{"title":"Desks and Writing Tables","description":"","products":[{"product_id":"ernest-h-igl-for-bayer-ag-hadi-desk","title":"Ernest H. Igl for Bayer AG 'Hadi' Desk","description":"Ernest Igl for Bayer AG, 'Hadi' desk, polyurethane, Germany, 1970s\u003cbr\u003e\u003cbr\u003eThis design by Ernest Igl truly resembles the ethos of the seventies, featuring the commonly used material of that time: polyurethane. Ernest Igl strived for the creation of a desk that focused on functionality combined with an aesthetically pleasing design for daily use. This is discernible in the playful composition of curved lines and round shapes executed in the whole construction. On the left side, three drawers are situated hidden perfectly in the column of the design. At the right side there is a storage compartment placed. Taking every stylistic realization into account, this writing desk feels retro, without clashing with contemporary interiors.\u003cbr\u003e\u003cbr\u003eErnest Hofmann (1920-2001) – in 1954, he gave himself the artist name ‘Igl’ – was as a multi talent. He, a designer, sculptor, illustrator, and inventor, designed everything from a harvester machine to office appliances, a microscope, and rubber boots. His oeuvre includes an impressive number of products used for all kinds of situations in life. Hofmann, born in Prague in 1920, studied graphic arts in his hometown, in Karlsbad and in Munich, where he and his wife settled. Hofmann firstly worked as an illustrator, graphic artist, and cartoonist for well-known schoolbook publishers. In 1962, they moved to Rosenheim, which marked the beginning of Hofmann’s more design orientated career.\u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition with traces of age and use. This includes fissures on some areas, marks, and scratches. Restoration is possible before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52819444728151,"sku":null,"price":4400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50113329_P_14.jpg?v=1771417721"},{"product_id":"studio-bbpr-for-olivetti-spazio-desks-in-grey-coated-steel","title":"Studio BBPR for Olivetti 'Spazio' Desks in Grey Coated Steel","description":"\u003cp\u003eStudio BBPR for Olivetti, 'Spazio' writing desks, coated steel, plastic, vinyl, Italy, design 1959\/60, production 1960s \u003cbr\u003e\u003cbr\u003eIn 1954, Olivetti, the Italian office equipment manufacturer, hired BBPR to design their New York showroom on Fifth Avenue and to create their first series of office furniture, called Spazio (1959\/60). This line included chairs, shelving, cabinet systems, and desks, just like the one shown here. It won the Compasso d'Oro Award in 1962. The desk contains two compartments, one of which has three drawers. The top is furnished with green vinyl which adds a fresh touch the overall industrial appearance. \u003cbr\u003e\u003cbr\u003eStudio B.B.P.R. was an Italian architectural partnership founded in Milan in 1932 by Gianluigi Banfi (1910-1945), Lodovico Barbiano di Belgiojoso (1909-2004), Enrico Peressutti (1908-1976) and Ernesto Nathan Rogers (1909-1969) who had studied at the Politecnico di Milano. B.B.P.R. was thus an acronym formed from the first letters of their family names. The architects found each other in their opposition to fascism in Italy in the 1930s and 1940s during Mussolini's autocratic regime. The architects therefore believed in developing a style that would have no references to contemporary politics. During the Second World War, they all joined the resistance. However, Rogers, a Jew, fled to Switzerland and both Belgiojoso and Banfi were deported to the Mauthausen concentration camp in Austria, where Banfi died in 1945. Despite the immense loss of Banfi, their architectural practice continued in the same name as before after the war. Especially during the 1950s, they created many of their great projects. With their designs, they strongly reacted against the International Style with its rectilinear forms and taut plane surfaces that have been completely stripped of applied ornamentation. Instead, the group enriched their buildings with medieval references. For B.B.P.R., their philosophy on art and architecture is somewhat between tradition and modernism; their use of post-beam structures and modular elements parallels with the constructive thinking of modern architects. However, as modernism rejects the existence of historical forms, B.B.P.R. reinterprets history's heritage and continues with respect for the work of their predecessors. Ernesto Nathan Rogers referred to it as “preesistenze ambientali” (the pre-existing environment) and adopt a “caso per caso” (case by case) interpretation to work with, instead of against, the surroundings. One of their well-known designs is the creation of the Torre Velasca in Milan, with strong references to medieval architecture. The architects were also frequently employed to create interior spaces altogether with furniture designs. \u003cbr\u003e\u003cbr\u003ePlease note that the pieces are in used condition with stains on the steel, fissures in the plastic elements and scratches. Restoration can be done before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece contains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized reupholstery is possible as well. \u003cbr\u003e\u003cbr\u003eThe listed price, is the price per item.\u003c\/p\u003e\n\u003cp\u003ePlease note that the price is per item.\u003c\/p\u003e\n\u003cp\u003eVAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":47777549746519,"sku":"LU933133678142","price":4950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50113986_01__org.jpg?v=1750676601"},{"product_id":"early-franco-albini-for-knoll-model-80-desk","title":"Early Franco Albini for Knoll Model '80' Desk","description":"\u003cp\u003eFranco Albini for Knoll, model 80, glass, lacquered wood, lacquered steel, Italy, 1949\u003cbr\u003e\u003cbr\u003eFranco Albini’s model 80 desk combines glass, steel and wood which resulted in a minimalistic balance. The desk features Albini’s design philosophy and minimalist aesthetic, the design derives its appeal through simplicity of form and celebration of material, without extraneous ornamentation. This model is an early edition of the model 80 design.\u003cbr\u003e\u003cbr\u003eFranco Albini (1905-1977) was an Italian architect and designer. He went to study architecture at the Politecnico in Milan and later worked under Gio Ponti. In his work, he combined modern Italian aesthetics with traditional craftsmanship. He started about to use materials that were readily available. Albini designed many iconic pieces including a radio, rocking chair and modular bookcases and over the course of his career worked with many manufacturers such as Knoll, Cassina, Arteluce and Poggi. \u003cbr\u003e\u003cbr\u003eKnoll International was founded in New York by the 26 year old German Hans Knoll (1914-1955) in 1938. Hans' father, Walter Knoll was a true modernist and furniture manufacturer who had a reputation for quality. When Hans Knoll died at a young age his wife Florence Knoll took over and under her influence the company flourished and created its best designs. She designed and led the company where she cooperated with talented designers such as Eero Saarinen, Ludwig Mies van der Rohe, Richard Schultz and Harry Bertoia.\u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition. The frame and lacquered wood show some small losses of lacquer on several places. Restoration can be done before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece contains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":48239856353623,"sku":"LU933135289002","price":4400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50111932_01__org.jpg?v=1750678456"},{"product_id":"jules-wabbes-early-versatile-free-standing-corner-desk-in-wenge","title":"Jules Wabbes Early Versatile Free-Standing Corner Desk in Wengé","description":"\u003cp\u003eJules Wabbes, two-part corner writing desk, teak, coated steel, wengé, chrome, Belgium, 1960s\u003cbr\u003e\u003cbr\u003eThis exceptional free-standing corner desk was crafted by the renowned designer Jules Wabbes during the 1960s. The desk is composed of two distinct tables, each with its own chest of drawers, constructed independently in varying heights. This innovative design enables the two parts to be arranged together to form a seamless corner desk or used independently as two distinct tables. The black lacquered wengé tabletop is a stunning complement to the black-coated steel frame, while the teak drawers and chrome runners at the side add a touch of warmth and luxury to the piece. The drawers feature the characteristic handles that are synonymous with Wabbes' work, each one carefully engraved with his name, a mark of authenticity and craftsmanship. The design is a testament to Jules Wabbes' keen eye for detail and his ability to seamlessly blend form and function. Its clean lines and precise proportions make it a true masterpiece of modernist furniture design, which remains as relevant today as it was when it was first conceived. \u003cbr\u003eJules Wabbes (1919-1974) was one of the leading Belgian furniture designers and interior architects of the Postwar period. Born in Brussels in 1919, he began his career as an actor. However, after several other professions, he eventually started to become interested in antiques. When Wabbes was 24, he opened an antiques shop where some of the furniture needed restoration. Therefore, he created a small workshop where he taught himself how to restore furniture. Therefore, In contrast to many of his contemporaries, he wasn't trained as a designer or architect but learned the craft of designing furniture by sheer necessity. Alongside restoration, he also started to design furniture. Because of the success of his ventures, it led to Wabbes designing many interiors for his clients. In 1971, Wabbes became professor at the Sint-Lucasinstituut in Brussels. Unfortunately, Wabbes died at an early age in 1974 due to cancer. Overall, his work is aristocratic and modest, and characterized by a sensual use of materials and a clear, almost architectural tectonics. Wabbes developed a line and idiom of its own, averse to the playful and swinging style of many other furniture designs of the Postwar period. Wabbes, influenced by American designers such as Edward Wormley, chose to build his furniture with solid wood giving his designs not only a luxurious appearance but also honest, timeless and sophisticated aesthetics.