{"title":"Recently Added","description":"","products":[{"product_id":"gianemilio-piero-and-anna-monti-for-candle-luna-table-lamp-in-fiberglass","title":"Gianemilio, Piero and Anna Monti for Candle 'Luna' Table Lamp in Fiberglass","description":"Gianemilio, Piero and Anna Monti (Studio di Architettura GPA Monti) for Candle, 'Luna' table or floor lamp, chrome-plated steel, fiberglass, Italy, 1968 \u003cbr\u003e\u003cbr\u003eThis remarkable lamp acquired several affectionate nicknames in our team, like \"mushroom\" or \"cloud\" — a reflection of its playful and highly sculptural presence. Its original name, however, is Luna, a reference to the clustered fiberglass domes whose surface evokes the landscape of the moon. Designed by Gianemilio, Piero and Anna Monti for Candle in 1968, the lamp stands as an experimental example of late Italian modernism moving toward a more expressive, post-modern vocabulary.\u003cbr\u003e\u003cbr\u003eThe composition is built from a series of intersecting hemispherical forms balanced above a chromed steel base. When illuminated, the translucent fiberglass emits a warm atmospheric glow that accentuates the material’s irregular color, reinforcing the lamp’s lunar association and transforming it into a luminous sculptural object rather than merely a functional source of light.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499063042391,"sku":null,"price":13800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117865_St_P_2.jpg?v=1778249633"},{"product_id":"danish-modern-1940s-armchair-in-blue-leather-and-mahogany","title":"Danish Modern 1940s Armchair in Blue Leather and Mahogany","description":"Armchair, leather, mahogany, beech, brass, Denmark, 1940s\u003cbr\u003e\u003cbr\u003eThis armchair embodies the restrained elegance of the Danish modernist tradition, closely aligned with the design philosophy of Kaare Klint and his influential school. The slender frame is crafted from richly toned mahogany, carefully shaped with soft, organic lines. The curved armrests flow seamlessly into the front legs, lending the chair a calm and sculptural presence. The slightly sabre-shaped rear legs add a refined detail characteristic of Scandinavian furniture design from the period.\u003cbr\u003e\u003cbr\u003eThe seat and backrest are upholstered in deep blue leather, creating a striking contrast against the warm mahogany frame. The upholstery is finished with visible brass nails, evenly and meticulously spaced, emphasizing the deliberate attachment of the leather to the frame. Simultaneously, the rows accentuate and define the chair's inherent lines and form. This classic detail references traditional cabinetmaking craftsmanship\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499533459799,"sku":null,"price":4750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118960_St_P_6.jpg?v=1778252150"},{"product_id":"guillerme-chambron-writing-desk-in-solid-oak-and-black-leather","title":"Guillerme \u0026 Chambron Writing Desk in Solid Oak and Black Leather","description":"Guillerme et Chambron for Votre Maison, writing desk, oak, leather, France, 1960s.\u003cbr\u003e\u003cbr\u003eThis desk is designed by the renowned French duo Guillerme et Chambron. This design holds an utterly well-balanced construction supported by the characteristic aesthetic language of the designers. The wooden frame is executed in solid oak and showcases angular shapes and lines. The top of the desk is executed in black leather, which adds a luxurious and bold allure to the whole unit. On the right, a compartment with three drawers is added to store one's stationary. \u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499558494551,"sku":null,"price":9400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118860_St_P_5.jpg?v=1778252274"},{"product_id":"hans-jorgen-frydendal-for-modul-bygge-system-sofa-in-solid-pine-and-dusty-rose-upholstery","title":"Hans Jørgen Frydendal for Modul Bygge System Sofa in Solid Pine and Dusty Rose Upholstery","description":"Hans Jørgen Frydendal for Modul Bygge System, sofa, solid pine, fabric, Denmark, 1960s\u003cbr\u003e\u003cbr\u003eHans Jørgen Frydendal created a sofa that directs all focus towards the inherent quality of solid pine and the constructive components of the design. The sofa evokes the spirit of the ‘Sportstugemöbler’ (weekend cottage or lodge furniture) series envisioned by Axel Einar Hjorth in the 1930s. Constructed with thick wooden slats intersecting at right angles, the structure features sections extending beyond. Crafted from pinewood with expressive grains, the piece exudes a natural allure, while the dusty rose pink and white striped fabric adds a soft, refined contrast to the robust wooden frame.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499139653975,"sku":null,"price":13400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118862_St_P_5_b6d52d2a-afb8-4ada-aefa-0927614d4148.jpg?v=1778250092"},{"product_id":"angular-art-deco-lounge-chair-in-oak-and-fabric","title":"Angular Art Deco Lounge Chair in Oak and Fabric","description":"Lounge chair, oak, metal nails, fabric, Europe, 1930s\u003cbr\u003e\u003cbr\u003eElegant European lounge chair from the 1930s with a beautifully shaped oak frame and refined proportions. The warm tone of the wood contrasts beautifully with the floral upholstery in soft golden tones, giving the piece a rich and sophisticated appearance. Decorative nailhead details accentuate the graceful lines and add a classic touch to the design.\u003cbr\u003e\u003cbr\u003eKindly note that we advise reupholstery for this chair. This can be done in our in-house atelier, or locally. Please reach out to our design specialists for more information. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499011924311,"sku":null,"price":3950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118969_St_P_6.jpg?v=1778249156"},{"product_id":"ernesto-valabrega-for-vittorio-valabrega-large-cabinet-in-solid-oak","title":"Ernesto Valabrega for Vittorio Valabrega Large Cabinet in Solid Oak","description":"Ernesto Valabrega for Vittorio Valabrega Studio, cabinet, oak, leather, metal, Italy, circa 1935\u003cbr\u003e\u003cbr\u003eThis large oak cabinet by Ernesto Valabrega combines strong visual presence with generous storage capacity. The exterior is defined by two elegantly proportioned doors fitted with locks, opening to reveal a thoughtfully arranged interior with shelving for optimal functionality. Open compartments on both sides add further versatility and architectural rhythm to the design. A distinctive feature is the use of chamfered leather detailing throughout, a signature element often found in Valabrega’s work. Exceptional craftsmanship and refined materiality make this piece a remarkable example of the designer’s aesthetic.\u003cbr\u003e\u003cbr\u003eBiography\u003cbr\u003eItalian designer Ernesto Valabrega (1901-1944) was born in Turin, as the son of celebrated designer and cabinetmaker Vittorio Valabrega (1861-1952). His father Vittorio was, together with his brother, the founder of Fratelli Valabrega (Valabrega Brothers Company, since 1884) that was situated in Turin. During the 1890s, Vittorio became the sole owner of the company and had great success with his refined wooden furniture. Vittorio Valabrega became well-known for his furniture in the floral Art Nouveau style, but as a true child of the 19th century, his company also manufactured furniture in Neo-Renaissance and the French Rococo Louis XV-style. His designs received positive attention and were awarded at World Exhibitions. At the famous exhibition in Paris in 1900, Vittorio even received a gold medal. \u003cbr\u003e\u003cbr\u003eIt was at the age of twenty-four that Ernesto got on board with his father’s business. His involvement from 1925 onwards had a great impact on the company. Ernesto decided to change the company’s name to Mobilart in 1928 and radically redirected the course. Whereas Vittorio was inspired by a variety of contemporary and historic styles, Ernesto chose for a different approach. He renounced the 19th century mixture of styles and approached furniture design in the same manner as the highly influential William Morris of the English Arts and Crafts movement. Their reform was an artistic reaction to the widespread industrialization of the 19th century.  \u003cbr\u003e\u003cbr\u003eErnesto despised products of poor quality and chose high quality materials that would last a lifetime. The furniture he created in the late 1920s and 1930s are a true testament to his beliefs. With his irregular carvings of oakwood, the hammered hinges, flowing edges, embossed surfaces his furniture shows quality, attention to detail and ultimate craftsmanship. \u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499016577367,"sku":null,"price":7450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50112607_St_P_4_ca5ba762-750c-48d7-994d-b6d49f3407dd.jpg?v=1778249229"},{"product_id":"ettore-sottsass-for-design-centre-poltronova-cometa-floor-lamp-in-perspex","title":"Ettore Sottsass for Design Centre\/Poltronova 'Cometa' Floor Lamp in Perspex","description":"Ettore Sottsass for Design Centre\/Poltronova, 'Cometa' floor lamp, model 'L026', acrylic, lacquered metal, chrome, Italy, design 1970 \u003cbr\u003e\u003cbr\u003eA funky and irresistibly charming floor lamp designed by Ettore Sottsass for Poltronova in 1970, and produced by Design Centre. Its most eye-catching feature is the wavy silhouette of the acrylic shade, which brings a playful energy to the piece. True to Sottsass' design philosophy, the lamp embraces a quirky and unconventional form, challenging traditional ideas of how furniture and everyday objects should look. In contrast to the flowing, organic shape of the shade, the lamp rests on a sharply geometric, black lacquered metal base. From this solid foundation, the sizeable shade rises, held in place by a chrome support that introduces a striking vertical line through the center of the design. What truly sets this lamp apart is its use of colored light: soft blue and crisp white tones that elevate the piece into a sculptural, atmospheric statement.