":12000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118311_St_P_1.jpg?v=1770714281"},{"product_id":"italian-postmodern-sideboard-with-geometric-front-1","title":"Italian Postmodern Sideboards with Geometric Front","description":"Sideboards, cherry wood, ebony wood, mahogany, Italy 1970s\u003cbr\u003e\u003cbr\u003eThis stunning sideboard, made from a luxurious combination of cherry, ebony wood, and mahogany, is a true statement piece that enhances any space it occupies. The design showcases meticulously crafted compartments and clean, geometric lines, adding structure and elegance to its appearance. The intricate wood work on the panels highlights the natural beauty of the wood grain with symmetrical patterns, demonstrating exceptional attention to detail. Every aspect of this piece has been thoughtfully designed, making it not only a functional storage solution but also a timeless piece of design, perfect for elevating sophisticated interiors.\u003cbr\u003e\u003cbr\u003eKindly note that this item is in good, used condition. The mahogany type used for this piece does not require an export license. \u003cbr\u003e\u003cbr\u003eThe listed price is per item. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52809835053399,"sku":null,"price":6450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118227_St_P_14.jpg?v=1771328958"},{"product_id":"french-sideboard-in-solid-elm-by-skilled-craftsman-2","title":"French Sideboard in Solid Elm by Skilled Craftsman","description":"Sideboard, elm, France, 1970s\u003cbr\u003e\u003cbr\u003eStunning lived-in sideboard made in France in the 1970s. This piece is comprised of a lower and upper cabinet, displaying elegance and practicality. The smooth, lustrous grain of elm wood is a stunning choice for this design, making it naturalistic and rich. In this sideboard echoes the influence and style of titans of French furniture design: Pierre Chapo and Charlotte Perriand. The reverence for craftsmanship, seamless integration of form and function are easily recognized as traits of Perriand and Chapo.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53101953876311,"sku":null,"price":11700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115711_St_P_7_6a7514b8-6c61-4c8e-939c-824c07fc08cc.jpg?v=1774517362"},{"product_id":"italian-sideboard-with-various-compartments-in-wenge-and-ash-2","title":"Italian Sideboard with Various Compartments in Wengé and Ash","description":"Sideboard, wengé veneer, ash veneer, Italy, 1970s.\u003cbr\u003e\u003cbr\u003eThis exquisite credenza exemplifies the aesthetic sensibilities that prevailed during the 1970s. The front facade features a captivating interplay of geometric shapes arranged in a symmetrical configuration, imbuing the piece with a dynamic and visually compelling quality. The wengé veneer strikingly runs along the border of the body, putting full focus on the cubist elements and clear lines of this piece. A diversity of storage compartments is available, such as multiple drawers and shelves. The wood that has been used for the construction boasts a \u003cbr\u003ea pronounced texture, highlighting the expressive grains and varied tones that lend it a natural and organic allure. This cabinet serves as a testament to the artistry and impeccable craftsmanship of the designer. \u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52730697482583,"sku":null,"price":9450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50114613_St_P_33_23b0aa9c-3780-485e-a552-e245eca29237.jpg?v=1787585412"},{"product_id":"charles-flandre-sideboard-in-solid-elm-and-wrought-iron","title":"Charles Flandre Sideboard in Solid Elm and Wrought Iron","description":"Charles Flandre, sideboard, solid elm, pine, wrought iron, France, 1960s\u003cbr\u003e\u003cbr\u003eCrafted by French cabinetmaker Charles Flandre, this exquisite elmwood sideboard beautifully blends rustic charm with organic elegance. The design features a balanced composition with generous storage, combining practicality with sculptural presence. The warm tones and expressive grain of the solid elm emphasize the natural character of the wood, while the robust construction reflects Flandre’s dedication to honest materials and craftsmanship.\u003cbr\u003e\u003cbr\u003eDecorative wrought iron hinges and hammered handles enhance its artisanal appeal, showcasing Flandre’s exceptional skill and his ability to merge traditional techniques with a modern organic aesthetic. The harmonious proportions and refined detailing make this sideboard both functional and visually striking.\u003cbr\u003e\u003cbr\u003eKindly note that this item is in good, used condition.