\u003cbr\u003e\u003cbr\u003eMeasurements return:\u003cbr\u003e120 W x 52 D x 66 H cm.\u003cbr\u003e       \u003cbr\u003ePlease note that this item is in good, used condition.\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49098967843159,"sku":"LU933136246422","price":16700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45002106_4_org.jpg?v=1750681724"},{"product_id":"elegant-italian-small-desk-in-cherry-and-mahogany","title":"Elegant Italian Small Desk in Cherry and Mahogany","description":"Writing desk, cherry, mahogany, brass, formica, Italy, 1950s\u003cbr\u003e\u003cbr\u003eVery elegant desk made in Italy in the 1950s. The framework is executed in cherry. The upper part of this piece is made from mahogany veneer, and the top is inlayed with a very practical material: formica. The desk has one drawer underneath the table top, which contains a very sophisticated brass handle for opening and closing the drawer. The legs of this desk are tapered, and the two back legs have a support beam in-between. The desk is a good fit for a smaller apartment or space. \u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition with some scratches. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e\u003cbr\u003eThe mahogany type of this piece does not require an export license.\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":47482658160983,"sku":"LU933137546872","price":1675.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50112622_P_8.jpg?v=1778657419"},{"product_id":"ernest-igl-for-wilhelm-werndl-directors-writing-desk-in-white-fiberglass","title":"Ernest Igl for Wilhelm Werndl 'Directors' Writing Desk in White Polyurethane","description":"Ernest Igl for Wilhelm Werndl, 'Directors' writing desk, polyurethane, Germany, 1970\/71\u003cbr\u003e\u003cbr\u003eErnest Hofmann, also known by his artist name 'Igl', recently gained an international audience for his design work. An orange-colored version of a similar model furnished the MIB headquarters in the movie Men in Black 3 (2012). In 2009, the US company Steelcase re-edited Hofmann's desk, the 'Igl-Jet', producing a limited edition of 1,970 pieces. When the desk was first made in 1970-71, Hofmann employed groundbreaking technology for his designs. His initial desk was one of the first to be made entirely out of plastic. The revolutionary concept and grand vision behind this desk are evident in its rounded corners, soft edges, and stunning shapes. Hofmann incorporated two compartments of drawers on a curved base, with a lockable writing surface that opens to reveal a large storage compartment. This sophisticated storage facility, along with details such as geometrically shaped drawers and rounded contours truly contribute to the unique design idea.\u003cbr\u003e\u003cbr\u003eIn 1969, a successful collaboration between German office furniture maker Werndl and Ernest Hofmann began. With the desks 'Igl-Top' and 'Igl-Jet', as well as a shelf, Hofmann secured an important role in office furniture design during 1970-1971. His designs were groundbreaking and only possible due to the use of a new material. Hofmann designed the first one-piece desk made entirely out of polyurethane. The material was liquid and poured into a mold, where two components reacted together to form a flat, hard surface. By using plastic, Hofmann was able to create a desk with unusual organic shapes and rounded corners.\u003cbr\u003e\u003cbr\u003eErnest Hofmann (1920-2001) – in 1954, he gave himself the artist name ‘Igl’ – was a multi talent. He, a designer, sculptor, illustrator, and inventor, designed everything from a harvester machine to office appliances, a microscope, and rubber boots. His oeuvre includes an impressive number of products used for all kinds of situations in life. Hofmann, born in Prague in 1920, studied graphic arts in his hometown, in Karlsbad and in Munich, where he and his wife settled. Hofmann firstly worked as an illustrator, graphic artist, and cartoonist for well-known schoolbook publishers. In 1962, they moved to Rosenheim, which marked the beginning of Hofmann’s more design orientated career.\u003cbr\u003e\u003cbr\u003ePlease note that the desk has undergone a complete restoration. The surface has been refinished with a new white lacquer. Meticulous care was taken to preserve the original design, ensuring that this piece remains durable and timeless for years to come.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51754014114135,"sku":null,"price":23500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115335_P_25_1d404ba6-0e3b-4c21-ae70-1905526bd8ec.jpg?v=1758612658"},{"product_id":"guillerme-chambron-corner-desk-in-dark-oak-and-black-stone","title":"Guillerme \u0026 Chambron Corner Desk in Dark Oak and Black Stone","description":"\u003cp\u003eGuillerme et Chambron for Votre Maison, corner writing desk, oak, stone, France, 1960s\u003cbr\u003e\u003cbr\u003eA design by Guillerme et Chambron, featuring a corner desk crafted primarily from dark stained oak. The desk's angular design features a L-shaped structure with two distinct surfaces and a pull-out leaf, providing ample space for various tasks. One side of the desk is elevated, intended for writing or reading, while the adjoining section supports three horizontally-aligned drawers, offering storage capacity for documents, office supplies, or other essential items. The compartment is paired with a black stone slab, providing a vivid contrast in materials. The presence of supporting beams beneath the larger surface reinforces the structural integrity of the desk and provides a striking geometric constellation. The dark finish of the wood lends the desk a refined, robust appearance.\u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, patinated condition. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49365648408919,"sku":"LU933142013712","price":13800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50110742_01__master.jpg?v=1730099802"},{"product_id":"hans-j-wegner-for-johannes-hansen-rare-architect-s-desk-in-teak-and-oak","title":"Hans J. Wegner for Johannes Hansen Rare ‘Architect’s Desk’ in Teak and Oak","description":"\u003cp\u003eHans J. Wegner for Johannes Hansen, writing desk, model 'JH571', teak, oak, metal, Denmark, 1953\u003cbr\u003e\u003cbr\u003eOut of all the desks that Wegner designed, the ‘JH571‘ is the most 'Wegnerian'. This is mostly due to the boldly angled legs that are being held in place by diagonal stretchers. Wegner designed the desk in 1953 and took inspiration from seventeenth-century Spanish tables that also have slanted legs and metal struts. All parts of the desk are made separately and even the drawers are suspended beneath the rectangular tabletop. Although the design is elegant, it still has a strong graphic outline. The details of the design and the overall appearance of this well-balanced desk make it pleasing to look at. The piece is stamped with the manufacturer's signature. \u003cbr\u003e\u003cbr\u003eHans Wegner (1914-2007) is one of the most prolific furniture designers of the world. Wegner's furniture was designed with the greatest understanding of materials, construction techniques, and use. He is known to be an excellent cabinet maker with thorough understanding of the materials he worked with, yet his greatest aim was to create expressive and exciting design. Although Wegner was a functionalist, he was not a rational dogmatist such as Kaare Klint, of whom he was a student. Instead, his designs sparkle with inventiveness and sculptural sense. However, this never meant that his organic and sensuous forms left the strict rules of functionalism. At heart, Wegner was an idealist. He was relentless in his quest for the best chair: 'there is never one damn thing that cannot be made better'. But Wegner was aware of the fact that you cannot design the 'perfect' chair, which gave him the freedom to produce as much as possible. He left behind more than 3500 drawings and about 500 of his designs went into production. His designs feature in the UN Building and Seagram Building in New York, UNESCO's headquarters. NATO's headquarters in Paris, and several buildings by the architects Skidmore, Owings \u0026amp; Merrill.\u003cbr\u003e\u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":49726775656791,"sku":"LU933142813282","price":64000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45011540_01__master.jpg?v=1734937958"},{"product_id":"ernest-igl-for-wilhelm-werndl-directors-desk-in-marble-look-fiberglass-1","title":"Ernest Igl for Wilhelm Werndl Directors Desk in Marble Look","description":"Ernest 'Igl' Hofmann for Wilhelm Werndl, corner desk, model 'Jet', painted polyurethane, Germany, designed in 1970 \u003cbr\u003e\u003cbr\u003eErnest Hofmann, also known by his artist name 'Igl', recently gained an international audience for his design work. An orange-colored version of a similar model furnished the MIB headquarters in the movie Men in Black 3 (2012). In 2009, the US company Steelcase re-edited Hofmann's desk, the 'Igl-Jet', producing a limited edition of 1,970 pieces. When the desk was first made in 1970-71, Hofmann employed groundbreaking technology for his designs. His initial desk was one of the first to be made entirely out of plastic. The revolutionary concept and grand vision behind this desk are evident in its rounded corners, soft edges, and stunning shapes. Hofmann incorporated two compartments of drawers on a curved base, with a lockable writing surface that opens to reveal a large storage compartment. This sophisticated storage facility, along with details such as geometrically shaped drawers and rounded contours truly contribute to the unique design idea. The surface boasts a handcrafted finish, meticulously painted to mimic the luxurious allure of marble. \u003cbr\u003e\u003cbr\u003eIn 1969, a successful collaboration between German office furniture maker Werndl and Ernest Hofmann began. With the desks 'Igl-Top' and 'Igl-Jet', as well as a shelf, Hofmann secured an important role in office furniture design during 1970-1971. His designs were groundbreaking and only possible due to the use of a new material. Hofmann designed the first one-piece desk made entirely out of polyurethane. The material was liquid and poured into a mold, where two components reacted together to form a flat, hard surface. By using plastic, Hofmann was able to create a desk with unusual organic shapes and rounded corners.