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499041513815,"sku":null,"price":24000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115896_St_P_6.jpg?v=1778249449"},{"product_id":"early-pierre-chapo-godot-daybed-in-solid-elm","title":"Early Pierre Chapo 'Godot' L 01 I Daybed in Solid Elm","description":"Pierre Chapo, 'Godot' daybed, model 'L 01 I', solid elm, fabric, France, 1959\u003cbr\u003e\u003cbr\u003eThis daybed is an early edition designed by the French designer and master woodworker Pierre Chapo (1927-1987), known for his hallmark use of solid elmwood and a commitment to pure and clean design and construction principles. The L01 bed by Pierre Chapo is characterized for its taut, sober design with simple lines and the box joints at the corners of the frame. Chapo designed this daybed in 1959 for the writer Samuel Becket and named it 'Godot', in reference to the play 'Waiting for Godot'. \u003cbr\u003e\u003cbr\u003ePierre Chapo (1927-1987) was born in a family of craftsmen and trained as an architect at the École Nationale Supérieure des Beaux-Arts in Paris. Already from a young age, he felt the need to roam the world. He was only twenty-one when he left France in order to spend the next few years traveling through England and Scandinavia. In December of 1951, he was living back in Paris, where he met his future wife, Nicole. Their meeting was the beginning of a lifelong union. Together, the lovebirds travelled through South and North America being captivated by the architectural diversity. Back in France, he and his partner Nicole set up Société Chapo in 1957. Société Chapo was a design workshop and gallery in one where he showed his own creations. However, Nicole also presented her ceramics, and textiles here and they even exhibited other great designers of that period. In 1958, they opened their famous gallery at 14 Boulevard de l'Hopital. Chapo's work originated by means of special commissions that could later be adapted to universal needs. Throughout his career, Chapo combined his interest for contemporary design with his love for traditional craftsmanship. In his designs, he was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and the ideas of Bauhaus. The three principles that motivated Pierre Chapo were 'material, form, and function.' He measured his furniture by means of golden ratio and used elmwood as his preferred material. Unfortunately, Chapo fell ill, and he died in 1987, however, until his last day, he kept on designing and working. \u003cbr\u003e\u003cbr\u003eMattress size: 140 x 190cm \/ 55 x 75 in.\u003cbr\u003e\u003cbr\u003eThe price listed is including the mattress and pillows. These items are custom made in our in-house atelier by our experienced craftspeople, and have a lead-time. We kindly ask you to reach out to our design specialists for more detailed information. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499845935447,"sku":null,"price":19500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45013013_St_P_37_cfc30478-3130-4daf-bd6f-b0eee03be4c0.jpg?v=1778594259"},{"product_id":"ernesto-valabrega-for-vittorio-valabrega-lounge-chairs-in-oak-and-blue-upholstery-1","title":"Ernesto Valabrega for Vittorio Valabrega Lounge Chairs in Oak and Blue Upholstery","description":"Ernesto Valabrega for Vittorio Valabrega Studio, armchairs, oak, fabric, Italy, 1930s\u003cbr\u003e\u003cbr\u003eDesigned by Ernesto Valabrega for Vittorio Valabrega Studio in the 1930s, this set of lounge chairs reflects the high-level of Italian craftsmanship of the period. Executed entirely in oak, the chairs show a clear, architectural structure with well-balanced proportions and an emphasis on material quality. The backrest is composed of a repeating, interlocking curvilinear motif that creates a rhythmic lattice. The armrests introduce a contrasting curvature: they extend forward in a gently sinuous line, widening and rounding at the terminals into almost bulbous grips. Below the seat, the apron features a shallow scalloped edge, subtly decorative but still restrained.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eItalian designer Ernesto Valabrega (1901-1944) was born in Turin, as the son of celebrated designer and cabinetmaker Vittorio Valabrega (1861-1952). His father Vittorio was, together with his brother, the founder of Fratelli Valabrega (Valabrega Brothers Company, since 1884) that was situated in Turin. During the 1890s, Vittorio became the sole owner of the company and had great success with his refined wooden furniture. Vittorio Valabrega became well-known for his furniture in the floral Art Nouveau style, but as a true child of the 19th century, his company also manufactured furniture in Neo-Renaissance and the French Rococo Louis XV-style. His designs received positive attention and were awarded at World Exhibitions. At the famous exhibition in Paris in 1900, Vittorio even received a gold medal. \u003cbr\u003e\u003cbr\u003eIt was at the age of twenty-four that Ernesto got on board with his father’s business. His involvement from 1925 onwards had a great impact on the company. Ernesto decided to change the company’s name to Mobilart in 1928 and radically redirected the course. Whereas Vittorio was inspired by a variety of contemporary and historic styles, Ernesto chose for a different approach. He renounced the 19th century mixture of styles and approached furniture design in the same manner as the highly influential William Morris of the English Arts and Crafts movement. Their reform was an artistic reaction to the widespread industrialization of the 19th century.  \u003cbr\u003e\u003cbr\u003eErnesto despised products of poor quality and chose high quality materials that would last a lifetime. The furniture he created in the late 1920s and 1930s are a true testament to his beliefs. With his irregular carvings of oakwood, the hammered hinges, flowing edges, embossed surfaces his furniture shows quality, attention to detail and ultimate craftsmanship. \u003cbr\u003e\u003cbr\u003eThe listed price is per item. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499000127831,"sku":null,"price":8450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118686_St_P_3.jpg?v=1778249096"},{"product_id":"french-sideboard-in-solid-elm-by-skilled-craftsman-3","title":"French Sideboard in Solid Elm by Skilled Craftsman","description":"Sideboard, elm, France, 1970s\u003cbr\u003e\u003cbr\u003eStunning lived-in credenza made in France in the 1970s. This piece contains ample storage space, structured with shelves and four drawers, displaying elegance and practicality. The smooth, lustrous grain of elm wood is a stunning choice for this design, making it naturalistic and rich. In this sideboard echoes the influence and style of titans of French furniture design: Pierre Chapo and Charlotte Perriand. The reverence for craftsmanship, seamless integration of form and function are easily recognized as traits of Perriand and Chapo.\u003cbr\u003e\u003cbr\u003eKindly note that the item is in good condition with some signs of age and use, including some spots on the legs. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499021623639,"sku":null,"price":10800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115712_St_P_4_4be410f6-d923-4441-99b8-27dba76d62a4.jpg?v=1778249294"},{"product_id":"scandinavian-adjustable-dining-table-in-cherry-wood-1","title":"Scandinavian Adjustable Dining Table in Cherry Wood","description":"Dining table, cherry wood, Scandinavia, 1980s\u003cbr\u003e\u003cbr\u003eA size-adjustable dining table where function meets enduring quality. Designed with multiple extension leaves, it effortlessly adapts to different settings. Crafted in beautifully grained cherry wood, the surface glows with a deep, rich warmth, enhanced by a soft natural gloss that catches the light in all the right ways. The gently rounded edges and solid, architectural base give it presence without heaviness. Elegance runs effortlessly through this design, bringing a sense of glamour to its postmodern appearance. Designed to adapt, made to last, and distinguished by the richness of its material choice.\u003cbr\u003e\u003cbr\u003eWidth when extended: 275 cm I 108.27 in. \u003cbr\u003eWidth when not extended: 175 cm I 68.9 in. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53498980467031,"sku":null,"price":9450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118605_St_P_3.jpg?v=1778248965"},{"product_id":"finn-juhl-for-france-son-japan-sofa-in-teak-and-cognac-leather-2","title":"Finn Juhl for France \u0026 Søn ‘Japan’ Sofa in Teak and Cognac Leather","description":"Finn Juhl for France \u0026amp; Søn, 'Japan' sofa, model ‘137\/3’, teak, brass, reupholstered in leather, Denmark, designed in 1957\u003cbr\u003e\u003cbr\u003eIn the 'Japan' series by Finn Juhl, crafted for France \u0026amp; Søn, the sofa serves as a captivating embodiment of Juhl's pursuit to liberate the carrying and carried elements. Inspired by the traditional Japanese construction techniques, this notion is expressed in the separation of the backrest from the wooden framework, achieved through the application of brass connections. This constructive feature adds a striking elegance to the sofa and makes it a piece you will place free-standing in the room to admire the frame from the back too. The leather is reupholstered in a fine, high-quality cognac leather.  \u003cbr\u003e\u003cbr\u003eFinn Juhl (1912-1989), born in Denmark, planned on becoming an art historian when he was young. His father however decided it would be a better career move if he went to become an architect. After his architecture degree Juhl worked for ten years with Vilhelm Lauritzen. At the age of 33 Finn Juhl opened his own furniture design practice. In the 1940s he designed a number of creations that regenerated Danish furniture design, and broke with the established furniture tradition. Juhl is known as the one of the most important pioneers of Danish design. He was in fact the first Danish furniture designer to gain widespread international recognition. His work was vital to spreading the “Danish Modern” concept around the world. His designs are re-known for being exquisitely elegant, refined up until the smallest detail and extremely well executed. \u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499243135319,"sku":null,"price":12700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45004896_St_P_13.jpg?v=1778250699"},{"product_id":"italian-art-deco-chandelier-in-glass-and-brass-2","title":"Italian Art Deco Chandelier in Glass and Brass","description":"Chandelier, glass, brass, Italy, 1940s\u003cbr\u003e\u003cbr\u003eElegant Italian chandelier from the 1940s in the style of Barovier, crafted from ribbed crystal glass and warm brass. Featuring graceful curved arms with delicate flower shaped glass shades, it creates a soft and atmospheric glow. The sculptural brass accents are particularly beautiful, refined and surprisingly modern in their clean lines, perfectly balanced with the decorative crystal details. A sophisticated and timeless statement piece with exceptional Italian charm.