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52892904259927,"sku":null,"price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118374_St_P_2.jpg?v=1772276089"},{"product_id":"phillip-lloyd-powell-long-wall-mounted-sideboard-in-carved-walnut","title":"Phillip Lloyd Powell Long Wall-Mounted Sideboard in Carved Walnut","description":"Phillip Lloyd Powell, long wall-mounted sideboard, walnut, Unites States, circa 1970\u003cbr\u003e\u003cbr\u003eCrafted in Phillip Lloyd Powell’s New Hope studio, this wall-mounted sideboard pairs understated modernism with unmistakably hand-wrought detail. Crafted around 1970, the case presents a clean, rectilinear silhouette with twelve integrated drawers, each featuring sculpted pulls that read as subtle finger scoops and follow the wood’s flowing grain. This allows easy access to the drawer above. Three panels are marked by a carved sculptural relief with organic shapes. These intricate carvings visualize the artist’s hand and his movement to treat the wood in a skillful manner. Exposed dovetail and box joinery at the top underscores Powell’s exacting craftsmanship, while the deep, warm tone and expressive figuring of the wood give the whole an earthy, inviting presence. Every element – structure, proportion, and touchpoint – reflects Powell’s insistence on making as both method and signature.\u003cbr\u003e\u003cbr\u003eBiography\u003cbr\u003ePhillip Lloyd Powell (1919–2008) was a key figure in the American Studio Craft Movement. Born in Germantown, Pennsylvania, in 1919, he developed an early passion for furniture design, crafting pieces for himself as well as custom works for family and friends during his adolescence. He studied engineering at Drexel University before being drafted into the Army Air Corps during the Second World War. \u003cbr\u003e\u003cbr\u003eAfter returning from military service, Powell settled in New Hope, Pennsylvania, a thriving center for craftspeople that included artists such as Paul Evans. It was there that he met Evans, and throughout the 1950s and 1960s the two shared a studio. Their close working relationship led to frequent collaborations and the creation of some of the most significant works of the Midcentury Studio Furniture Movement. \u003cbr\u003e\u003cbr\u003ePowell was deeply committed to craftsmanship and to the expressive qualities of natural materials. He worked primarily with richly grained woods, often allowing the natural contours and character of the material to shape his designs. Slate was another favored material, frequently incorporated as tops for tables and credenzas, its deep gray tone providing a striking contrast to the warmth of wood. \u003cbr\u003e\u003cbr\u003eDedicated to producing only the finest pieces, Powell maintained an exceptionally small output. In contrast to his contemporary George Nakashima, Powell produced fewer than 1,000 works over the course of five decades. Indeed, it was Nakashima who initially encouraged him to pursue furniture design independently. \u003cbr\u003e\u003cbr\u003eToday, Powell’s carved wooden cabinets, consoles, chairs, and dining tables are among the most sought-after works of the period, celebrated for their sculptural presence, material integrity, and masterful craftsmanship.\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52989122314583,"sku":null,"price":134000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50110641_St_P_6_d4a57f71-a0ff-474f-b745-73345fc9733e.jpg?v=1773248945"},{"product_id":"guillerme-et-chambron-for-votre-maison-sideboard-in-oak-with-tile-inlay-1","title":"Guillerme et Chambron for Votre Maison Sideboard in Oak with Tile Inlay","description":"Guillerme et Chambron for Votre Maison, buffet, oak and ceramic, France, 1960s\u003cbr\u003e\u003cbr\u003eThis characteristic sideboard in solid oak was designed by French duo Jacques Chambron and Robert Guillerme for Votre Maison. The design combines functionality with a strong sculptural presence. The cabinet features two large sliding doors at the bottom, a drop-down door in the center, and four drawers that provide ample storage space. The doors are decorated with vertical carved patterns, a recurring element in the duo’s work. The raised legs, simple yet architectural, lift the piece and give it a refined presence. The upper section of the cabinet includes a tiled inlay, making it not only decorative but also practical as a working surface, for example in a kitchen or dining area. \u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52950718382423,"sku":null,"price":12400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117763_St_P_4_44647d43-bc80-4200-9b0a-adbc22aa94e1.jpg?v=1772812357"},{"product_id":"rare-otto-schultz-for-boet-sideboard-in-birch","title":"Rare Otto Schulz for Boet Sideboard in Birch","description":"Otto Schulz for Boet, sideboard, stained birch, Sweden, 1930s \u003cbr\u003e\u003cbr\u003eOtto Schulz (1882–1970), founder of the Gothenburg-based interior design company Boet, occupies a special position in the history of Swedish decorative arts. His designs from the interwar and postwar periods merged artisanal tradition with modern sensibility.  \u003cbr\u003e\u003cbr\u003eThe cabinet, made in the 1930s, reflects Schulz’s mature style and his characteristic use of two-tone stained birch. The sideboard is conceived as a long, rectilinear volume with a strong horizontal emphasis. It stands on distinctive turned feet, cylindrical and built up from stacked circular elements, adding a classical element. At the center of the façade, an inlaid motif provides the only concentrated ornament; its stylized, emblem-like character relates to Schulz’s recurring interest in graphic and illustrative motifs. \u003cbr\u003e\u003cbr\u003eThe design reflects an alternative approach to the functionalist ideals that were shaping Swedish modernism. In an era when the ideals of rationalism, technological progress, and social utility were celebrated as the hallmarks of design, Schulz and his firm Boet cultivated a language of comfort, craft, and decorative individuality.   \u003cbr\u003e\u003cbr\u003eBy the end of the 1920s, functionalism had begun to gain ground among progressive architects and designers in Sweden, a movement that would become dominant after the Stockholm Exhibition of 1930. With over four million visitors, this landmark event introduced the general public to the aesthetics and social ambitions of modernism. Organized according to the principles of rational planning and industrial production, the exhibition promoted simplicity, light surfaces, and the reduction of ornament as visual expressions of social and technological progress. As Uno Åhrén (1897-1977) and other functionalist theorists argued, the new style was not merely a matter of form, but also of social responsibility. Design was to serve the collective needs of a modern society rather than the decorative desires of the individual.  \u003cbr\u003e\u003cbr\u003eOtto Schulz’s response to this new order was neither overtly oppositional nor reactionary. Rather, he occupied an in-between position that reveals the pluralism of early modern Swedish design. While many of his contemporaries embraced simple shapes and inexpensive materials, Schulz continued to produce furniture that spoke to a cultivated bourgeois audience – consumers who valued comfort, quality, and visual richness. At Boet, the store he founded in Gothenburg, interiors were composed not of functionalist austerity but of upholstered chairs and sofas, polished woods with marquetry, and patterned textiles. He also created modular systems with modernist details like metal feet, yet their forms remained soft, tactile, and expressive.  \u003cbr\u003e\u003cbr\u003eDuring the mid-1930s, Swedish design entered a new phase that softened the austerity of early functionalism. What would later be termed Swedish Modern emerged from this period, uniting modernist clarity of form with artisanal craftsmanship, natural materials, and an emphasis on comfort and domesticity. This aesthetic gained international recognition at the Paris World’s Fair in 1937 and the New York World’s Fair in 1939. The arrival of Josef Frank (1885-1967) at Svenskt Tenn in 1934 signaled this shift toward a softer, more human modernism that embraced history, color, and comfort. Schulz’s work anticipated many of these tendencies. His designs never fully abandoned tradition; instead, they evolved within it, designing exclusive and handcrafted furniture that balances tradition with function.   \u003cbr\u003e\u003cbr\u003eIn retrospect, the cabinet embodies what might be called a bourgeois modernity: a design ethos that accepted modern form but refused to abandon the values of home, tradition, and craft. Schulz’s work reminds us that the story of modern design was never linear or uniform. Even at the height of functionalism’s influence, there were designers who, through subtle means, resisted its dogma. Schulz’s cabinet asserts that modern life could be not only rational and efficient, but also warm, beautiful, and deeply human.  \u003cbr\u003e\u003cbr\u003e  \u003cbr\u003eBoet  \u003cbr\u003e\u003cbr\u003eIn central Gothenburg, one of Sweden’s most exclusive interior design shops, Firma Boet, was established during the interwar period. The store was founded in 1920 by the architect Otto Schulz, together with the Stockholm architect Adolf Nordinberg. Boet soon developed into a fully-stocked store with competitors in Sweden, and within a few decades, the shop was comparable – but also competitive – with the furnishing department at Nordiska Kompaniet or Firma Svenskt Tenn in Stockholm. In his solo efforts, Schulz continued to develop furniture designs that adapted to the changing times, and in relation to the trends of leading firms of the time, such as Swedish Grace during the 1920s and the Swedish Modern movement from the 1930s onwards. Schulz repeatedly emphasized his position as owner and artistic leader for Firma Boet. Schulz was also recognized for creating designs and individual furniture pieces featured in the firm’s magazine, Boet. However, it is likely that many other employees played a crucial role in supporting and boosting the production capabilities of the company.   \u003cbr\u003e\u003cbr\u003eThe magazine Boet was a monthly magazine for home culture, crafts, and industrial art, published monthly from 1928 to 1938, with a special anniversary issue in 1945. The magazine primarily featured photographs and editorial texts about Firma Boet’s furniture and interiors, but it also contained a number of articles, reviews, and commentary. Boet enlisted a diverse group of contributors, including museum curators, theorists, critics, architects, craftsmen, designers, and representatives from the art industry. Many of these writers were actively involved in Gothenburg's cultural scene. They explored Boet from various angles, covering topics such as advancements in furniture design, architecture, interior decor, lighting, formal events, lighting fixtures, wallpapers, textiles, modern paintings, tapestries, decorative arts, and table settings.  ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53173013184855,"sku":null,"price":16400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118615_St_P_6.jpg?v=1775034507"},{"product_id":"george-nakashima-double-sliding-door-cabinet-in-american-black-walnut-1","title":"George Nakashima Double Sliding-Door Cabinet in American Black Walnut","description":"George Nakashima for George Nakashima Studio, sideboard, American black walnut, hickory, United States, 1969\u003cbr\u003e\u003cbr\u003eWith regard to its essential form, material use, and woodwork, this double-sliding door cabinet is a testimony to George Nakashima's expert craftsmanship and distinctive methodology. This cabinet was specially designed for a private client in 1969. The unit revolves around a linear and strict layout with sharp lines and angular shapes dominating the scenery. This is contrasted by the organic, free flowing edges of the wooden slab on top. Behind the two sliding doors, the interior houses a storage system. Each compartment is comprised of three regular drawers and one smaller drawer. The base is comprised of two horizontal slats inserted perpendicularly into the frames. Nakashima succeeded in creating a durable piece of furniture with a timeless aesthetic and impeccable quality made possible by his close relationship with nature.   \u003cbr\u003e\u003cbr\u003eGeorge Nakashima (1905-1990) was a well-known woodworker, architect and furniture designer from Japanese descendants. He was born in Spokane, Washington and enrolled in the University of Washington program in architecture. After his graduation in 1931, he decided to live his life as a bohemian in France. Afterwards, he spent some time in North Africa and eventually settled in Japan for some time. There, he started working for Antonin Raymond, who was an American architect. While working for Raymond, Nakashima extensively toured Japan while trying to understand the Japanese architecture and design. Around 1940, Nakashima decided to leave Japan and returned to the US. However, like many other with a Japanese ancestry, he was interned during World War Two and sent to Camp Minidoka in Idaho. There, Nakashima met a master woodcarver who tutored him in Japanese crafting techniques. From him, he learned to master traditional Japanese hand tools and joinery techniques. From here onwards, he began to use woodworking with discipline and patience, striving towards perfection in his designs. In 1943, he was released from the camp and invited by Antonin Raymond to live in his farm in New Hope, Pennsylvania. During this period, New Hope formed the home port for many great designers such as Frank Lloyd Powell and Paul Evans. Nakashima was a very spiritual and philosophical designer. The basis of Nakashima's work was derived from his practice of integral yoga. Therefore, primary goal of Nakashima's work was to live in harmony with nature rather than to destroy it for their own use. Above all, Nakashima wanted to embody a message to all modern societies that we must constantly remember the eternal in all that we do. He often said of his own work that he gave trees a second life. His designs are known for their exquisite craftsmanship and are often 'signed' with dovetails and butterfly connections. With these ideas in mind, Nakashima created his own style based on Japanese designs and shop practices, combined with the American and International Modern Styles. Therefore, he became one of the best 20th century American Art furniture designers. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53119111594327,"sku":null,"price":94500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116357_P_64.jpg?v=1774633399"},{"product_id":"afra-tobia-scarpa-for-maxalto-artona-sideboard-with-vitrine-in-walnut","title":"Afra \u0026 Tobia Scarpa for Maxalto 'Artona' Wall Unit with Vitrine in Walnut","description":"Afra \u0026amp; Tobia Scarpa for Maxalto, 'Artona' highboard consisting of cabinet with vitrine, walnut, burlwood, lacquered wood, brass, glass, leather, Italy, 1975\/1979\u003cbr\u003e\u003cbr\u003eThis substantial sideboard with concealed and transparant compartments is a design by Afra \u0026amp; Tobia Scarpa, developed within the acclaimed Artona line. The structure appears divided into several sections, with the outermost cabinets covered with solid doors in burlwood, and the central unit offering open shelves and a vitrine. The faceted glass doors reflect the sideboard's dual role as both storage and display furniture. \u003cbr\u003e\u003cbr\u003eThe sideboard's wooden frame exhibits clean, vertical and horizontal lines, emphasizing the symmetry and balance of the design. The distinctive Artona lines, seen as black accents running along the length of the wooden components, add an element of elegance to the design and highlight the exceptional craftsmanship behind the piece.\u003cbr\u003e\u003cbr\u003eThe ‘Artona’ line by the Scarpa duo was in fact the first line ever produced by Maxalto, the specialist division of B\u0026amp;B Italia. Maxalto was originally set up in 1975 as a high-end division of B\u0026amp;B Italia to focus exclusively on the production of artisanal, mostly wood furniture. The ‘Artona’ was their first project and also functions as a counter-message against the common prevailing use of plastics in furniture design during the Postwar period.