Tito Agnoli for O-Luce Wall Light in Teak and Brass

Tito Agnoli for O-Luce, wall light, white lacquered metal, teak, cord, brass, plastic, Italy, 1957.

Impressive wall mounted light designed by Tito Agnoli, and manufactured by O-Luce. Unique for this item is the combination of elements derived from the 177 A model, designed in 1957, and the 1102 model, designed in 1959. Its arm is an 177 A design and executed in teak, lacquered metal and brass. It features a '1102' pendant hanging on a cord. The cord, directed by a brass tube attached to the wooden arm, leads down where a brass cylinder functions as a counterweight. The brass cylinder keeps the pendant in its position. The design showcases the mechanicals of the lamp, which makes this a very raw yet refined light that would work very well in the living room or as an office light.

Tito Agnoli (1931-2012), whose full name is Giovanni Battista Agnoli, is considered one of the most important Italian designers of modern lighting. Agnoli was born in 1931 in Lima, two years after his parents emigrated to Peru in 1929 due to the political situation in Italy where Mussolini's fascistic regime was on the rise. After WWII, Agnoli came to Milan in 1947 and started to take art lessons and enrolled into the Accademia di Belle Arti di Brera. The mid-century tendency in the art world, with surrealism and abstract expressionism thriving, didn't suit Agnoli's realism. A year later he began to study engineering and architecture at the Milan Polytechnic. During his career, Agnoli worked as an assistant for Gio Ponti and Carlo De Carli. From the fifties onwards, Tito Agnoli, who was still very young, created a series of ambitious creative design projects for O-Luce, Arflex, Poltrona Frau, Matteo Grassi, etc. He has been nominated for the Compasso d’Oro several times during his career. Nowadays, some of his designs are part of the permanent collection of the MoMA in New York.

Kindly take note that this item is in good, used condition with signs of age and use. The plastic shade underneath contains a fissure and needs to be replaced. Restoration is possible before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.

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