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499763392855,"sku":null,"price":17500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118589_St_P_9.jpg?v=1778253186"},{"product_id":"fler-idler-lounge-chairs-with-ottoman-in-teddy-mohair-by-pierre-frey","title":"Fler 'Idler' Lounge Chairs with Ottoman in Teddy Mohair by Pierre Frey","description":"Fler for Furniture Makers of Australia, living room set - lounge chairs with ottoman, model 'The Idler', \"Teddy Mohair\" Aubergine by Pierre Frey, Australia, wood, design 1969\u003cbr\u003e\u003cbr\u003eThis superb ensemble, named The Idler, traces its origins to 1969 and is designed by the renowned Australian company Fler. Founded in 1946 by Fred Lowen and Ernest Rodeck, the company's name is a combination of their initials. Their partnership developed into one of Australia's foremost modern furniture manufacturers. The design aligns with the principles of postmodernism. Design in the late sixties and seventies was all about going beyond the strict conventions of modernism, with the exploration of the different qualities of materials, use of pop colors, with peculiar and symbolic appearances as the outcome. In the design world of the 1970s, it was commonplace to see sectional sofas featuring a soft, organic layout and rendered in the most vibrant colors. Noted designers such as Pierre Paulin, Olivier Mourgue, Mario Bellini, Rossi di Albizzate, Tito Agnoli, Verner Panton, Cini Boeri, Gaetano Pesce, and Joe Colombo, to name a few, contributed to this tradition. \u003cbr\u003e\u003cbr\u003eIn addition to its aesthetic appeal, the seamless seating system excels in functionality. Comprising a pair of lounge chairs and one ottoman, it offers the flexibility to create various configurations. The single chairs can function as standalone pieces or can be arranged side by side to form a sofa arrangement. A truly magnificent and postmodern piece with a soft teddy mohair in  aubergine color by Pierre Frey that will grab everyone's attention. A quote from an advertisement of the model perfectly sums up the purpose of the design: \"A shape for sitting, sprawling or flopping into. (...) We called it \"The Idler\". When you sit in it, you'll find out why.\". \u003cbr\u003e\u003cbr\u003ePlease note that the depicted photographs of this set show the final result of what the item will look like after reupholstery. The price on offer is valid for this final result, including fabric and labor. The reupholstered item has a current lead-time of twelve to fourteen weeks and will be performed by our experienced craftspeople in our in-house restoration atelier. All to meet our high-quality and standards. For further questions please contact our design specialists regarding reupholstery and specific lead-time.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499882406231,"sku":null,"price":21400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118446_St_P_8.jpg?v=1778253696"},{"product_id":"dining-chairs-in-pine-and-sheepskin-6","title":"Dining Chairs in Pine and Sheepskin","description":"Dining chairs, pine, reupholstered in sheepskin, Czech Republic, 1950s\u003cbr\u003e\u003cbr\u003ePine dining chairs featuring a sheepskin in beige color. This particular model is manufactured without armrests. The elegant designed open shape of the frame in combination with the plush and woolly upholstery makes this chair very versatile for any type of interior. The design looks simplistic, yet these chairs were made with high attention and great craftsmanship.\u003cbr\u003e\u003cbr\u003ePlease note that the depicted photographs of this chair show the final result of what the item will look like after reupholstery. The price on offer is valid for this final result, including fabric and labor. The reupholstered item has a current lead-time of twelve to fourteen weeks and will be performed by our experienced craftspeople in our in-house restoration atelier. All to meet our high-quality and standards. For further questions please contact our design specialists regarding reupholstery and specific lead-time.\u003cbr\u003e\u003cbr\u003eThe price listed is per chair. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53498910769495,"sku":null,"price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45004459_St_P_137_94ec86d8-c488-4d04-ada1-3e55cb01ec3d.jpg?v=1778248300"},{"product_id":"1940s-danish-sofa-with-sculptural-frame-in-white-wool","title":"1940s Danish Sofa with Sculptural Frame in White Wool","description":"Sofa, reupholstered in \"Gabriel\" wool by Savak, stained beech, Denmark, 1940s \u003cbr\u003e\u003cbr\u003eThis charming sofa, newly reupholstered in a fine woolen white fabric, is designed in the manner of Danish designer Viggo Boesen (1907-1985), whose oeuvre is marked by organic movement and the use of honest, natural materials such as rattan. The sofa also shares characteristics with the work of Alfred Christensen. This piece embodies a splendid construction based on curvaceous lines and round corners. The wooden armrest and legs are organically built featuring a subtle motion established by slightly bending the wood. The back develops in a modest winged shape on both ends, and together with the transparent layout of the wooden frame, the sofa gets a more inviting and open look. The style is simple and understated, where clear, fluent lines are allowed to emerge in the design.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53498914111831,"sku":null,"price":14900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45014379_St_P_8_825727fa-f694-487e-b4e8-4e8c29cd8f67.jpg?v=1778248367"},{"product_id":"arne-vodder-sideboard-in-teak-with-reversible-doors-2","title":"Arne Vodder Sideboard in Teak with Reversible Doors","description":"Arne Vodder for Sibast Møbler, credenza model 29A, teak, Denmark, 1959\u003cbr\u003e\u003cbr\u003eThis teak sideboard was designed by renowned Danish designer Arne Vodder and showcases the refined craftsmanship and understated elegance characteristic of his work. Signature Vodder details are present throughout, most notably in the beautifully shaped drawers with their distinctive eye-shaped handles. Offering ample storage space, the piece is as functional as it is visually sophisticated. A particularly thoughtful feature is the reversible door panels, finished in teak veneer on one side and black on the other, allowing the appearance of the credenza to be adapted to personal preference and interior setting.\u003cbr\u003e\u003cbr\u003eArne Vodder (1926-2009) should be named among the most influential Scandinavian Midcentury designers, although he is not as well-known as for instance Hans Wegner or Arne Jacobson. Once a student of famous furniture designer Finn Juhl at Royal Danish Academy of Fine Arts in Copenhagen, who later became his friend and business partner. Vodder started out as an architect who designed low-cost housing, later on, he began designing furniture. Although his designs are anything but low-quality, his aim for functional design that could be used by all remained important. He designed amongst others for Fritz Hansen \u0026amp; Sibast. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499039777111,"sku":null,"price":17500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115586_St_P_23_b3ad3bb7-8bc1-4770-a0d7-b67a9123f23b.jpg?v=1778249442"},{"product_id":"hans-agne-jakobsson-rulle-wall-lights-in-patinated-copper-16","title":"Hans-Agne Jakobsson ‘Rulle’ Wall Lights in Patinated Copper","description":"Hans-Agne Jakobsson for Hans-Agne Jakobsson AB in Markaryd, ‘Rulle’ wall lights, copper, Sweden, 1960s.\u003cbr\u003e\u003cbr\u003eBeautiful copper ‘Rulle' light by Swedish designer Hans-Agne Jakobsson. This design features a cylindric lampshade that is connected to a circular fixation. The rich patina on the copper gives the material a striking look. Hans-Agne Jakobsson originally designed these copper wall lights for outdoor use, but they make a great expressive lamp indoors too.\u003cbr\u003e\u003cbr\u003eThe Swedish interior and furniture designer Hans-Agne Jakobsson (1919-2009) was born in Hvadhem, a small village located in the province Gotland, Sweden, in 1919. Jakobsson obtained an apprenticeship as a carpenter before completing an architectural study in Gothenburg. He made his entrance as an industrial designer at General Motors and subsequently started assisting furniture designers Carl Malmsten (1888-1972) and Werner West (1890-1959). In 1951, he established his own company ‘Hans-Agne Jakobsson AB’ in Markaryd, Sweden. He worked during the Golden Age of Scandinavian design and his oeuvre ranged from furniture, lighting, and various everyday objects. Jakobsson is best remembered for his softly glowing, glare-free lighting fixtures, which were inspired by the \"organic modern\" approaches of Danish lighting master Poul Henningsen (1894-1967) and Finnish icon Alvar Aalto (1898-1976). Jakobsson created a diversity of pendants, floor lamps, wall lamps, and table lamps that showcase a penchant for diverse materials and forms, as well as a deep understanding of lighting effects. Throughout his career, Jakobsson carried out commissions for private homes as well as public buildings. In 2009, Hans-Agne Jakobsson passed away in Markaryd, leaving a long-lasting mark in the field of lighting design.\u003cbr\u003e\u003cbr\u003ePlease be informed that making the lamps suitable for long-term outdoor use will incur additional costs. For further details, we encourage you to reach out to our team of design specialists. Kindly note that the price listed is per item. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499131658583,"sku":null,"price":1975.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118413_St_P_4_1903e263-eb6b-43b3-8118-27fae28cc30c.jpg?v=1778250055"},{"product_id":"luigi-caccia-dominioni-for-azucena-pair-of-italian-lounge-chairs-in-grey-leather-and-steel","title":"Luigi Caccia Dominioni for Azucena Italian Lounge Chairs in Grey Leather and Steel","description":"Luigi Caccia Dominioni for Azucena, lounge chairs, leather, chrome-plated steel, Italy, 1963\u003cbr\u003e \u003cbr\u003eThese cubist lounge chairs in grey leather were designed by Luigi Caccia Dominioni for Azucena. Their design is defined by clean, geometric lines, evident in the precisely shaped leather upholstery that emphasizes a structured, architectural aesthetic. This clarity continues in the chromed metal frame, particularly at the back, where an elegant interplay of vertical and horizontal lines intersects, softened by rounded edges. As a result, the chairs are visually striking from all angles and can be positioned freely within a space. Designed with comfort in mind, they feature thick cushions and a deep, generous seat. \u003cbr\u003e\u003cbr\u003eThe listed price is per item. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499629535575,"sku":null,"price":6450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118892_St_P_20_d29985de-ab62-4041-be3d-1b5a0a53bebd.jpg?v=1778252563"},{"product_id":"unique-jacob-kjaer-sofa-in-original-niger-leather-and-mahogany-2","title":"Unique Jacob Kjaer Sofa in Original Niger Leather and Mahogany","description":"Jacob Kjaer, sofa, original Niger leather, brass, stained mahogany, Denmark, 1930s \u003cbr\u003e\u003cbr\u003eExemplifying the quintessential essence of Danish design of the thirties, this rare sofa by Jacob Kjaer captures a harmonious blend of understated simplicity and refined elegance. The spacious seat is marked by clear lines and angular shapes. The meticulously contoured armrests embody smooth rounded corners, further enhancing the sofa's graceful silhouette. Constructed from stained mahogany, the base features a platform meticulously supported by ten rectangular-shaped legs, seamlessly integrated into the frame with masterful craftsmanship. A captivating touch is the presence of brass nails along the outer edges of the leather upholstery, accentuating the sofa's delicate lines. The corpus is luxuriously upholstered in the original cognac Niger leather, which bears a remarkable patina acquired over the years. \u003cbr\u003e\u003cbr\u003eJacob Kjaer (1896-1957) started working as a furniture designer in 1915. Between 1918 and 1920, he studied at the Institute of Arts and Crafts Museum in Berlin, then worked in Paris and returned to Copenhagen in 1926. Here, he opened his own workshop. His highly skilled craftsmanship and designs got honored with the Hand Work Medal in 1954. \u003cbr\u003e\u003cbr\u003e ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499244282199,"sku":null,"price":87000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45014008_St_P_9.jpg?v=1778250702"},{"product_id":"1950s-italian-chandelier-in-brass-and-frosted-glass-shades","title":"1950s Italian Chandelier in Brass and Frosted Glass Shades","description":"Chandelier, brass, glass, Italy, 1950s\u003cbr\u003e\u003cbr\u003eElegant Italian chandelier from the 1950s, crafted from beautifully patinated brass and delicate frosted glass shades. The refined brass structure with its graceful curved lines gives the piece a light and sculptural appearance. A sophisticated example of Italian lighting from the 1950s, combining timeless elegance with understated modernity.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499744944471,"sku":null,"price":14400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118503_St_P_2.jpg?v=1778253089"},{"product_id":"danish-modern-1940s-set-of-six-dining-chairs-in-blue-leather-and-mahogany","title":"Danish Modern 1940s Set of Six Dining Chairs in Blue Leather and Mahogany","description":"Set of six dining chairs, leather, mahogany, beech, brass, Denmark, 1940s\u003cbr\u003e\u003cbr\u003eThese chairs embody the restrained elegance of the Danish modernist tradition, closely aligned with the design philosophy of Kaare Klint and his influential school. The slender frame is crafted from richly toned mahogany, carefully shaped with soft, organic lines. The curved armrests flow seamlessly into the front legs, lending the chair a calm and sculptural presence. The slightly sabre-shaped rear legs add a refined detail characteristic of Scandinavian furniture design from the period.\u003cbr\u003e\u003cbr\u003eThe seat and backrest are upholstered in deep blue leather, creating a striking contrast against the warm mahogany frame. The upholstery is finished with visible brass nails, evenly and meticulously spaced, emphasizing the deliberate attachment of the leather to the frame. Simultaneously, the rows accentuate and define the chair's inherent lines and form. This classic detail references traditional cabinetmaking craftsmanship\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499545616727,"sku":null,"price":22000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118959_St_P_9.jpg?v=1778252209"},{"product_id":"howard-keith-for-hk-furniture-diplomat-sofa","title":"Howard Keith for HK Furniture 'Diplomat' Sofa","description":"Howard Keith for HK Furniture, 'Diplomat' sofa, velvet, chrome-plated steel, United Kingdom, 1970s\u003cbr\u003e\u003cbr\u003eThe ‘Diplomat’ sofa, designed by Howard Keith, exemplifies the sophisticated comfort and sculptural elegance characteristic of 1970s British design. Its generous proportions and low-slung silhouette create an inviting presence, while the sumptuous cushions, upholstered in a striking patterned fabric, provide both visual and physical softness. Supported by sleek chrome-plated steel legs, this piece seamlessly balances modern refinement with a sense of relaxed luxury.\u003cbr\u003e\u003cbr\u003eKindly note that this sofa is upholstered in its charming original fabric and shows signs of wear and use common for its age.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53514099425623,"sku":null,"price":13800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118603_St_P_10.jpg?v=1778488891"},{"product_id":"brutalist-french-cabinet-in-gouge-solid-elm-by-cabinetmaker","title":"Brutalist French Cabinet in Gouge Solid Elm by Cabinetmaker","description":"Cabinet, solid elm, France, 1950s\/1960s\u003cbr\u003e\u003cbr\u003eMade by the skilled hands of a French cabinetmaker, this organically formed sideboard embraces both the inherent qualities of the wood and a distinctly artisanal sensibility. Its silhouette remains resolutely organic: the edges are free-form, retaining a live, slightly irregular contour that evokes the original outline of the timber. The surface is particularly striking. Rather than being planed to uniform smoothness, it has been worked with a gouge, producing a dense field of shallow, rhythmic depressions that animate the surface and catch the light unevenly. The overall language recalls the work of the French designer-sculptor Alexandre Noll. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499286258007,"sku":null,"price":14400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118714_St_P_3.jpg?v=1778250950"},{"product_id":"borens-boras-table-lamp-in-brass-and-leather","title":"Boréns Borås Table Lamp in Brass and Leather","description":"Boréns Borås, table lamp model '8456', lacquered leather, brass, Sweden, 1950s \u003cbr\u003e\u003cbr\u003eThis rare table lamp by Swedish lighting company Boréns Borås, is a clear example of Swedish modern design. The stem is wrapped in leather and lacquered in a brown color. The dome-shaped brass shade directs a calm, focused light downward. This lamp reflects a Scandinavian modern approach to lighting; simple, well-crafted, and timeless.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499509473623,"sku":null,"price":3850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118871_St_P_8.jpg?v=1778251904"},{"product_id":"rare-mario-oreglia-pair-of-lounge-chairs-in-burnt-orange-velvet-and-oak","title":"Rare Mario Oreglia Pair of Lounge Chairs in Burnt Orange Velvet and Oak","description":"Mario Oreglia, pair of lounge chairs, reupholstered in velvet \"St Germain Nougatine\" by Métaphores, oak, Italy, 1950s\u003cbr\u003e\u003cbr\u003eMario Oreglia (1916-1989) emerged as one of the leading furniture designers in the post-World War Two era. His designs gained widespread recognition, frequently published in esteemed publications like Domus and Roberto Aloi's furniture overviews. His designs are exemplary for pure modernism with an Italian allure. \u003cbr\u003e\u003cbr\u003eThese wonderful lounge chairs, newly reupholstered in a soft burnt-orange velvet by Métaphores, represent an exceptionally rare design. Their sculptural presence is emblematic of Oreglia’s artistic language, with the chair’s sweeping, organic forms reflecting the refined modernism and expressive elegance that define his broader body of work. Generous rolled armrests rise in a continuous curve towards the winged back. Despite their substantial proportions, the chairs retain an elegant softness through the fluid transitions between each element. The tapered wooden legs lend visual lightness to the design.  Viewed from every angle, the composition reveals Oreglia’s refined understanding of balance, where comfort and sculptural expression exist in perfect harmony.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53513741599063,"sku":null,"price":58000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50113320_St_P_4_a374a3bd-2342-466b-87fc-a959ecbd9417.jpg?v=1778481691"},{"product_id":"sergio-asti-for-martinelli-luce-profiterole-floor-or-table-lamp-in-fiberglass","title":"Sergio Asti for Martinelli Luce ‘Profiterole’ Floor or Table Lamp in Fiberglass","description":"Sergio Asti for Martinelli Luce, ‘Profiterole’, floor or table lamp, model ‘640’, fiberglass, plastic, Lucca, Italy, 1968\u003cbr\u003e\u003cbr\u003eA captivating fusion of both functionality and artistic expression, the Profiterole lamp, crafted by the Italian designer Sergio Asti (1926-2021) for Martinelli Luce, hovers at the intersection of a practical lighting fixture and objet d’art. Drawing inspiration from the delightful small round pastries filled with cream, the lamp's three-dimensional voluminous form features an embossed ‘blown-up’ surface. Constructed primarily from fiberglass, the lamp exhibits soft and organic shapes, enhanced by a black plastic ring that seamlessly connects its two components. The ingenious use of plastics and the whimsical, biomorphic aura of its design firmly situates the Profiterole lamp within the artistic landscape of the Pop Art era.\u003cbr\u003e\u003cbr\u003eThe manufacturer’s signature is visible underneath. \u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499055472983,"sku":null,"price":12700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118775_St_P_2_759e40aa-1e3a-4add-8548-fd298dad5bc8.jpg?v=1778249568"},{"product_id":"otto-schulz-for-boet-cabinet-in-green-faux-leather-oak-and-brass-nails","title":"Otto Schulz for Boet Cabinet in Green Faux Leather, Oak, and Brass Nails","description":"Otto Schulz for Boet, cabinet, faux leather, brass, stained oak, Sweden, 1920s-1940s\u003cbr\u003e\u003cbr\u003eOtto Schulz (1882–1970), founder of the Gothenburg-based interior design company Boet, occupies a special position in the history of Swedish decorative arts. His designs from the interwar and postwar periods merged artisanal tradition with modern sensibility.