\u003cbr\u003e\u003cbr\u003eAfra (1937–2011) and Tobia (1935–) Scarpa are a renowned duo of Italian architects and designers, celebrated for their contributions to postmodern design. Afra Bianchin was born in Montebelluna in 1937, while Tobia Scarpa, the son of prominent architect Carlo Scarpa, was born in Venice in 1935. The two met while studying at the Venice Institute of Architecture and later married. Tobia initially worked as a glass designer at the Murano glassworks of Venini from 1957 to 1961. However, in 1960, the pair began collaborating professionally and went on to establish one of the most successful design studios of their time. Their collaborations included work for prestigious companies such as Flos, Gavina, B\u0026amp;B Italia, and Knoll. Throughout their career, the couple received numerous accolades, including the Compasso d’Oro and recognition from the International Forum Design. They also took on high-profile commissions for companies like Benetton. Afra and Tobia Scarpa’s designs are admired for their modernist aesthetic, which blends elegance with comfort. At the same time, their work is known for its subtle nods to classical design and their deep understanding of materials. Today, many of their iconic creations are housed in major museums around the world, including the Museum of Modern Art in New York, the Musée du Louvre, and the National Museum of Design in New York.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53157272682839,"sku":null,"price":14400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118216_St_P_5_689e2406-f0a7-45b4-a44d-413f1ea93b32.jpg?v=1774867156"},{"product_id":"phillip-lloyd-powell-long-wall-mounted-sideboard-in-carved-walnut-1","title":"Phillip Lloyd Powell Long Wall-Mounted Sideboard in Carved Walnut","description":"Phillip Lloyd Powell, long wall-mounted sideboard, walnut, Unites States, circa 1970 \u003cbr\u003e\u003cbr\u003eCrafted in Phillip Lloyd Powell’s New Hope studio, this wall-mounted sideboard pairs understated modernism with unmistakably hand-wrought detail. Crafted around 1970, the case presents a clean, rectilinear silhouette with twelve integrated drawers, each featuring sculpted pulls that read as subtle finger scoops and follow the wood’s flowing grain. This allows easy access to the drawer above. Three panels are marked by a carved sculptural relief with organic shapes. These intricate carvings visualize the artist’s hand and his movement to treat the wood in a skillful manner. Exposed dovetail and box joinery at the top underscores Powell’s exacting craftsmanship, while the deep, warm tone and expressive figuring of the wood give the whole an earthy, inviting presence. Every element – structure, proportion, and touchpoint – reflects Powell’s insistence on making as both method and signature. \u003cbr\u003e\u003cbr\u003eBiography\u003cbr\u003ePhillip Lloyd Powell (1919–2008) was a key figure in the American Studio Craft Movement. Born in Germantown, Pennsylvania, in 1919, he developed an early passion for furniture design, crafting pieces for himself as well as custom works for family and friends during his adolescence. He studied engineering at Drexel University before being drafted into the Army Air Corps during the Second World War. \u003cbr\u003e\u003cbr\u003eAfter returning from military service, Powell settled in New Hope, Pennsylvania, a thriving center for craftspeople that included artists such as Paul Evans. It was there that he met Evans, and throughout the 1950s and 1960s the two shared a studio. Their close working relationship led to frequent collaborations and the creation of some of the most significant works of the Midcentury Studio Furniture Movement. \u003cbr\u003e\u003cbr\u003ePowell was deeply committed to craftsmanship and to the expressive qualities of natural materials. He worked primarily with richly grained woods, often allowing the natural contours and character of the material to shape his designs. Slate was another favored material, frequently incorporated as tops for tables and credenzas, its deep gray tone providing a striking contrast to the warmth of wood. \u003cbr\u003e\u003cbr\u003eDedicated to producing only the finest pieces, Powell maintained an exceptionally small output. In contrast to his contemporary George Nakashima, Powell produced fewer than 1,000 works over the course of five decades. Indeed, it was Nakashima who initially encouraged him to pursue furniture design independently. \u003cbr\u003e\u003cbr\u003eToday, Powell’s carved wooden cabinets, consoles, chairs, and dining tables are among the most sought-after works of the period, celebrated for their sculptural presence, material integrity, and masterful craftsmanship.