\u003cbr\u003e\u003cbr\u003eErnest Hofmann (1920-2001) – in 1954, he gave himself the artist name ‘Igl’ – was a multi talent. He, a designer, sculptor, illustrator, and inventor, designed everything from a harvester machine to office appliances, a microscope, and rubber boots. His oeuvre includes an impressive number of products used for all kinds of situations in life. Hofmann, born in Prague in 1920, studied graphic arts in his hometown, in Karlsbad and in Munich, where he and his wife settled. Hofmann firstly worked as an illustrator, graphic artist, and cartoonist for well-known schoolbook publishers. In 1962, they moved to Rosenheim, which marked the beginning of Hofmann’s more design orientated career. \u003cbr\u003e\u003cbr\u003eKindly be advised that this piece is in good used condition and shows some damages to the painted lacquer. For further details, we encourage you to reach out to our team of design specialists.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51753989112151,"sku":null,"price":27400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50115336_P_34.jpg?v=1758612322"},{"product_id":"studio-bbpr-spazio-corner-desk-with-movable-cabinet-1","title":"Studio BBPR 'Spazio' Corner Desk with Movable Cabinet","description":"\u003cp\u003eStudio BBPR for Olivetti, 'Spazio' writing desk with various storage compartments, coated steel, plastic, vinyl, Italy, design 1959\/60, production 1960s \u003cbr\u003e\u003cbr\u003eIn 1954, Olivetti, the Italian office equipment manufacturer, hired BBPR to design their New York showroom on Fifth Avenue and to create their first series of office furniture, called Spazio (1959\/60). This line included chairs, shelving, cabinet systems, and desks, just like the one shown here. This ingenious design embraces a dynamic system, affording the ability to adjust the cabinet's positioning. Beneath the desk lies a compartment housing three drawers, while the mobile cabinet itself features three drawers alongside an extra compartment, providing both utility and versatility. The tops are furnished with burgundy red vinyl which adds a fresh touch the overall industrial appearance. The design won the Compasso d'Oro Award in 1962. \u003cbr\u003e\u003cbr\u003eStudio B.B.P.R. was an Italian architectural partnership founded in Milan in 1932 by Gianluigi Banfi (1910-1945), Lodovico Barbiano di Belgiojoso (1909-2004), Enrico Peressutti (1908-1976) and Ernesto Nathan Rogers (1909-1969) who had studied at the Politecnico di Milano. B.B.P.R. was thus an acronym formed from the first letters of their family names. The architects found each other in their opposition to fascism in Italy in the 1930s and 1940s during Mussolini's autocratic regime. The architects therefore believed in developing a style that would have no references to contemporary politics. During the Second World War, they all joined the resistance. However, Rogers, a Jew, fled to Switzerland and both Belgiojoso and Banfi were deported to the Mauthausen concentration camp in Austria, where Banfi died in 1945. Despite the immense loss of Banfi, their architectural practice continued in the same name as before after the war. Especially during the 1950s, they created many of their great projects. With their designs, they strongly reacted against the International Style with its rectilinear forms and taut plane surfaces that have been completely stripped of applied ornamentation. Instead, the group enriched their buildings with medieval references. For B.B.P.R., their philosophy on art and architecture is somewhat between tradition and modernism; their use of post-beam structures and modular elements parallels with the constructive thinking of modern architects. However, as modernism rejects the existence of historical forms, B.B.P.R. reinterprets history's heritage and continues with respect for the work of their predecessors. Ernesto Nathan Rogers referred to it as “preesistenze ambientali” (the pre-existing environment) and adopt a “caso per caso” (case by case) interpretation to work with, instead of against, the surroundings. One of their well-known designs is the creation of the Torre Velasca in Milan, with strong references to medieval architecture. The architects were also frequently employed to create interior spaces altogether with furniture designs.   \u003cbr\u003e\u003cbr\u003ePlease note that the piece is in good, used condition. The top contains signs of use and some plastic elements have wear and tear marks. Restoration can be done before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece contains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized reupholstery is possible as well. \u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e \u003cp\u003e VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.\u003c\/p\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50248861352279,"sku":"LU933144145702","price":14400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/tmp_image_master_8ad9ce9c-92fd-42e9-98c8-4c0b4d27a4a1.jpg?v=1742800126"},{"product_id":"guillerme-chambron-free-standing-corner-desk-in-dark-oak-1","title":"Guillerme \u0026 Chambron Free-Standing Corner Desk in Dark Oak","description":"Guillerme et Chambron for Votre Maison, corner desk, stained oak, leather, France, 1960s.\u003cbr\u003e\u003cbr\u003eCorner desk by French designer duo Guillerme and Chambron. This executive desk shows the fine craftsmanship that characterizes the work of this designer duo. The desk consists of two parts: a tabletop that is adjusted to a cabinet with plenty of storage space. Drawers and an open shelf is joined by a hidden shelf at the side that can be opened downwards. The tabletop is on the same height as the cabinet section. Features like the pull-out leaf that extends the table makes this rare table highly functional and versatile in its use. \u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design.\u003cbr\u003e\u003cbr\u003ePlease be aware that this item is in well-maintained, used condition, exhibiting characteristic signs of age and use. The paint shows wear in certain areas, particularly on the side where it is frequently occupied. Additionally, there are some scratches and minor stains. Restoration is possible before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50342855410007,"sku":"LU933144375942","price":8700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50111738_P_54_jpg_bd8575d1-f4ec-46f7-a5ce-31feb42c7d59.jpg?v=1743777657"},{"product_id":"studio-bbpr-for-olivetti-spazio-desk-in-grey-coated-steel","title":"Studio BBPR for Olivetti 'Spazio' Desk in Grey Coated Steel","description":"Studio BBPR for Olivetti, 'Spazio' writing desk, coated steel, plastic, vinyl, Italy, design 1959\/60, production 1960s \u003cbr\u003e\u003cbr\u003eIn 1954, Olivetti, the Italian office equipment manufacturer, hired BBPR to design their New York showroom on Fifth Avenue and to create their first series of office furniture, called Spazio (1959\/60). This line included chairs, shelving, cabinet systems, and desks, just like the one shown here. It won the Compasso d'Oro Award in 1962. The desk contains two compartments, one of which has three drawers. The top is furnished with green vinyl which adds a fresh touch the overall industrial appearance. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eStudio B.B.P.R. was an Italian architectural partnership founded in Milan in 1932 by Gianluigi Banfi (1910-1945), Lodovico Barbiano di Belgiojoso (1909-2004), Enrico Peressutti (1908-1976) and Ernesto Nathan Rogers (1909-1969) who had studied at the Politecnico di Milano. B.B.P.R. was thus an acronym formed from the first letters of their family names. The architects found each other in their opposition to fascism in Italy in the 1930s and 1940s during Mussolini's autocratic regime. The architects therefore believed in developing a style that would have no references to contemporary politics. During the Second World War, they all joined the resistance. However, Rogers, a Jew, fled to Switzerland and both Belgiojoso and Banfi were deported to the Mauthausen concentration camp in Austria, where Banfi died in 1945. Despite the immense loss of Banfi, their architectural practice continued in the same name as before after the war. Especially during the 1950s, they created many of their great projects. With their designs, they strongly reacted against the International Style with its rectilinear forms and taut plane surfaces that have been completely stripped of applied ornamentation. Instead, the group enriched their buildings with medieval references. For B.B.P.R., their philosophy on art and architecture is somewhat between tradition and modernism; their use of post-beam structures and modular elements parallels with the constructive thinking of modern architects. However, as modernism rejects the existence of historical forms, B.B.P.R. reinterprets history's heritage and continues with respect for the work of their predecessors. Ernesto Nathan Rogers referred to it as “preesistenze ambientali” (the pre-existing environment) and adopt a “caso per caso” (case by case) interpretation to work with, instead of against, the surroundings. One of their well-known designs is the creation of the Torre Velasca in Milan, with strong references to medieval architecture. The architects were also frequently employed to create interior spaces altogether with furniture designs.   \u003cbr\u003e\u003cbr\u003ePlease note that the piece is in used condition with stains on the steel, fissures in the plastic elements and scratches. Restoration can be done before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece contains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized reupholstery is possible as well. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":50497199440215,"sku":"LU933144665472","price":4950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50113986_P_30.jpg?v=1745220811"},{"product_id":"dornach-school-anthroposophical-desk-in-birch-circa-1930","title":"Dornach School Anthroposophical Desk in Birch, circa 1930","description":"Dornach school desk, birch, Germany, 1930s\u003cbr\u003e\u003cbr\u003eThis elegant desk reflects the spiritual-functional design principles rooted in the Dornach School tradition of the 1930s. \u003cbr\u003eSoftly rounded edges, subtly arched base elements, and fluid, continuous surfaces replace conventional straight lines and symmetry, radiating a warm and dreamy presence. The proportions and curves of this design create a sense of calm and intention, not just serving as furniture but a supportive element in ones environment and life, resonating with the anthroposophical way of living. True to anthroposophical design principles, this piece avoids straight lines altogether, embracing asymmetry and mirroring the organic rhythms of nature.\u003cbr\u003e\u003cbr\u003eWhile the exact maker remains unconfirmed, the work bears a strong stylistic affinity to the designs of Siegfried Pütz (1907–1979), Felix Kayser (1892–1980), or Fritz Schuy (1891–1952), all prominent figures associated with the Dornach School. \u003cbr\u003e\u003cbr\u003eDornach school or Dornach design is a comprehensive exploration of anthroposophical furniture and interior design, spanning a century starting 1911. This term is closely associated with the Swiss town of Dornach, home to the Goetheanum, which is the world center for the anthroposophical movement founded by Rudolf Steiner. Dornach school focuses on handcrafted, sculptural furniture that integrates artistic expression with spiritual purpose. This approach has influenced various artists and designers, including Wharton Esherick, a pioneer of the American Studio Craft movement.\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51173657117015,"sku":null,"price":12700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117628_St_P_6.jpg?v=1752244967"},{"product_id":"studio-bbpr-for-olivetti-spazio-desk-with-return-1","title":"Studio BBPR for Olivetti 'Spazio' Desk with Return","description":"Studio BBPR for Olivetti, 'Spazio' desk with return, steel, vinyl, plastic, Italy, ca. 1960 \u003cbr\u003e\u003cbr\u003eThe 'Spazio' series was designed by Studio BBPR for Olivetti in 1960. It won the Compasso d'Oro Award in 1962. Today the desk of the 'Spazio' series is featured in MoMA permanent collection. The legs end in black circular feet. An original adjustable desk light accompanies the table and contributes to the striking, authentic appearance of the desk. Admirable patina contributes to the unique look of the item. \u003cbr\u003e\u003cbr\u003eBBPR was an architectural partnership founded in Milan in 1932 by Gianluigi Banfi (1910-1945), Lodovico Barbiano di Belgiojoso (1909-2004), Enrico Peressutti (1908-1976) and Ernesto Nathan Rogers (1909-1969). BBPR was thus an acronym formed from the first letters of their family names. The partnership was founded in opposition to Fascism and their purpose was to develop a style that had no references to contemporary politics. During the Second World War, they all joined the resistance. However, Rogers, a Jew, fled to Swiss and both Belgiojoso and Banfi were deported to the Mauthausen concentration camp, where Banfi died in 1945. After the war, the others returned to Milan and continued to spread their ideas further. Especially during the 1950s, they created many of their great projects. With their designs, they strongly reacted against the International style by enriching their buildings with medieval references. \u003cbr\u003e\u003cbr\u003eDimensions of the return: H 58.5 cm x W 79 x D 54 cm.\u003cbr\u003e\u003cbr\u003ePlease note that restoration is needed before shipping.\u003cbr\u003e ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51174037881175,"sku":null,"price":14400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50114963_P_25.jpg?v=1752245352"},{"product_id":"vittorio-introini-for-saporiti-rare-sculptural-desk-in-white-fiberglass-1","title":"Vittorio Introini for Saporiti Rare Sculptural Desk in White Fiberglass","description":"Vittorio Introini for Saporiti, free-standing desk, fiberglass, Italy, 1969\u003cbr\u003e\u003cbr\u003eThis admirable free-standing corner desk was designed by the Italian designer Vittorio Introini. Due to its all-white design and the distinct shapes, this desk has a strong sculptural look. The desk has two angled tabletops with a striking play of different layers and shadows, reminding of a landscape. Under the main part of the desk, four drawers with slightly angled fronts allow you to store your belongings. Rounded corners, the slightly tapered legs and the rare design, result in a playful character. The desk should be placed free-standing in a room, since it features wonderful details from all sides. Per example the open gap in the short side of the desk, adds a surprising moment to the piece. It really engages the viewer to admire the desk from all sides. \u003cbr\u003e\u003cbr\u003eDuring the 1960s, advances were made on using plastic as a material for furniture design. Thanks to styles such as the Pop-Art and the Space Age, more designers opted for this unusual material which gave them the possibility to produce a one-piece product. In Italy, injection-molding techniques found a lot of popularity to manufacture bright and colorful furniture. Especially injection-molded, glass fiber reinforced plastic was a newly common substance to achieve the funky, fun designs inspired by the Space Age. In this case, Introini also opted for the use of fiberglass to create a playful desk that uses the advantages of this new material. This desk was produced with a small number of items.\u003cbr\u003e\u003cbr\u003eVittorio Introini (born 1935) was an Italian Post-war designer. He started designing furniture around the 1960s, being mostly inspired to create international and antihistorical artworks. Moreover, the importance of spatiality and architectural elements is well represented in the work of Introini. These features are also visible in the desk. The designer’s ambition to create an international and avant-garde style was eventually possible when he was able to collaborate with Saporiti Company.\u003cbr\u003e\u003cbr\u003ePlease note that the depicted photographs of this chair shows the final result of what the items will look like after reupholstery. The price on offer is valid for this final result, including fabric and labor. The refinished item has a current lead-time of twelve to fourteen weeks and will be performed by our experienced craftspeople in our in-house restoration atelier. All to meet our high-quality and standards. For further questions please contact our design specialists regarding reupholstery and specific lead-time. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51338987602263,"sku":null,"price":29400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50114190_St_P_19.jpg?v=1753947597"},{"product_id":"guillerme-chambron-corner-desk-in-oak-and-black-stone","title":"Guillerme \u0026 Chambron Corner Desk in Oak and Black Stone","description":"Guillerme et Chambron for Votre Maison, corner writing desk, oak, stone, France, 1960s\u003cbr\u003e\u003cbr\u003eA design by Guillerme et Chambron, featuring a corner desk crafted primarily from oak. The desk's angular design features a L-shaped structure with two distinct surfaces and a pull-out leaf, providing ample space for various tasks. One side of the desk is elevated, intended for writing or reading, while the adjoining section supports three horizontally-aligned drawers, offering storage capacity for documents, office supplies, or other essential items. The compartment is paired with a black stone slab, providing a vivid contrast in materials. The presence of supporting beams beneath the larger surface reinforces the structural integrity of the desk and provides a striking geometric constellation.\u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design.\u003cbr\u003e\u003cbr\u003eKindly note that the piece is in good, patinated condition. For further details, we encourage you to reach out to our team of design specialists. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51233985167703,"sku":null,"price":21700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50117568_St_P_6.jpg?v=1752853202"},{"product_id":"studio-bbpr-for-olivetti-small-spazio-desk-with-drawers-1","title":"Studio BBPR for Olivetti Small 'Spazio' Desk with Drawers","description":"Studio BBPR for Olivetti, 'Spazio' desk with drawers, steel, vinyl, plastic, Italy, design 1959\/60, production 1960s \u003cbr\u003e\u003cbr\u003eIn 1954, Olivetti, the Italian office equipment manufacturer, hired BBPR to design their New York showroom on Fifth Avenue and to create their first series of office furniture, called Spazio (1959\/60). This line included chairs, shelving, cabinet systems, and desks, just like the one shown here. It won the Compasso d'Oro Award in 1962. The desk features an compartment of drawers at the left side under the table top. A deep burgundy red vinyl tabletop combines wonderfully with the metal base in green coated steel. The legs end in black circular feet. Admirable patina contributes to the unique look of the item. \u003cbr\u003e\u003cbr\u003eStudio B.B.P.R. was an Italian architectural partnership founded in Milan in 1932 by Gianluigi Banfi (1910-1945), Lodovico Barbiano di Belgiojoso (1909-2004), Enrico Peressutti (1908-1976) and Ernesto Nathan Rogers (1909-1969) who had studied at the Politecnico di Milano. B.B.P.R. was thus an acronym formed from the first letters of their family names. The architects found each other in their opposition to fascism in Italy in the 1930s and 1940s during Mussolini's autocratic regime. The