\u003cbr\u003e\u003cbr\u003eThe small cabinet, made in the 1920s-40s, demonstrates Schulz’s mature style and his characteristic use of the Bo-Point technique, a decorative system that became synonymous with Boet’s production in the late 1920s till the 1940s. The cabinet stands on an oak framework, notable for its sculptural “lion’s paw” feet that evoke both classical and baroque precedents. The structure supports a rectangular case enveloped in deep green faux leather, its surface articulated with brass furniture nails arranged in precise geometric configurations: central circles framed within rectilinear borders. The furniture nails, also referred to as Bo-Point, featured convex heads closely set in linear or curvilinear formations, and used to delineate motifs, define borders, or generate decorative patterning. The technique was frequently employed on cabinets, bar furniture, mirrors, stools, and other luxury furnishings that served as the centerpiece of domestic interiors. The interior is fitted with drawers. The backside is stamped with \"Boet\". \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe design reflects an alternative approach to the emerging functionalist ideals that were beginning to shape Swedish modernism. In an era when the ideals of rationalism, technological progress, and social utility were celebrated as the hallmarks of design, Schulz and his firm Boet cultivated a language of comfort, craft, and decorative individuality. \u003cbr\u003e\u003cbr\u003eBy the end of the 1920s, functionalism had begun to gain ground among progressive architects and designers in Sweden, a movement that would become dominant after the Stockholm Exhibition of 1930. With over four million visitors, this landmark event introduced the general public to the aesthetics and social ambitions of modernism. Organized according to the principles of rational planning and industrial production, the exhibition promoted simplicity, light surfaces, and the reduction of ornament as visual expressions of social and technological progress. As Uno Åhrén (1897-1977) and other functionalist theorists argued, the new style was not merely a matter of form, but also of social responsibility. Design was to serve the collective needs of a modern society rather than the decorative desires of the individual.\u003cbr\u003e\u003cbr\u003eOtto Schulz’s response to this new order was neither overtly oppositional nor reactionary. Rather, he occupied an in-between position that reveals the pluralism of early modern Swedish design. While many of his contemporaries embraced simple shapes and inexpensive materials, Schulz continued to produce furniture that spoke to a cultivated bourgeois audience – consumers who valued comfort, quality, and visual richness. At Boet, the store he founded in Gothenburg, interiors were composed not of functionalist austerity but of upholstered chairs and sofas, polished woods with marquetry, and patterned textiles. He also created modular systems with modernist details like metal feet, yet their forms remained soft, tactile, and expressive.\u003cbr\u003e\u003cbr\u003eDuring the mid-1930s, Swedish design entered a new phase that softened the austerity of early functionalism. What would later be termed Swedish Modern emerged from this period, uniting modernist clarity of form with artisanal craftsmanship, natural materials, and an emphasis on comfort and domesticity. This aesthetic gained international recognition at the Paris World’s Fair in 1937 and the New York World’s Fair in 1939. The arrival of Josef Frank (1885-1967) at Svenskt Tenn in 1934 signaled this shift toward a softer, more human modernism that embraced history, color, and comfort. Schulz’s work anticipated many of these tendencies. His designs never fully abandoned tradition; instead, they evolved within it, designing exclusive and handcrafted furniture that balances tradition with function. \u003cbr\u003e\u003cbr\u003eIn retrospect, the cabinet embodies what might be called a bourgeois modernity: a design ethos that accepted modern form but refused to abandon the values of home, tradition, and craft. Schulz’s work reminds us that the story of modern design was never linear or uniform. Even at the height of functionalism’s influence, there were designers who, through subtle means, resisted its dogma. Schulz’s cabinet asserts that modern life could be not only rational and efficient, but also warm, beautiful, and deeply human.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBoet\u003cbr\u003e\u003cbr\u003eIn central Gothenburg, one of Sweden’s most exclusive interior design shops, Firma Boet, was established during the interwar period. The store was founded in 1920 by the architect Otto Schulz, together with the Stockholm architect Adolf Nordinberg. Boet soon developed into a fully-stocked store with competitors in Sweden, and within a few decades, the shop was comparable – but also competitive – with the furnishing department at Nordiska Kompaniet or Firma Svenskt Tenn in Stockholm. In his solo efforts, Schulz continued to develop furniture designs that adapted to the changing times, and in relation to the trends of leading firms of the time, such as Swedish Grace during the 1920s and the Swedish Modern movement from the 1930s onwards. Schulz repeatedly emphasized his position as owner and artistic leader for Firma Boet. Schulz was also recognized for creating designs and individual furniture pieces featured in the firm’s magazine, Boet. However, it is likely that many other employees played a crucial role in supporting and boosting the production capabilities of the company. \u003cbr\u003e\u003cbr\u003eThe magazine Boet was a monthly magazine for home culture, crafts, and industrial art, published monthly from 1928 to 1938, with a special anniversary issue in 1945. The magazine primarily featured photographs and editorial texts about Firma Boet’s furniture and interiors, but it also contained a number of articles, reviews, and commentary. Boet enlisted a diverse group of contributors, including museum curators, theorists, critics, architects, craftsmen, designers, and representatives from the art industry. Many of these writers were actively involved in Gothenburg's cultural scene. They explored Boet from various angles, covering topics such as advancements in furniture design, architecture, interior decor, lighting, formal events, lighting fixtures, wallpapers, textiles, modern paintings, tapestries, decorative arts, and table settings. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499534803287,"sku":null,"price":23800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118870_St_P_4.jpg?v=1778252158"},{"product_id":"large-italian-art-deco-pendant-lamp-with-iridescent-opal-glow-glass","title":"Large Italian Art Deco Pendant Lamp with Iridescent Opal Glow Glass","description":"Pendant, golden lacquered metal, brass, glass, Italy, 1940s\u003cbr\u003e\u003cbr\u003eBeautiful large Italian Art Deco pendant lamp with an exceptional sculptural presence. The impressive glass shade is composed of stunning textured glass elements with a beautiful iridescent opal sheen, giving the piece a luminous and almost ethereal appearance. Combined with elegant brass details, the design perfectly balances refinement and grandeur. A true beauty and a remarkable work of Italian lighting art.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499116683607,"sku":null,"price":15400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118552_St_P_10_77c5ee38-eafb-41d8-aca7-f1949bcca737.jpg?v=1778249985"},{"product_id":"large-mid-century-modern-glass-brass-chandelier-97cm-38in-wide","title":"Large Mid Century Modern Glass \u0026 Brass Chandelier 97cm\/38in Wide","description":"Chandeliers, glass, brass, Europe, 1960s\u003cbr\u003e\u003cbr\u003eThese elegant chandeliers embody the refined glamour of European mid century lighting design. Their sculptural composition of textured glass elements creates a beautiful interplay of light and transparency, while the warm brass structure adds depth and sophistication. The circular form gives the design a harmonious and architectural presence, perfectly balanced between modern geometry and subtle luxury.\u003cbr\u003e\u003cbr\u003eIn our current stock, multiple examples are available, ideal for larger spaces or curated interior projects.\u003cbr\u003e\u003cbr\u003eThe listed price is per item.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499050688855,"sku":null,"price":23800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118806_St_P_7.jpg?v=1778249509"},{"product_id":"1940s-italian-sideboard-in-chestnut-with-faceted-front","title":"1940s Italian Sideboard in Chestnut with Faceted Front","description":"Cabinet, chestnut, Italy, 1940s\u003cbr\u003e\u003cbr\u003eThis refined 1940s sideboard in chestnut reflects the influence of the Paolo Buffa School. Its defining elements are the faceted, diamond-like front panels and the scalloped lower rim — decorative motifs frequently encountered in Italian cabinetry of the late 1930s and 1940s associated with Buffa and his circle. The choice of chestnut contributes significantly to the sideboard’s character, introducing an organic warmth that tempers the precision of the geometric façade.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53514101850455,"sku":null,"price":16400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118512_St_P_10.jpg?v=1778488981"},{"product_id":"barovier-toso-art-deco-table-lamp-in-crystal-glass","title":"Barovier \u0026 Toso Art Deco Table Lamp in Crystal Glass","description":"Barovier \u0026amp; Toso table lamp, crystal glass, Italy, 1940s\u003cbr\u003e\u003cbr\u003eExceptional Barovier \u0026amp; Toso table lamp from the 1940s, crafted entirely from richly textured clear glass using the renowned Rostrato technique, characterized by its sculptural pointed glass surface. The striking geometric design beautifully reflects and diffuses the light, combining elegant Venetian craftsmanship with a refined modernist character. A rare and highly decorative statement piece with timeless Italian appeal.\u003cbr\u003e\u003cbr\u003eFounded in 1295 on the island of Murano (Venice, Italy), where it remains based today, Barovier\u0026amp;Toso is dedicated to preserving and innovating the art of blown glass. Barovier\u0026amp;Toso’s creations are unique works, crafted from Venetian mouth-blown crystal and meticulously shaped by master artisans in Murano. These artisans uphold a centuries-old tradition, passed down through generations. In 1455, Angelo Barovier was granted an exclusive decree by the Republic of Venice to produce “Cristallo Veneziano” (Venetian Crystal), cementing the studio’s legacy in glassmaking history.\u003cbr\u003e\u003cbr\u003ePlease note that the glass shows some small chips consistent with age and use.