\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53229538083159,"sku":null,"price":169000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50110641_St_P_5.jpg?v=1775225337"},{"product_id":"belgian-sideboard-in-black-lacquered-oak-with-graphical-doors-3","title":"Belgian Sideboard in Black Lacquered Oak with Graphical Doors","description":"Sideboard, lacquered oak, Belgium, 1970s\u003cbr\u003e\u003cbr\u003eThis Belgian credenza showcases a meticulously crafted design, featuring a clear rhythm and flow that exudes harmony and balance. The carved pyramid front immediately catches the eye and is the signature for this item; a design that established during the seventies when Brutalism was at his highest level specifically in Belgium. This movement is an architectural style started from the mid-20th century, aiming for raw, geometric and compromise-less buildings. Characterized by blatant concrete-skeletons with geometric patterns and Puritan materials. In decorative arts brutalism is highly represented in furniture design. The design convinces visually through its stabile construction accomplished by the remarkable diagonal lines. The deep black color underscores the cabinet's substantial and robust appearance. The interior is furnished with shelves, providing plenty of storage space. Overall, the style is simple and understated and strongly reminds of the designs of De Coene.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with signs of age and use. This includes slight wear on the lower part of the legs. For further details, we encourage you to reach out to our team of design specialists. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53230380777815,"sku":null,"price":14400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115827_P_10_ff362010-840f-4090-828e-536ee91b32bc.jpg?v=1775227122"},{"product_id":"melchiorre-bega-custom-sideboard-in-walnut","title":"Melchiorre Bega Custom Sideboard in Walnut","description":"Melchiorre Bega for Vittorio Bega Arredamenti, sideboard, walnut, Italy, 1950s \u003cbr\u003e\u003cbr\u003eA rare, possibly one-of-a-kind sideboard that stands as an exceptional example of Italian mid-century modern design, created by architect and designer Melchiorre Bega for a private residence he entirely decorated. The work has a certain architectural flair to it, featuring an elongated and horizontal body with an integrated raised back element that extends to the ground, giving the structure a continuous profile. Executed in walnut, the piece demonstrates a preference for warm tonality, characteristic of Italian cabinetmaking of the period. \u003cbr\u003e\u003cbr\u003eParticularly notable is the use of marquetry inlay depicting stylized natural motifs. These take the form of elongated leaf elements, extending across the tapered supports and framing the door panels within a geometric layout. At the outer sections, the presence of grissinato door panels, characterized by fine vertical ribbing, adds textural variation. It exemplifies a strand of Italian mid-century production that resists strict functionalist austerity in favor of a more nuanced integration of craft and design.\u003cbr\u003e\u003cbr\u003eMelchiorre Bega (1898–1976) was trained as an architect before establishing himself as a designer. He is known for his meticulously detailed functionalist and modern designs. Rejecting the prevailing Art Deco style of his time, Bega believed that a harmonious whole emerges from the careful integration of many small elements, an approach often described as graceful functionalism. This philosophy led him to collaborate exclusively with specialized craftsmen, ensuring precision in every detail. His work was guided by human needs, shaping both form and function. \u003cbr\u003e\u003cbr\u003eEarly in his career, he concentrated on the renovation of historic buildings. From 1923 onward, he designed and co-managed a production factory originally founded by his father, Vittorio, around 1900. In the early 1940s, Bega served as editor of the influential magazine Domus. Later, he became the architect behind several major projects, including the Axel Springer Building in Berlin and the Galfa Tower in Milan.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53351655506263,"sku":null,"price":26400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118095_St_P_1.jpg?v=1776672766"},{"product_id":"paul-evans-for-directional-rare-cityscape-or-steel-hinged-sideboard-in-chrome","title":"Paul Evans for Directional Rare 'Cityscape' or 'Steel Hinged' Sideboard in Chrome","description":"Paul Evans, Paul Evans Studio for Directional, 'Cityscape' or 'Steel Hinged' cabinet, mirrored glass, chrome-plated steel, lacquered High Pressure Laminate, United States, 1970s\u003cbr\u003e\u003cbr\u003eThis 'Steel Hinged' sideboard, designed by Paul Evans for Directional as part of the Cityscape series, exemplifies the designer’s exploration of materiality, modular construction, and surface articulation. Produced in Evans’s studio, the piece reflects a synthesis of artisanal craftsmanship and industrial aesthetics that characterizes his work of the late twentieth century.\u003cbr\u003e\u003cbr\u003eThe Cityscape series is widely regarded as one of Evans’s most accomplished bodies of work, distinguished by its use of geometric repetition and a sophisticated juxtaposition of reflective and matte surfaces. In this example, the cabinet’s defining feature lies in its articulated façade, composed of interlocking, brick-bond steel elements. This system of stepped interlocks operates both structurally and visually, generating a rhythmic, tessellated surface. The interlocking pattern is periodically interrupted by planar black panels, which function as visual counterpoints, reinforcing the composition’s graphic clarity and contributing to its sculptural presence. \u003cbr\u003e\u003cbr\u003eThe cabinet is elevated on a chromed platform, which introduces a reflective interface with its environment. This is further reinforced by the mirrored glass top, which extends the interplay of light and reflection across the upper surface. When illuminated, the cabinet’s surface shimmers and glows, evoking the glamour and reflective energy of the disco era.