architects therefore believed in developing a style that would have no references to contemporary politics. During the Second World War, they all joined the resistance. However, Rogers, a Jew, fled to Switzerland and both Belgiojoso and Banfi were deported to the Mauthausen concentration camp in Austria, where Banfi died in 1945. Despite the immense loss of Banfi, their architectural practice continued in the same name as before after the war. Especially during the 1950s, they created many of their great projects. With their designs, they strongly reacted against the International Style with its rectilinear forms and taut plane surfaces that have been completely stripped of applied ornamentation. Instead, the group enriched their buildings with medieval references. For B.B.P.R., their philosophy on art and architecture is somewhat between tradition and modernism; their use of post-beam structures and modular elements parallels with the constructive thinking of modern architects. However, as modernism rejects the existence of historical forms, B.B.P.R. reinterprets history's heritage and continues with respect for the work of their predecessors. Ernesto Nathan Rogers referred to it as “preesistenze ambientali” (the pre-existing environment) and adopt a “caso per caso” (case by case) interpretation to work with, instead of against, the surroundings. One of their well-known designs is the creation of the Torre Velasca in Milan, with strong references to medieval architecture. The architects were also frequently employed to create interior spaces altogether with furniture designs.   \u003cbr\u003e\u003cbr\u003ePlease note that this item is in used condition with some damages and signs of age and use, common for pieces this age. Restoration is possible before shipping by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. We kindly ask you to contact our design experts for further information about the endless possibilities our restoration and upholstery atelier has to offer. Of course, a locally organized restoration is possible as well.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51511452238167,"sku":null,"price":2200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50113842_St_P_7.jpg?v=1755593651"},{"product_id":"ernest-igl-hofmann-jet-corner-desk-in-polyurethane","title":"Ernest 'Igl' Hofmann 'Jet' Corner Desk in Polyurethane","description":"Ernest 'Igl' Hofmann for Wilhelm Werndl, corner desk, model 'Jet', polyurethane, Germany, 1970\/71\u003cbr\u003e\u003cbr\u003eErnest Hofmann, also known by his artist name 'Igl', recently gained an international audience for his design work. An orange-colored version of a similar model furnished the MIB headquarters in the movie Men in Black 3 (2012). In 2009, the US company Steelcase re-edited Hofmann's desk, the 'Igl-Jet', producing a limited edition of 1,970 pieces. When the desk was first made in 1970-71, Hofmann employed groundbreaking technology for his designs. His initial desk was one of the first to be made entirely out of plastic. The revolutionary concept and grand vision behind this corner desk are evident in its rounded corners, soft edges, and stunning shapes. A remarkable feature is the movable construction, making it possible to position it as one long item or as a corner desk. Two storage compartments with drawers allow the user to store its stationary. This sophisticated storage facility, along with details such as geometrically shaped drawers and round ornaments truly contribute to the unique design idea.\u003cbr\u003e\u003cbr\u003eIn 1969, a successful collaboration between German office furniture maker Werndl and Ernest Hofmann began. With the desks 'Igl-Top' and 'Igl-Jet', as well as a shelf, Hofmann secured an important role in office furniture design during 1970-1971. His designs were groundbreaking and only possible due to the use of a new material. Hofmann designed the first one-piece desk made entirely out of polyurethane. The material was liquid and poured into a mold, where two components reacted together to form a flat, hard surface. By using plastic, Hofmann was able to create a desk with unusual organic shapes and rounded corners.\u003cbr\u003e\u003cbr\u003eErnest Hofmann (1920-2001) – in 1954, he gave himself the artist name ‘Igl’ – was a multi talent. He, a designer, sculptor, illustrator, and inventor, designed everything from a harvester machine to office appliances, a microscope, and rubber boots. His oeuvre includes an impressive number of products used for all kinds of situations in life. Hofmann, born in Prague in 1920, studied graphic arts in his hometown, in Karlsbad and in Munich, where he and his wife settled. Hofmann firstly worked as an illustrator, graphic artist, and cartoonist for well-known schoolbook publishers. In 1962, they moved to Rosenheim, which marked the beginning of Hofmann’s more design orientated career. \u003cbr\u003e\u003cbr\u003eKindly be advised that the color palette of this item can be tailored to specific wishes of our clients. We kindly ask you to contact our design experts to discuss your wishes regarding finishing. Your special requests can be realized by the experienced craftspeople in our own in-house restoration and upholstery atelier. With high attention to the original, they make sure every piece retains its value and is ready for the many years to come. Please note that a custom-made desk has a lead-time of twelve to fourteen weeks. All to meet our high-quality and standards.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51754151805271,"sku":null,"price":22000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50113343_St_P_5.jpg?v=1758614174"},{"product_id":"rolf-thies-unique-free-standing-desk-in-cognac-leather-and-marble","title":"Rolf Thies Unique Free-Standing Desk in Cognac Leather and Marble","description":"Rolf Thies for Nordiska Kompaniet, free-standing custom-made writing or office desk, leather, marble, Sweden, circa 1965 \u003cbr\u003e\u003cbr\u003eThis refined desk was designed by Swedish architect Rolf Thies. Between 1963 and 1973, he oversaw the reconstruction and redesign of a company’s head office in Trelleborg, in southern Sweden – his first long-term project carried out with his own team. The commission extended beyond the architecture itself, as he was also responsible for the building’s interior design. Around 1965, this desk was produced as part of a custom office suite designed specifically for the company’s owner, and put in reality by Nordiska Kompaniet. Archival photographs show the desk positioned freely in the office space, complemented by a small drawer cabinet and paired with a high-backed chair upholstered in matching leather.\u003cbr\u003e\u003cbr\u003eThe construction of the desk is based on a striking U-shaped form, with the continuous leather surface flowing seamlessly from the wide tabletop down to the base and back up again, creating a sculptural loop. A single central support connects the desktop to the lower platform, emphasizing structural clarity and contributing to its architectural presence. Thies chose to cover the entire desk in rich cognac leather, which is tightly fitted to the curves and planes of the structure, accentuating its fluid silhouette and enhancing the sense of continuity. A long rectangular inlay of marble punctuates the tabletop, its vivid veins in tones of white and brown introducing a natural contrast to the uniform leather. Moreover, the desk integrates a compact set of drawers tucked neatly beneath the right-hand side of the top, offering discreet storage without disturbing the purity of the form. While rational in its functionality, the overall design leans towards the monumental, positioning the desk as a commanding centerpiece within the office. In this way, Thies fused his architectural training with his furniture design, achieving a piece that is at once utilitarian and emblematic of modernist ideals.\u003cbr\u003e\u003cbr\u003eRolf Rickard Thies (1927-2012), a German-born architect, began his studies at the University of Karlsruhe before relocating to Sweden in the mid-1950s. Drawn by Sweden’s strong embrace of modernist architecture – both in the construction industry and public opinion – he enrolled at the Royal Institute of Technology (KTH) in Stockholm to continue his education. After gaining experience in several architectural practices, Thies established his own office in 1960. Over the years, he worked on a wide range of projects, including public buildings, residential developments, private homes, interiors, and furniture design. Beyond his practice, he contributed actively to architectural discourse through articles and books, and in the 1970s his urban planning concepts brought him international recognition. In the later stages of his career, his focus shifted primarily to designing private houses and villas.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":51799595155799,"sku":null,"price":62500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50109625_St_P_3_c502c512-6488-4332-8e8b-6fda737f44ff.jpg?v=1759127874"},{"product_id":"unique-italian-double-desk-with-wall-shelf-in-walnut-with-marquetry-1","title":"Unique Italian Duo Desk in Walnut with Marquetry","description":"Double desk, walnut, Italy, 1950s\u003cbr\u003e\u003cbr\u003eThis custom-made desk, designed for two people, combines functionality with elegant craftsmanship. The L-shaped tabletop allows simultaneous use by two individuals, while its versatile storage options include drawers beneath and alongside the desk, as well as multiple open compartments for easy organization. The desk's fronts are adorned with wood inlays that feature various motifs, complemented by open shelves. This intricate marquetry not only serves as a decorative element but also reflects the high standards of the discerning client who commissioned the piece for her home in the city center of Padua in the 1950s. The lady of the house, who liked to sew, had specific requirements for the desk, which were meticulously fulfilled. The design, with its harmonious proportions, shapes, and exceptional craftsmanship, is reminiscent of the works of Gio Ponti.