\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499603747159,"sku":null,"price":1450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118581_St_P_5.jpg?v=1778252445"},{"product_id":"pierre-chapo-large-t20b-dining-table-with-set-of-ten-kaare-klint-dining-chairs","title":"Pierre Chapo Large 'T20B' Dining Table with Set of Ten Kaare Klint Dining Chairs","description":"Dining room set consisting of Pierre Chapo T20B dining table with set of ten 3758A dining chairs by Kaare Klint for Rud. Rasmussens Snedkerier. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePierre Chapo, large dining table, model 'T20B', solid. elm, France, 1972\u003cbr\u003e\u003cbr\u003eConceived in 1972 by Pierre Chapo during his reimagining of the T14 table concept, this design is an early edition that retained the iconic pillar-leg base. Chapo, however, introduced a distinctive touch by elongating the table with a straight-sided, curved-ended top. The rounded angles elegantly harmonize the voluminous structure, while the elm material gracefully exhibits a subtle patina, bearing witness to the table's age and years of use. As one of the grander variations in Chapo's collection, this table has an impressive width of 308cm \/ 121.26 in.\u003cbr\u003e\u003cbr\u003ePierre Chapo (1927-1987) was born in a family of craftsmen and trained as an architect at the École Nationale Supérieure des Beaux-Arts in Paris. Already from a young age, he felt the need to roam the world. He was only twenty-one when he left France in order to spend the next few years traveling through England and Scandinavia. In December of 1951, he was living back in Paris, where he met his future wife, Nicole. Their meeting was the beginning of a lifelong union. Together, the lovebirds travelled through South and North America being captivated by the architectural diversity. Back in France, he and his partner Nicole set up Société Chapo in 1957. Société Chapo was a design workshop and gallery in one where he showed his own creations. However, Nicole also presented her ceramics, and textiles here and they even exhibited other great designers of that period. In 1958, they opened their famous gallery at 14 Boulevard de l'Hopital. Chapo's work originated by means of special commissions that could later be adapted to universal needs. Throughout his career, Chapo combined his interest for contemporary design with his love for traditional craftmanship. In his designs, he was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and the ideas of Bauhaus. The three principles that motivated Pierre Chapo were 'material, form, and function.' He measured his furniture by means of golden ratio and used elmwood as his preferred material. Unfortunately, Chapo fell ill, and he died in 1987, however, until his last day, he kept on designing and working. \u003cbr\u003e\u003cbr\u003eMeasurements dining table: H 73.5 W 302.5 D 107 cm I H 28.94 W 119.09 D 42.13 in. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eKaare Klint for Rud. Rasmussens Snedkerier, set of ten armchairs, model '3758A', fabric, leather piping, mahogany, Denmark, design 1930 \u003cbr\u003e\u003cbr\u003eThese dining chairs in light creme fabric with cognac leather piping and mahogany, were designed in 1930 by Kaare Klint. Referred to as the Red Chair, the first chairs without armrests were originally conceived for the lecture hall of the Danish Art and Design Museum. Gustav Falck, the director of the National Gallery of Denmark, possessed a collection of antique English chairs in the Chippendale style dating back to circa 1750-1760. In September, the museum borrowed the \"finest\" chair from Falck's collection, that Ole Wanscher would examine. This research served as inspiration, leading to the completion of the design and the final model by Rud. Rasmussens Snedkerier in November 1927. Subsequently, Klint adapted the chair for his sectional tables, stimulating the need for smaller variations, available in three sizes and with or without arms. In 1930, Klint came with an armchair version, specifically designed for the office of the Prime Minister Thorvald Stauning. \u003cbr\u003e\u003cbr\u003eFurthermore, these chairs gained international acclaim when they were exhibited at the World Exposition in Barcelona, earning the prestigious grand prix medal in 1929. As a result of this recognition, they became known as the 'Barcelona Chair.'\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eKaare Klint (1888-1954), born in 1988 in Frederiksburg, Denmark, was a Danish architect and furniture designer. From a young age, Klint was immersed in architecture. His father was the well-known architect Peder Vilhelm Jensen-Klint, who is mainly known for designing the Grundtvigs church in Copenhagen. After studying at the P.S. Krøyer’s Art School from 1907, Klint made his debut as a designer. That year, the Association of Furniture Manufacturers in Copenhagen announced that they would hold a competition for designer furniture. Klint submitted, together with Ivar Bentsen, under a code name and together they received first price. In 1924, Klint helped establishing the Department of Furniture Design at the Royal Danish Academy of fine Arts. As associate professor, and later professor, he inspired some of the greatest and most well-known Danish designers, including Hans J. Wegner and Arne Jacobsen. Klint worked and thought along a few strong principles being the importance of former styles. He believed that the only way forward was to have a deep knowledge of craftsmanship. One of his other core principles was to research functionality and have an outstanding sense of proportion, space and the human body. Overall, Klint drew inspiration from the Shakers, Chippendale and Biedermeier. Kaare Klint's style from the 20s and 30s has had a lot of influence on other designers in both Europe and the United States. Amongst others Børge Mogensen, Finn Juhl and Poul Kjærholm have taken influence from Klint. Therefore, Kaare Klint can be seen as the father of Danish midcentury design.\u003cbr\u003e\u003cbr\u003eMeasurements chairs: H 89 W 60.5 D 56.5 cm I H 35.04 W 23.82 D 22.24 in. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499509145943,"sku":null,"price":200000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118728_St_P_8.jpg?v=1778251901"},{"product_id":"italian-mid-century-modern-wall-unit-in-mahogany-1","title":"Italian Mid-Century Custom-Made Architectural Wall Unit in Mahogany","description":"Wall unit, glass, mahogany, Italy, 1950s\u003cbr\u003e\u003cbr\u003eExceptional Italian wall unit from the 1950s, crafted from richly grained mahogany wood with elegant glass details. Its architectural composition of floating cabinets, open geometric forms, and long horizontal lines perfectly reflects the sophistication of Italian Mid Century design. A refined and sculptural piece combining timeless craftsmanship with modernist elegance.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53518143717719,"sku":null,"price":33000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118510_St_P_9_254dc5dc-bb44-49a1-9ab2-441d71d9a0af.jpg?v=1778507497"},{"product_id":"mario-bellini-set-of-four-cab-413-dining-chairs-in-patinated-cognac-leather","title":"Mario Bellini Set of Four 'CAB 413' Dining Chairs in Patinated Cognac Leather","description":"Mario Bellini for Cassina, set of four armchairs model 'CAB 413', leather, plastic, Italy, 1979\u003cbr\u003e\u003cbr\u003eThe iconic ‘CAB’ chair was designed by Mario Bellini in 1979. Conceptually new was the way Bellini uses leather to cover the whole chair in one monochrome layer. The chairs feature patinated cognac brown leather, meticulously stitched along the sides and elegantly stretched across the entire form. A nice detail is how the back elegantly runs over into the armrests, developing in a delicate curved shape at both ends. \u003cbr\u003e\u003cbr\u003eMario Bellini (1935) is an internationally renowned Italian architect and designer. Born in Milan, Bellini earned his PhD in architecture at the Polytechnic University of Milan in 1959. After his graduation, Bellini started working as an architect, and as a consultant for the Italian electronics company Olivetti. Besides architecture and electronics, Bellini also dedicated his career to automotive and furniture design. He has designed numerous items for Vitra, Artemide, Kartell, Cassina and more. The iconic 1977 Cab Chair for Cassina is one of Bellini's most prominent designs. The appreciation of his outstanding work has been made clear with eight Compasso d'Oro design awards. Over 20 items of his works are in the permanent collection of the Museum of Modern Art in New York.black leather plastic","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53568793280855,"sku":null,"price":14800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118720_St_P_9.jpg?v=1779097760"},{"product_id":"1970s-post-modern-italian-set-of-twelve-dining-chairs-in-pine","title":"1970s Post-Modern Italian Set of Twelve Dining Chairs in Pine","description":"Set of twelve dining chairs, stained pine, Italy, 1970s\u003cbr\u003e\u003cbr\u003eRecalling the work of Mario Marenco's \"Sapporo\" chair, these dining chairs are characterized by their architectural backrest and broad seat. Each back consists of two vertical slats, subtly spaced apart and connected at the top, creating a refined structure with a strong sculptural presence. The front legs rise cleanly from two flat, straight elements, emphasizing the chairs’ graphic clarity and structural balance. Crafted in richly toned pine, the frames display a deep, warm hue. The result is a harmonious interplay of material, form, and proportion, characteristic of Italian design of the period.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53568875692375,"sku":null,"price":26400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50119006_St_P_10.jpg?v=1778859524"},{"product_id":"italian-dining-chairs-with-carved-backs-and-straw-seats-3","title":"Set of Eight Italian Dining Chairs with Carved Backs and Straw Seats","description":"Set of eight dining chairs, beech, straw, Italy, 1950s\u003cbr\u003e\u003cbr\u003eCrafted with a refined decorative allure and a rustic inclination, these chairs present exquisite craftsmanship and intricate woodcarvings, showcasing a unique design. The backrest features gracefully undulating carved slats paired with apertures, serving as defining traits. This distinctive motif immediately sets these pieces apart. The chairs exude a rustic aesthetic through the use of specific materials like beechwood and woven straw. \u003cbr\u003e\u003cbr\u003eKindly note that these chairs are in good, used condition with some signs of age and use. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53568952336727,"sku":null,"price":6000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115204_St_P_12_81d93395-67a2-4cb9-9fc6-633d1855c0df.jpg?v=1780565129"},{"product_id":"brutalist-french-set-of-eight-dining-chairs-in-gouge-solid-elm-by-cabinetmaker","title":"Brutalist French Set of Eight Dining Chairs in Gouge Solid Elm by Cabinetmaker","description":"Set of eight dining chairs, solid elm, France, 1950s\/1960s\u003cbr\u003e\u003cbr\u003eMade by the skilled hands of a French cabinetmaker, these organically formed chairs embrace both the inherent qualities of the wood and a distinctly artisanal sensibility. Their silhouette remain resolutely organic: the edges are free-form, retaining a live, slightly irregular contour that evokes the original outline of the timber. The surface is particularly striking. Rather than being planed to uniform smoothness, it has been worked with a gouge, producing a dense field of shallow, rhythmic depressions that animate the surface and catch the light unevenly.\u003cbr\u003e\u003cbr\u003eThis naturalistic approach extends to the understructure, where stout, subtly asymmetrical legs have an almost branch-like presence. The overall language recalls the work of the French designer-sculptor Alexandre Noll. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53568953614679,"sku":null,"price":23400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118716_St_P_1.jpg?v=1778855909"},{"product_id":"luigi-caccia-dominioni-for-azucena-pair-of-italian-lounge-chairs-in-grey-leather-and-steel-1","title":"Luigi Caccia Dominioni for Azucena Italian Lounge Chairs in Grey Leather and Steel","description":"Luigi Caccia Dominioni for Azucena, lounge chairs, leather, chrome-plated steel, Italy, 1963\u003cbr\u003e \u003cbr\u003eThese cubist lounge chairs in grey leather were designed by Luigi Caccia Dominioni for Azucena. Their design is defined by clean, geometric lines, evident in the precisely shaped leather upholstery that emphasizes a structured, architectural aesthetic. This clarity continues in the chromed metal frame, particularly at the back, where an elegant interplay of vertical and horizontal lines intersects, softened by rounded edges. As a result, the chairs are visually striking from all angles and can be positioned freely within a space. Designed with comfort in mind, they feature thick cushions and a deep, generous seat. \u003cbr\u003e\u003cbr\u003eThe listed price is per item. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569038975319,"sku":null,"price":6450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118892_St_P_1.jpg?v=1780565124"},{"product_id":"elegant-italian-small-desk-in-ash-and-walnut","title":"Elegant Italian Small Desk in Ash and Walnut","description":"Writing desk, ash, walnut, brass, formica, Italy, 1950s\u003cbr\u003e\u003cbr\u003eVery elegant desk made in Italy in the 1950s. The framework is executed in walnut. The upper part of this piece is made from ash veneer, and the top is inlayed with a very practical material: formica. The desk has one drawer underneath the table top, which contains a very sophisticated brass handle for opening and closing the drawer. The legs of this desk are tapered, and the two back legs have a support beam in-between. The desk is a good fit for a smaller apartment or space. \u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569039401303,"sku":null,"price":1675.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50112624_P_21.jpg?v=1778856508"},{"product_id":"folke-ohlsson-profil-lounge-chair-in-brown-leather-and-teak","title":"Folke Ohlsson 'Profil' Lounge Chair in Brown Leather and Teak","description":"Folke Ohlsson for Dux of Sweden, lounge chair, model 'Profil', leather, teak, Sweden, 1957\u003cbr\u003e\u003cbr\u003eDesigned by Folke Ohlsson for DUX of Sweden, the Profil lounge chair was presented in DUX’s 1957 catalogue as part of a new line of generously upholstered seating intended for more relaxed living environments. At the 1957 Swedish Furniture Fair, the model was selected for exhibition at Nordiska Galleriet, suggesting that it was regarded early on as representative of contemporary Swedish furniture culture.\u003cbr\u003e\u003cbr\u003eThe design combines a sculptural teak frame with a heavily upholstered body in brown leather. The exposed wooden base, with its slightly tapered legs and angular side supports, recalls earlier Scandinavian cabinetmaking traditions, while the floating seat and reclining posture point toward a more international mid-century vocabulary. \u003cbr\u003e\u003cbr\u003eToday, the Profil remains one of Ohlsson’s more recognizable seating designs and can be situated within a broader movement of Scandinavian lounge furniture that emphasized humane scale, visible craftsmanship, and understated modernity.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, used condition with some signs of age and use. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569055588695,"sku":null,"price":5850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45008998_St_P_31.jpg?v=1778856774"},{"product_id":"eugenio-gerli-for-tecno-pair-of-lounge-chairs-in-walnut-and-chenille-2","title":"Eugenio Gerli for Tecno Pair of Lounge Chairs in Mahogany and Chenille","description":"Eugenio Gerli for Tecno, pair of 'Sir' easy chairs, model 'P73', mahogany, reupholstered in 'Marabou' chenille by Dedar Milano, Italy, design\/production 1966\u003cbr\u003e\u003cbr\u003eEugenio Gerli's design, model P73, exemplifies the quintessential Italian Mid-Century Modern aesthetic, deftly balancing comfort with a modern charm. A substantial seating furniture with a sophisticated touch, these armchairs feature generously-sized, bulky shapes and well-defined contours. The subtly inclined backrest harmonizes with the wooden frame's shape that the designer skilfully curved. The low-positioned armrests that are separated from the seat, add a distinctive character to the piece. All in, a non-conventional structure, taking a radical approach, developed within a distinct geometric layout, a hallmark of Gerli's design ethos. The chairs have been reupholstered in a fine chenille fabric in an off-white color, which seamlessly blends with the inviting warmth of the mahogany.\u003cbr\u003e\u003cbr\u003eKindly be informed that the photographs provided are merely examples, as we had more of these chairs in stock. It is important to note that the items may vary in terms of wood. The depicted photographs of these chairs show the final result of what the item will look like after reupholstery. The price on offer is valid for this final result, including fabric and labor. The reupholstered item has a current lead-time of twelve to fourteen weeks and will be performed by our experienced craftspeople in our in-house restoration atelier. All to meet our high-quality and standards. For further questions please contact our design specialists regarding reupholstery and specific lead-time.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569082523991,"sku":null,"price":25400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118601_St_P_4_f40a5fd0-e2ff-4bdb-b7fc-2d95762cb5da.jpg?v=1779100102"},{"product_id":"guillerme-chambron-cabinet-thierry-in-solid-oak","title":"Guillerme \u0026 Chambron Cabinet 'Thierry' in Solid Oak","description":"Guillerme et Chambron for Votre Maison, cabinet, model 'Thierry', oak, ceramic, France, 1960s\u003cbr\u003e\u003cbr\u003eThis model 'Thierry' case piece is designed by Guillerme and Chambron. It features geometric carvings in the doors of the high part, with sculptural handles. On the inside, it features several shelves. The lower part has three drawers and a door that opens from the top. On top of this lower part a beautiful decorative detail with ceramic tiles is featured, as is typical for the style for Guillerme et Chambron.  \u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life. by which they creiated a worldwide reputation. Most of the furniture designed by this duo this piece shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569082655063,"sku":null,"price":7450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50109346_St_P_6.jpg?v=1778857116"},{"product_id":"brutalist-french-sideboard-in-gouge-solid-elm-by-cabinetmaker","title":"Brutalist French Sideboard in Gouge Solid Elm by Cabinetmaker","description":"Sideboard, solid elm, France, 1950s\/1960s\u003cbr\u003e\u003cbr\u003eMade by the skilled hands of a French cabinetmaker, this organically formed cabinet embraces both the inherent qualities of the wood and a distinctly artisanal sensibility. Its silhouette remains resolutely organic: the edges are free-form, retaining a live, slightly irregular contour that evokes the original outline of the timber. The surface is particularly striking. Rather than being planed to uniform smoothness, it has been worked with a gouge, producing a dense field of shallow, rhythmic depressions that animate the surface and catch the light unevenly. The overall language recalls the work of the French designer-sculptor Alexandre Noll. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569092452695,"sku":null,"price":19700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118713_St_P_7.jpg?v=1778857249"},{"product_id":"guillerme-chambron-sideboard-in-solid-oak-and-brass","title":"Guillerme \u0026 Chambron Sideboard in Solid Oak and Brass","description":"Guillerme et Chambron for Votre Maison, sideboard, solid oak, brass, France, 1960s\u003cbr\u003e\u003cbr\u003eThis outstanding credenza is a design by the French masters Jacques Chambron and Robert Guillerme, dating back to the sixties. This design is exemplary for the duo's expert craftsmanship and great sense for proportions and decorations. The front is composed of two sliding-doors, each meticulously adorned with intricate embossed carvings of rectangular forms. The capricious legs complement this elaborate style, showing beautiful carved lines executed in a sculptural manner. The interior is equipped with shelves. Overall, this remarkable cabinet reflects their unique artistic vision, masterfully realized with high-quality materials and visually striking elements. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569107329367,"sku":null,"price":12700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118885_St_P_6.jpg?v=1778857409"},{"product_id":"unique-wall-unit-by-giuseppe-rivadossi-with-impressive-size-in-oak-12-86-feet","title":"Unique Wall Unit by Giuseppe Rivadossi with Impressive Size in Oak 12.86 feet","description":"Giuseppe Rivadossi for Officina Rivadossi, unique custom-made wall unit, oak, glass, Italy, 1975\u003cbr\u003e\u003cbr\u003eBehold this unique monumental wall unit by Giuseppe Rivadossi, custom-made for a private residence in the 1970s and executed in oak, extending to the remarkable width of 392 cm (154.33 in.). Its scale is unusual even within Rivadossi’s oeuvre, where large custom commissions already tend toward the sculptural and immersive.