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCityscape line \u003cbr\u003e\u003cbr\u003eThe origin of Evans’ Cityscape series with its gleaming façades is based on the exploring of a material new to the Evans studio: chromed steel. The research and development for the series started in 1970 and took place over a six-month period. Before that, Evans had done a lot of preliminary examination by using a constructivist approach to design, which was, as art critic Glenn Adamson puts it, ‘based on the repetition and variation of geometrical modules, typically built from discrete metal plates, welded together and then embellished.’ As the handling of the material required a lot of technical competence and precision, Evans was faced with a great challenge during this period. Not only the visual characteristics of the material carries a sense of deluxe, but also Evans’ great craftsmanship and creativity give the potential that the Cityscape furniture could be considered as refined and exceptional. Evans himself described the series as ‘an elegant and unconventional statement, the ultimate in high fashion contemporary furniture.’.  \u003cbr\u003e\u003cbr\u003eAlthough Evans had a background in metalwork, the Cityscape series seems equally relevant to the Art Deco period of the 1920s and ‘30s. Evans was among others strongly inspired by the Viennese Art Deco designer Paul Frankl (1886-1958) who is known for his designs that resemble the New York architectural skyscrapers. As the title “Cityscape” suggests, the mirrored surface of the sideboards graphically represents a skyline. Other shapes within the series were also present resulting in a more general sphere of urbanity. Another source of inspiration could be the compositions prevailing within black-and-white movies of the Art Deco era, which played a major in the stylistic features of the art movement. Hollywood set designers used the juxtaposition of different kind of materials – mirrors, chromed steel, high-polish lacquer and silver-gilt wood – that contained a mirrored, sheen, and reflective finish, as means of creating these surfaces of high-contrast.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBiography \u003cbr\u003e\u003cbr\u003ePaul Evans (1931-1987) was among one of the most important American Studio Craft Movement members. Together with artists such as Wharton Esherick and George Nakashima, he helped to make the Philadelphia region a prominent center for the Studio Craft in the late 1960s. Born in Newton, Pennsylvania, Evans studied at a few different institutions such as the Philadelphia Textile Institute, the Rochester Institute of Technology, School for American Craftsman, and the Cranbrook Academy of Art. Eventually, he was drawn to New Hope, Pennsylvania, in 1955 where he collaborated and shared a showroom with Phillip Lloyd Powell until 1966. Powell’s woodwork and Evans's metal craftsmanship combined into a creative partnership. During this period, he started to create furniture with metal and sculpture by which he manipulated materials to achieve expressive surface effects. In 1964, Evans started working for the Directional Furniture company where he pursued a new phase of his career. Directional offered him new opportunities for selling his work throughout the US and he continuously introduced new lines. However, his line proved to be too expensive and by the end of the seventies, he ended his relationship with the company. It was also throughout the seventies that Evans started to replace these crusty, textured surfaced, that were patinated with paint and acid, with dazzling, reflective metal surfaces that were sometimes mixed with woods. Evans’s oeuvre has an impressive size especially when regarding all pieces were handmade. On March 6, 1987, the artist shut down his business and, unfortunately, died the next day due to a heart attack. \u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53394311610711,"sku":null,"price":44000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118616_St_P_10.jpg?v=1777043309"},{"product_id":"french-sideboard-in-solid-elm-by-skilled-craftsman-3","title":"French Sideboard in Solid Elm by Skilled Craftsman","description":"Sideboard, elm, France, 1970s\u003cbr\u003e\u003cbr\u003eStunning lived-in credenza made in France in the 1970s. This piece contains ample storage space, structured with shelves and four drawers, displaying elegance and practicality. The smooth, lustrous grain of elm wood is a stunning choice for this design, making it naturalistic and rich. In this sideboard echoes the influence and style of titans of French furniture design: Pierre Chapo and Charlotte Perriand. The reverence for craftsmanship, seamless integration of form and function are easily recognized as traits of Perriand and Chapo.\u003cbr\u003e\u003cbr\u003eKindly note that the item is in good condition with some signs of age and use, including some spots on the legs. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499021623639,"sku":null,"price":10800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115712_St_P_4_4be410f6-d923-4441-99b8-27dba76d62a4.jpg?v=1778249294"},{"product_id":"arne-vodder-sideboard-in-teak-with-reversible-doors-2","title":"Arne Vodder Sideboard in Teak with Reversible Doors","description":"Arne Vodder for Sibast Møbler, credenza model 29A, teak, Denmark, 1959\u003cbr\u003e\u003cbr\u003eThis teak sideboard was designed by renowned Danish designer Arne Vodder and showcases the refined craftsmanship and understated elegance characteristic of his work. Signature Vodder details are present throughout, most notably in the beautifully shaped drawers with their distinctive eye-shaped handles. Offering ample storage space, the piece is as functional as it is visually sophisticated. A particularly thoughtful feature is the reversible door panels, finished in teak veneer on one side and black on the other, allowing the appearance of the credenza to be adapted to personal preference and interior setting.\u003cbr\u003e\u003cbr\u003eArne Vodder (1926-2009) should be named among the most influential Scandinavian Midcentury designers, although he is not as well-known as for instance Hans Wegner or Arne Jacobson. Once a student of famous furniture designer Finn Juhl at Royal Danish Academy of Fine Arts in Copenhagen, who later became his friend and business partner. Vodder started out as an architect who designed low-cost housing, later on, he began designing furniture. Although his designs are anything but low-quality, his aim for functional design that could be used by all remained important. He designed amongst others for Fritz Hansen \u0026amp; Sibast. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499039777111,"sku":null,"price":17500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115586_St_P_23_b3ad3bb7-8bc1-4770-a0d7-b67a9123f23b.jpg?v=1778249442"},{"product_id":"brutalist-french-sideboard-in-gouge-solid-elm-by-cabinetmaker","title":"Brutalist French Sideboard in Gouge Solid Elm by Cabinetmaker","description":"Sideboard, solid elm, France, 1950s\/1960s\u003cbr\u003e\u003cbr\u003eMade by the skilled hands of a French cabinetmaker, this organically formed cabinet embraces both the inherent qualities of the wood and a distinctly artisanal sensibility. Its silhouette remains resolutely organic: the edges are free-form, retaining a live, slightly irregular contour that evokes the original outline of the timber. The surface is particularly striking. Rather than being planed to uniform smoothness, it has been worked with a gouge, producing a dense field of shallow, rhythmic depressions that animate the surface and catch the light unevenly. The overall language recalls the work of the French designer-sculptor Alexandre Noll. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569092452695,"sku":null,"price":19700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118713_St_P_7.jpg?v=1778857249"},{"product_id":"guillerme-chambron-sideboard-in-solid-oak-and-brass","title":"Guillerme \u0026 Chambron Sideboard in Solid Oak and Brass","description":"Guillerme et Chambron for Votre Maison, sideboard, solid oak, brass, France, 1960s\u003cbr\u003e\u003cbr\u003eThis outstanding credenza is a design by the French masters Jacques Chambron and Robert Guillerme, dating back to the sixties. This design is exemplary for the duo's expert craftsmanship and great sense for proportions and decorations. The front is composed of two sliding-doors, each meticulously adorned with intricate embossed carvings of rectangular forms. The capricious legs complement this elaborate style, showing beautiful carved lines executed in a sculptural manner. The interior is equipped with shelves. Overall, this remarkable cabinet reflects their unique artistic vision, masterfully realized with high-quality materials and visually striking elements. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569107329367,"sku":null,"price":12700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118885_St_P_6.jpg?v=1778857409"},{"product_id":"italian-postmodern-sideboard-with-geometric-front-3","title":"Italian Postmodern Sideboard with Geometric Front","description":"Sideboard, cherry wood, ebony wood, mahogany wood, Italy, 1970s\u003cbr\u003e\u003cbr\u003eThis stunning sideboard, made from a luxurious combination of cherry, ebony wood, and mahogany, is a true statement piece that enhances any space it occupies. The design showcases meticulously crafted compartments and clean, geometric lines, adding structure and elegance to its appearance. The intricate wood work on the panels highlights the natural beauty of the wood grain with symmetrical patterns, demonstrating exceptional attention to detail. Every aspect of this piece has been thoughtfully designed, making it not only a functional storage solution but also a timeless piece of design, perfect for elevating sophisticated interiors.\u003cbr\u003e\u003cbr\u003eThe mahogany type used for this piece does not require an export license. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569126400343,"sku":null,"price":7450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118525_St_P_4.jpg?v=1778865511"}],"url":"https:\/\/www.morentz.com\/collections\/sideboards-old-dfe9ad.oembed","provider":"Morentz","version":"1.0","type":"link"}