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52194741977431,"sku":null,"price":12700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50108997_2801_29_jpg.jpg?v=1763643414"},{"product_id":"osvaldo-borsani-for-tecno-t96-executive-corner-desk-in-black-lacquered-wood","title":"Osvaldo Borsani for Tecno ‘T96’ Executive Corner Desk in Black Lacquered Wood","description":"Osvaldo Borsani for Tecno, executive desk, model ‘T96’, lacquered wood, steel, chromed metal, Italy, design 1956, produced 1958 \u003cbr\u003e\u003cbr\u003eThis ‘T96’ executive desk is designed by Osvaldo Borsani in 1956 and produced by Tecno in 1958. The model was initially part of the coordinated furniture for the ENI building in San Donato Milanese. The original angled shape of the top was influenced by the hexagonal floor plan of the building, designed by Marcello Nizzoli and Mario Oliveri. The T96 desk's form was less rigid and more dynamic, making it appealing. Its swiveling drawer units made it an innovative model that met the growing needs of modern offices, prioritizing practicality, utility, and interaction over prestige. The tabletop resembles the shape of a boomerang and is supported by tripod legs. The drawer compartments are attached to the feet with a swivel function, allowing the user to change the position of the units. In addition, the cabinets can be interchanged. The black lacquered wood gives the desk its defining, distinctive look. Whatever perspective you take on it, every angle provides a different visual excitement, and, therefore, this desk can be placed freely in the room.\u003cbr\u003e\u003cbr\u003eThe desk has been completely restored by our experienced craftspeople in our own in-house restoration atelier. With high attention for the original, they make sure every piece retains its value and is ready for the many years to come. \u003cbr\u003e\u003cbr\u003eOsvaldo Borsani (1911-1985) was an Italian designer and architect, raised by a family of fine furniture makers in Varedo.  At the age of 16, he joined his father’s furniture shop, the Atelier di Varedo, which was fully engaged in designing and furnishing homes inspired by the Italian Art Deco movement. The designer of the atelier was the Italian architect Gino Maggioni (1898-1955) who was known for his Viennese Jugendstil orientation of the early 20th century. In the 1930s, he graduated from the Accademia di Belle Arti di Brera and Politecnico di Milano, where he studied Fine Arts and Architecture respectively. In 1932, the family company was renamed ‘Arredamenti Borsani’ and opened its first studio in Milan. During this period, he encountered Avant-Garde artists of various artistic disciplines like Lucio Fontana (1899-1968), Agenore Fabbri (1911-1998), Aligi Sassu (1912-2000), Roberto Crippa (1921-1972), Fausto Melotti (1901-1986), Arnaldo Pomodoro (1926-) and Giò Pomodoro (1930-2002). These collaborations resulted in the creation of furniture and interior design projects with a high-level of craftsmanship and artistry. In 1953, Borsani founded together with his twin brother Fulgenzio Borsani ‘Tecno’, a design and manufacturing company that produced items based on mechanical innovations and refined technicality. The ‘P40’ adjustable lounge chair (1953) has become the ideological manifesto of Borsani's Tecno program, and still remains the best known, exemplary piece in the Tecno catalogue. Other iconic works that were produced by Tecno were created by Gio Ponti (1891-1979), Vico Magistretti (1920-2006), Carlo de Carli (1910-1999), Gae Aulenti (1927-2012), and many other influential Italian designers. Osvaldo Borsani died in 1985 in Milan. His diverse and sophisticated oeuvre is to be found in permanent collections, such as of the Museum of Modern Art (MoMA) in New York, the Victoria \u0026amp; Albert Museum in London, Neue Sammlung in Munich, the Centre Pompidou in Paris, and the Trienalle di Milano Museum. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52214535061847,"sku":null,"price":18700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50111171_St_P_4_7987077e-550e-429e-8f0f-80b1f34dd9c4.jpg?v=1763982796"},{"product_id":"1940s-italian-writing-desk-in-ash-and-brass-2","title":"1940s Italian Writing Desk in Ash and Brass","description":"Writing desk, ash, brass, Italy, 1940s\u003cbr\u003e\u003cbr\u003eMade in Italy, this writing desk is a testament to the design ethos prevalent in the 1940s and 1950s. The office table bears witness to the designer's excellent taste for form and distinctive usage of materials. It holds a natural expression due to the wood's properties characterized by beautiful grains and warm tone. Noteworthy element are the handles that stand out due to their pronounced rounded shape. Made from rectangular-shaped planks, the outer body of this piece is marked by a striking layout of horizontal lines. The tapered legs with brass tops add elegance and grace to the piece. Beyond its aesthetic appeal, its functionality is enhanced by ample storage capacity, featuring six smaller drawers and one larger drawer to accommodate stationery. All in all, this Italian design is defined by precise scaling and harmonious interplay of various structural elements executed in the finest materials.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52246630695255,"sku":null,"price":9800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50114715_St_P_3.jpg?v=1787585796"},{"product_id":"elegant-italian-small-desk-in-ash","title":"Elegant Italian Small Desk in Ash","description":"Writing desk, ash, brass, formica, Italy, 1950s\u003cbr\u003e\u003cbr\u003eVery elegant desk made in Italy in the 1950s. The framework is executed in ash. The upper part of this piece is made from ash veneer, and the top is inlayed with a very practical material: formica. The desk has one drawer underneath the table top, which contains a very sophisticated brass handle for opening and closing the drawer. The legs of this desk are tapered, and the two back legs have a support beam in-between. The desk is a good fit for a smaller apartment or space. Since we have a larger number of these tables in stock, making a larger working area suitable for more people is also possible with these very beautiful desks. \u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition with some signs of age and use, including wear along the drawer and scratches on the top. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52398417183063,"sku":null,"price":1675.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50112619_St_P_7_23cf3d2d-41f3-4885-81b7-5c3ac7fe8939.jpg?v=1766406871"},{"product_id":"george-nakashima-double-pedestal-desk-with-live-edge-top","title":"George Nakashima Double Pedestal Desk with Live-Edge Top","description":"George Nakashima for George Nakashima Studio, Double Pedestal Free-Edge writing desk, American black walnut, United States, 1969\u003cbr\u003e\u003cbr\u003eYou have encountered a truly outstanding example of George Nakashima’s Double Pedestal desk design. Made custom for a private client in 1969, it exemplifies his signature style, which blends nature and design, evident in the raw beauty of the wood juxtaposed against the clean, modern lines of the desk's base. This piece stands out for its free-edge top crafted from American black walnut, highlighting the natural contours and texture of the wood. \u003cbr\u003e\u003cbr\u003eThe table is supported by a pair of pedestals which incorporate a set of drawers with beautiful recessed handles. The base is formed by wooden slats intersecting perpendicularly to create a cross-shaped support. The joinery techniques used in the desk are meticulously executed, displaying fine craftsmanship and attention to detail. This early and rare desk by Nakashima Studio dates back to 1969. One drawer was adjusted at a later date. The desk comes with a copy of the original order card issued by the Nakashima Foundation. Nakashima succeeded in creating a durable piece of furniture with a timeless aesthetic and impeccable quality made possible by his close relationship with nature.   \u003cbr\u003e\u003cbr\u003eBiography\u003cbr\u003e\u003cbr\u003eGeorge Nakashima (1905-1990) was a well-known woodworker, architect and furniture designer from Japanese descendants. He was born in Spokane, Washington and enrolled in the University of Washington program in architecture. After his graduation in 1931, he decided to live his life as a bohemian in France. Afterwards, he spent some time in North Africa and eventually settled in Japan for some time. There, he started working for Antonin Raymond, who was an American architect. While working for Raymond, Nakashima extensively toured Japan while trying to understand the Japanese architecture and design. Around 1940, Nakashima decided to leave Japan and returned to the US. However, like many others with a Japanese ancestry, he was interned during World War Two and sent to Camp Minidoka in Idaho. There, Nakashima met a master woodcarver who tutored him in Japanese crafting techniques. From him, he learned to master traditional Japanese hand tools and joinery techniques. From here onwards, he began to use woodworking with discipline and patience, striving towards perfection in his designs. In 1943, he was released from the camp and invited by Antonin Raymond to live in his farm in New Hope, Pennsylvania. During this period, New Hope formed the home port for many great designers such as Phillip Lloyd Powell and Paul Evans. Nakashima was a very spiritual and philosophical designer. The basis of Nakashima's work was derived from his practice of integral yoga. Therefore, primary goal of Nakashima's work was to live in harmony with nature rather than to destroy it for their own use. Above all, Nakashima wanted to embody a message to all modern societies that we must constantly remember the eternal in all that we do. He often said of his own work that he gave trees a second life. His designs are known for their exquisite craftsmanship and are often 'signed' with dovetails and butterfly connections. With these ideas in mind, Nakashima created his own style based on Japanese designs and shop practices, combined with the American and International Modern Styles. Therefore, he became one of the best 20th century American Art furniture designers. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52527224422743,"sku":null,"price":127000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118078_St_P_15_dd1ce645-bc3d-4697-b115-c8fee664241a.jpg?v=1768230488"},{"product_id":"warren-platner-writing-desk-in-oak-with-black-leather-top","title":"Warren Platner Writing Desk in Oak with Black Leather Top","description":"Warren Platner for Knoll International, writing desk from the Executive Collection, leather, chromed metal, oak, United States, design 1973, production 1974-1980. \u003cbr\u003e\u003cbr\u003eIn 1973, Warren Platner designed a collection of executive office furniture for one of his clients, Mortgage Guarantee Investment Corporation in Milwaukee, Wisconsin. Massive in its scale and elegant in its use of leather and chrome, the system made a dramatic executive office statement. \u003cbr\u003e\u003cbr\u003eThis heavy, sturdy desk is designed by the American modernist Warren Platner. He is most known for his airy metal, sculptural lounge chairs. The three materials chromed metal, black leather and blonde oak wood combine beautifully in color and texture. The chromed metal T-shaped base brings a well open balanced feel to its overall design. \u003cbr\u003e\u003cbr\u003eWarren Platner (1919-2006) was originally trained as an architect and studied at Cornell University. Although Platner made notable architectural contributions throughout his career, it was his furniture collection for Knoll that earned Platner worldwide renown. Originally introduced by Knoll in 1966, the Platner collection is an icon of modern furniture. In his early years Platner worked for the architect Eero Saarinen. Platner is famous for his refined and theatrical designs, and he did not shy away for color. \u003cbr\u003e\u003cbr\u003eKnoll International was founded in New York by the 26-year-old German Hans Knoll (1914-1955) in 1938. Hans' father, Walter Knoll was a true modernist and furniture manufacturer who had a reputation for quality. When Hans Knoll died at a young age his wife Florence Knoll took over and under her influence the company flourished and created its best designs. She designed and led the company where she cooperated with talented designers such as Eero Saarinen, Ludwig Mies van der Rohe, Richard Schultz and Harry Bertoia.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52398445953367,"sku":null,"price":3850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45014717_St_P_3.jpg?v=1766408059"},{"product_id":"rare-jorgen-magnussen-for-peder-pedersen-dining-table","title":"Rare Jørgen Magnussen for Peder Pedersen Dining Table","description":"Jørgen Magnussen for Peder Pedersen, rare dining table, oak, obeche, lacquered iron, Denmark, circa 1957\u003cbr\u003e\u003cbr\u003eA presumably unique dining table (ca. 1957), designed by Jørgen Magnussen, and crafted by the acclaimed Peder Pedersen studio, is a distinguished example of Scandinavian modernism. Magnussen's design exemplifies the postwar Scandinavian pursuit of democratic design; pieces that were accessible, practical, and aesthetically enduring. This piece originally belonged to Jørgen Magnussen’s personal home, where it was accompanied by other furniture sharing the same unmistakable style. \u003cbr\u003e\u003cbr\u003eThe dining table is characterized by a restrained geometric composition and a synthesis of organic and industrial materials. The tabletop, rendered in warm-toned wood with a linear grain pattern, is rectangular with subtly beveled edges, expressing a sense of precision and refined craftsmanship. The planar surface is supported by a base of lacquered iron, composed of slender legs interconnected by a horizontal stretcher, contributing to structural stability while maintaining a visual lightness.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePP Møbler is a highly respected Danish furniture manufacturer, celebrated for its exceptional craftsmanship and dedication to quality. Established in 1953 by brothers Ejnar and Lars Peder Pedersen, the company started as a small 150 m² workshop in Allerød, Denmark. Over the decades, it has expanded significantly, now operating from an 1800 m² facility while staying true to its original location.\u003cbr\u003e\u003cbr\u003eFrom the beginning, PP Møbler collaborated with influential designers and artisans, including Finn Juhl and Hans J. Wegner. One of their early contributions was crafting the lower frame for Wegner's famous \"Teddy Bear Chair\" for A.P. Stolen. \u003cbr\u003e\u003cbr\u003eAt the heart of PP Møbler’s philosophy is an unwavering commitment to superior craftsmanship. A well-known story illustrates this dedication: when Wegner once suggested that the hidden parts of a chair didn’t require the same level of precision, Ejnar Pedersen insisted that every detail, seen or unseen, should be crafted to perfection: both to honor the artisans' skill and uphold the company’s high standards.\u003cbr\u003e\u003cbr\u003eToday, under the leadership of the third generation, PP Møbler continues to produce both classic and modern designs, seamlessly blending traditional woodworking techniques with contemporary technology. Their legacy remains deeply rooted in Danish design, ensuring their pieces endure for generations to come.\u003cbr\u003e\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52396858048855,"sku":null,"price":8450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116754_P_61_jpg.jpg?v=1766394867"},{"product_id":"peter-lovig-nielsen-for-hedensted-mobelfabrik-boomerang-desk-in-teak-3","title":"Peter Lovig Nielsen for Hedensted Mobelfabrik 'Boomerang' Desk in Teak","description":"Peter Løvig Nielsen for Hedensted Møbelfabrik, desk model 'Boomerang', teak, brass, Denmark, 1960s.\u003cbr\u003e\u003cbr\u003eBeautifully formed teak writing desk designed by Peter Løvig Nielsen and produced by Hedensted Møbelfabrik. A boomerang shaped table top with raised edges, three drawers in the front side and a cabinet and open space in the backside, perfect for exhibiting one's own items like a statue or curiosity.\u003cbr\u003e\u003cbr\u003eKindly take note that the piece is in good, used condition with signs of age and use. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52444961603927,"sku":null,"price":6450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50112007_St_P_1.jpg?v=1767377026"},{"product_id":"franco-albini-for-knoll-albini-desk","title":"Franco Albini for Knoll 'Albini' Desk","description":"Franco Albini for Knoll International, 'Albini' desk, lacquered ash, glass, chromed steel, United States, design 1928, later production\u003cbr\u003e\u003cbr\u003eFranco Albini’s desk is defined by a restrained use of glass, metal, and wood, creating a sense of clarity and precision. Rather than relying on decoration, the design emphasizes structural honesty and material expression, reflecting Albini’s belief that form should emerge naturally from function and construction.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFranco Albini\u003cbr\u003e\u003cbr\u003eBorn on October 17, 1905, in Robbiate (Como), Franco Albini grew up in the picturesque landscape of Brianza. His early years, spent in the family’s countryside home, nurtured his appreciation for nature and its harmonious forms. Later, when his family relocated to Milan, Albini pursued his passion for architecture at the Polytechnic University of Milan, earning his degree in 1929. His career began in the studios of Gio Ponti and Emilio Lancia, where he was initially influenced by the 20th-century classical approach to furniture design. That same year, he traveled to Barcelona for the International Exhibition and then to Paris, where he is believed to have visited Le Corbusier’s atelier.  \u003cbr\u003e\u003cbr\u003eAlbini’s early work focused on interior design, but a pivotal moment in his career came after a discussion with Edoardo Persico, a key figure in Italian Rationalism. This conversation marked his transition toward modernist principles, leading him to join the editorial team of Casabella, a crucial platform for architectural debate and experimentation. Influenced by the European avant-garde, Albini integrated elements from the Wiener Werkstätte, French Art Deco, and De Stijl, enriching the Italian discourse on rationalist architecture. \u003cbr\u003e\u003cbr\u003eIn 1931, he established his first studio with Renato Camus and Giancarlo Palanti, focusing on social housing and urban planning. His projects often reflected the clarity and structure championed by Walter Gropius, with a preference for linear, factory-inspired buildings arranged in precise geometric grids. This approach sought to introduce air, light, and green spaces into urban environments, countering the chaotic expansion of the city. His first personal residence, the Pestarini Villa (1938) in Milan, showcased these ideals and was featured prominently in Casabella under the editorial direction of Giuseppe Pagano. \u003cbr\u003e\u003cbr\u003e  \u003cbr\u003e\u003cbr\u003eThroughout the 1930s, Albini designed numerous installations for the Milan Triennale and trade fairs, using these temporary structures to explore innovative ideas. His work often featured Cartesian spaces arranged in geometric grids, skeletal metal frameworks, and transparent walls of glass or fabric, as seen in the INA Pavilions at the Milan Trade Fair and the Levante Fair in Bari. These projects allowed him to experiment with spatial organization and materials in ways that would later influence his permanent architectural works. \u003cbr\u003e\u003cbr\u003eAfter World War II, Albini’s career expanded significantly as Italy embarked on reconstruction. His practice grew in scope, particularly with the addition of Franca Helg as a partner in 1952, a collaboration that would last for the rest of his career. Albini’s architectural contributions were diverse. This included social housing, such as the Mangiagalli neighborhood in Milan (1950-1952), together with Ignazio Gardella, and the employees housing for the Gres company in