\u003cbr\u003e\u003cbr\u003eThe exceptional level of craftsmanship is central to the object’s significance. Produced by Rivadossi’s atelier, the work reflects a woodworking tradition in which carving, joinery, and material finishing are treated as integral formal elements. The precision of the carved reliefs, the way the zig-zag doors fit like a puzzle into the frame, and the continuity of the oak grain across the surfaces attest to the labour-intensive, workshop-based production methods associated with the designer’s practice.\u003cbr\u003e\u003cbr\u003eA notable aspect of the work is the variation of compartments and modes of opening. Rather than relying on a repetitive modular logic, Rivadossi introduces asymmetries and differing cabinet dimensions, producing a dynamic visual cadence across the extensive horizontal format. Small square openings fitted with glass punctuate the façade and add depth to the piece.  \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eGiuseppe Rivadossi (1935) was born in Monteclana di Nave, Italy, where he continues to live and work. His journey with wood carving began at a young age, each piece embodying his poetic vision of life. In 1962, Rivadossi took over the carpentry business founded by his father, Clemente, in 1920, transforming it into an atelier, or rather a creative workshop. In 1976, Rivadossi and his collaborators established ‘Officina Rivadossi’, where he began crafting unique wooden objects and modern furniture, blending artistry with craftsmanship. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569109229911,"sku":null,"price":69500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115461_St_P_7.jpg?v=1779290734"},{"product_id":"early-pierre-chapo-b17c-bibliotheque-in-solid-elm-284-cm-111-81-in-1","title":"Early Pierre Chapo 'B17C' Bibliothèque in Solid Elm 284 cm \/ 111.81 in.","description":"Pierre Chapo, 'Bibliothèque' wall unit bookshelf, largest version, model 'B17C', solid elm, France, design circa 1967\u003cbr\u003e\u003cbr\u003eThis wall unit, known as model ‘B17’, is an early edition designed by the French designer and master woodworker Pierre Chapo (1927-1987), known for his hallmark use of solid elmwood and a commitment to pure and clean design and construction principles. This bookcase is the largest version, measuring 284 cm \/ 111.81 in. in width. The shelving system made its debut at the Salon des Arts Ménagers in 1967. This robust and solid bookcase consists of four elm shelves that rest on brackets. While brackets are typically placed beneath shelves, Chapo chose to play with these rules by designing supports that fit seamlessly into the uprights. As a result, the supports function both as structural elements and as bookends. By mounting to the wall, this bookcase maximizes available living space. This wall unit embodies the Champagne style, with Chapo being a prominent exponent of the movement, alongside Charlotte Perriand.\u003cbr\u003e\u003cbr\u003ePierre Chapo (1927-1987) was born in a family of craftsmen and trained as an architect at the École Nationale Supérieure des Beaux-Arts in Paris. Already from a young age, he felt the need to roam the world. He was only twenty-one when he left France in order to spend the next few years traveling through England and Scandinavia. In December of 1951, he was living back in Paris, where he met his future wife, Nicole. Their meeting was the beginning of a lifelong union. Together, the lovebirds travelled through South and North America being captivated by the architectural diversity. Back in France, he and his partner Nicole set up Société Chapo in 1957. Société Chapo was a design workshop and gallery in one where he showed his own creations. However, Nicole also presented her ceramics, and textiles here and they even exhibited other great designers of that period. In 1958, they opened their famous gallery at 14 Boulevard de l'Hopital. Chapo's work originated by means of special commissions that could later be adapted to universal needs. Throughout his career, Chapo combined his interest for contemporary design with his love for traditional craftsmanship. In his designs, he was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and the ideas of Bauhaus. The three principles that motivated Pierre Chapo were 'material, form, and function.' He measured his furniture by means of golden ratio and used elmwood as his preferred material. Unfortunately, Chapo fell ill, and he died in 1987, however, until his last day, he kept on designing and working. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569121124695,"sku":null,"price":48600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118727_St_P_4.jpg?v=1778857558"},{"product_id":"italian-postmodern-sideboard-with-geometric-front-3","title":"Italian Postmodern Sideboard with Geometric Front","description":"Sideboard, cherry wood, ebony wood, mahogany wood, Italy, 1970s\u003cbr\u003e\u003cbr\u003eThis stunning sideboard, made from a luxurious combination of cherry, ebony wood, and mahogany, is a true statement piece that enhances any space it occupies. The design showcases meticulously crafted compartments and clean, geometric lines, adding structure and elegance to its appearance. The intricate wood work on the panels highlights the natural beauty of the wood grain with symmetrical patterns, demonstrating exceptional attention to detail. Every aspect of this piece has been thoughtfully designed, making it not only a functional storage solution but also a timeless piece of design, perfect for elevating sophisticated interiors.\u003cbr\u003e\u003cbr\u003eThe mahogany type used for this piece does not require an export license. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569126400343,"sku":null,"price":7450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118525_St_P_4.jpg?v=1778865511"},{"product_id":"substantial-art-deco-sideboard-in-walnut-burl","title":"Substantial Art Deco Sideboard in Walnut Burl","description":"Sideboard, walnut burl, walnut brass, Europe 1930s \u003cbr\u003e\u003cbr\u003eAn outstanding expression of European Art Deco design. This sideboard shows a truthful expression of material integrity, paired with a beautiful synthesis of geometric forms. Avoiding unnecessary ornamentation, the designer makes the walnut burl an explicit and integral element of the design. The warm, figured bookmatched wood creates a kaleidoscopic effect across the surface. The mirrored grain patterns appear almost organic in form: symmetrical, fluid, and deeply sensual. At the time, this richly figured wood was considered a luxury material, often found in the interiors of affluent homes. \u003cbr\u003e\u003cbr\u003eAdditionally, the design derives its visual richness from a balanced arrangement of compartments, creating a geometric grid. The outer and lower-central doors can be opened sideways, and the remaining door has a drop-down mechanism punctuated by a round brass handle. The sideboard rests on a black lacquered platform base, a feature that visually anchors the cabinet while simultaneously giving the upper volume a certain sense of elevation.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569126760791,"sku":null,"price":15400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118971_St_P_7_15ee1d5e-3e41-453f-80f6-d56c40355c3b.jpg?v=1779114499"},{"product_id":"gio-ponti-for-fontana-arte-parco-dei-principi-floor-lamp-with-beige-shade-1","title":"Gio Ponti for Fontana Arte ‘Parco dei Principi’ Floor Lamp with Beige Shade","description":"Gio Ponti for Fontana Arte, floor lamp ‘Parco dei Principi’ model '1967', brass, glass, coated aluminum, bakelite, Italy, circa 1960\u003cbr\u003e\u003cbr\u003eThis elegant floor lamp by Gio Ponti is based on a design originally created for the Hotel Parco dei Principi in Sorrento. In 1959, Gio Ponti was commissioned to design a modern hotel building along the coast of Sorrento, Italy. The hotel, uniquely positioned on the ancient walls of historic remains, opened its doors in 1962. To this day, the luxurious setting reflects Ponti’s signature approach, characterized by his exclusive use of blue and white tones throughout the interiors. Ponti initially designed this floor lamp with a blue shade to furnish both private and public areas of the hotel. Its functionality is highlighted by an adjustable stem and lampshade, allowing users to direct the light as desired. The lamp’s elegance is showcased through its slender brass stem, complemented by a transparent base that enhances the lightness and simplicity of the entire piece. The hemispherical shade in beige pairs beautifully with the patinated brass.\u003cbr\u003e\u003cbr\u003eGiovanni (Gio) Ponti (1891 – 1979) is one of the most influential Italian designers of the twentieth century. His contribution to architecture, furniture design and the arts has been substantial. Born in Milan in 1891, he attended the Polytechnic University of Milan, where he graduated in Architecture in 1921 after serving the military during WWI. He opened his first studio in 1927 in Milan with architect Emilio Lancia. Soon after, he founded Domus magazine in 1928 with Gianni Mazzocchi, which became one of the most prominent European magazines in architecture and design. Ponti participated during the Triennale exhibitions of the 1930's, and later he became a member of the Triennial committee. A significant shift can be distinguished in his designs between the two World Wars. During the early years, Ponti's style positioned between rationalism and Lombard Classicism that came forward in his use of decorative elements in his furniture and objects. Functionality and a pragmatic approach started to play a bigger role in his later designs. His work as a designer fully took off after WWII, and he became an important figure in Italian industrial aesthetics that conquered the international markets in the 1950s. Gio Ponti worked together with many designers, such as Antonio Fornaroli and Alberto Rosselli, and his work has been of great inspiration for even more. A few amongst Ponti's followers are Paolo Buffa, Paco Muñoz and Lina Bo Bardi, as with the latter Ponti worked together on a series of projects during the early period of Bo Bardi's career.  ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569132396887,"sku":null,"price":15400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118722_St_P_5.jpg?v=1779092315"}],"url":"https:\/\/www.morentz.com\/collections\/new-pieces.oembed?page=11","provider":"Morentz","version":"1.0","type":"link"}