Colognola, Bergamo (1954-1956). Albini also worked on high-profile commissions, where furniture pieces such as the Poltroncina Adriana (1940), the Luisa armchair (1955), and the Tre Pezzi armchair (1959), became integral elements of the interiors. \u003cbr\u003e\u003cbr\u003eIn 1962, the Albini-Helg studio expanded with the inclusion of Antonio Piva, followed by Marco Albini in 1965, evolving into the Studio di Architettura Franco Albini, Franca Helg, Antonio Piva, Marco Albini. This period marked a deepening engagement with urban planning and infrastructure, as well as continued refinement of his architectural philosophy. \u003cbr\u003e\u003cbr\u003eBeyond his built work and furniture design, Albini was deeply committed to education. From 1954 to 1974, he taught Composition and Architecture at institutions including the Polytechnic University of Turin, the IUAV in Venice, and later the Polytechnic University of Milan. His teaching style was characterized by intellectual rigor, emphasizing clarity in design choices and the ethical responsibility of architecture. He mentored many students who went on to become prominent architects. Albini believed that architecture should serve not only a functional purpose but also carry cultural and intellectual significance. This philosophy shaped both his work and his teachings, ensuring his influence endured long after his passing. Franco Albini died in Milan on November 1, 1977, but his legacy as a visionary architect, designer, and educator continues to inspire modern architectural thought. \u003cbr\u003e\u003cbr\u003eKnoll International\u003cbr\u003e\u003cbr\u003eKnoll International was founded in New York by the 26 year old German Hans Knoll (1914-1955) in 1938. Hans' father, Walter Knoll was a true modernist and furniture manufacturer who had a reputation for quality. When Hans Knoll died at a young age his wife Florence Knoll took over and under her influence the company flourished and created its best designs. She designed and led the company where she cooperated with talented designers such as Eero Saarinen, Ludwig Mies van der Rohe, Richard Schultz and Harry Bertoia.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":52616294662487,"sku":null,"price":4400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/45001454_17.jpg?v=1769186859"},{"product_id":"rare-carved-desk-in-solid-oak-by-breton-artist-jacques-philippe","title":"Rare Carved Desk in Solid Oak by Breton Artist Jacques Philippe","description":"Jacques Philippe, desk, solid oak, France, late 1920s\u003cbr\u003e\u003cbr\u003eDesigned by the French Breton sculptor and cabinetmaker Jacques Philippe (1896-1958), this desk from the late 1920s is a testament to exquisite craftsmanship and profound artistry. The piece can be interpreted within the context of the Seiz Breur art movement, which draws significant influence from the Arts and Crafts movement. Philippe is represented in the collections of the Musée de Bretagne in Rennes, where the original black-and-white photographic documentation of the desk are preserved. His study of Celtology finds direct expression in the design, which exhibits pronounced Celtic characteristics.\u003cbr\u003e\u003cbr\u003eThe corpus is robustly constructed from solid oak and characterized by arched supports, incorporating a drawer on each side. The exterior is adorned with relief carvings of interlacing curved lines, evocative of traditional Celtic motifs. The desk’s ornamental composition, material selection, and woodworking techniques collectively exemplify the distinctive qualities for which Jacques Philippe is celebrated.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53060663509335,"sku":null,"price":27500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118526_St_P_4.jpg?v=1774008343"},{"product_id":"ernst-kuhn-for-normina-1930s-danish-executive-desk-with-tambour-doors","title":"Ernst Kühn for Normina 1930s Danish Executive Desk with Tambour Doors","description":"Attributed to Ernst Kühn for Normina A\/S, executive desk, mahogany, leather, brass, Denmark, 1930s\u003cbr\u003e\u003cbr\u003eAttributed to the Danish designer, architect, and cabinetmaker Ernst Johan Charles Kühn, this free-standing desk constitutes a refined example of early twentieth-century Danish craftsmanship, likely executed by the esteemed cabinetmaking firm Normina A\/S. The piece demonstrates a highly sophisticated command of material, proportion, and form, reflecting the emerging modernist sensibilities characteristic of the 1930s, when traditional cabinetmaking techniques were reinterpreted through a modernist lens.\u003cbr\u003e\u003cbr\u003eThe desk is constructed in richly figured mahogany and the overall form is distinguished by its pronounced curvature: the body is conceived as a continuous, flowing volume with softly rounded edges and meticulously contoured surfaces. These transitions are executed with exceptional precision, evidencing a high level of technical mastery. \u003cbr\u003eFunctionally, the desk is organized with bilateral symmetry, each pedestal containing five drawers fitted with classical brass handles and integrated locks. The generously scaled desktop features an inset writing surface in patinated cognac leather. \u003cbr\u003e\u003cbr\u003eEqually notable is the reverse side, which incorporates a tambour-fronted storage compartment. The tambour doors composed of finely articulated slats slide smoothly to reveal an interior fitted with adjustable shelving. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53061929501015,"sku":null,"price":58000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118613_St_P_11.jpg?v=1774010056"},{"product_id":"guillerme-chambron-writing-desk-in-solid-oak-and-black-leather","title":"Guillerme \u0026 Chambron Writing Desk in Solid Oak and Black Leather","description":"Guillerme et Chambron for Votre Maison, writing desk, oak, leather, France, 1960s.\u003cbr\u003e\u003cbr\u003eThis desk is designed by the renowned French duo Guillerme et Chambron. This design holds an utterly well-balanced construction supported by the characteristic aesthetic language of the designers. The wooden frame is executed in solid oak and showcases angular shapes and lines. The top of the desk is executed in black leather, which adds a luxurious and bold allure to the whole unit. On the right, a compartment with three drawers is added to store one's stationary. \u003cbr\u003e\u003cbr\u003eThe French designer duo Jacques Chambron (1914-2001) and Robert Guillerme (1913-1990) started their production postwar. Robert Guillerme studied design and architecture at the École Boule and graduated first in his class in 1934. Meanwhile, Jacques Chambron graduated from the School of Applied Arts in Reims. During the Second World War, the two met in a stalag, a Prussian prisoner camp, while being imprisoned by the Germans in East Prussia and started a great friendship based on their intense and deep passion for interior design. In 1948, Chambron resigned from his job as a painter and decorator on the Rue Nollet in Paris to move to Lille, in the North of France and join Guillerme. A year later, the two met cabinetmaker Émile Dariosecq, who was the owner of a workshop close by. It was during this meeting, that they decided to create their own company. They named it “Votre Maison”, meaning “Your Home”, which became the soul of the company. With this, they wanted to create pieces that focused on functionality combined with a beautiful design useful for daily life, by which they created a worldwide reputation. Most of the furniture designed by this duo shows a strong character and has a great expressive woodwork. The three of them divided their work equally. Overall, Guillerme worked as a designer, Chambron as a commercial, and Dariosecq’s workshop manufactured the pieces. Throughout their career, ‘Votre Maison’ produced over two thousand models, leaving a lasting mark in the world of design.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53499558494551,"sku":null,"price":9400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118860_St_P_5.jpg?v=1778252274"},{"product_id":"elegant-italian-small-desk-in-ash-and-walnut","title":"Elegant Italian Small Desk in Ash and Walnut","description":"Writing desk, ash, walnut, brass, formica, Italy, 1950s\u003cbr\u003e\u003cbr\u003eVery elegant desk made in Italy in the 1950s. The framework is executed in walnut. The upper part of this piece is made from ash veneer, and the top is inlayed with a very practical material: formica. The desk has one drawer underneath the table top, which contains a very sophisticated brass handle for opening and closing the drawer. The legs of this desk are tapered, and the two back legs have a support beam in-between. The desk is a good fit for a smaller apartment or space. \u003cbr\u003e\u003cbr\u003ePlease note that this item is in good, used condition.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53569039401303,"sku":null,"price":1675.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50112624_P_21.jpg?v=1778856508"},{"product_id":"finn-juhl-rare-desk-for-bovirke-in-teak-2","title":"Finn Juhl Rare Desk for Bovirke in Teak","description":"Finn Juhl for Bovirke, desk, model ‘BO 69’, teak, metal, brass, Denmark, design ca. 1953, made late 1950s\u003cbr\u003e\u003cbr\u003eFinn Juhl conceived this rare version of the desk model ‘BO 69’ in the late 1950s. Bovirke first produced a model after a design by Juhl in 1953. This was a teak version with four polychrome painted wood drawers. This specific desk is likely a custom piece, designed especially for the office. It is an exquisite version executed in teak with two split brass handles: a very typical Juhl design trademark. The desk also features two drop-down leaves, which Juhl placed on a slim base executed in metal and highlighted with wooden feet. The drawers in teak are adjusted with a gap towards the top so that the table keeps its light, floating appearance. \u003cbr\u003e\u003cbr\u003eFinn Juhl (1912-1989), born in Denmark, planned on becoming an art historian when he was young. His father however decided it would be a better career move if he went to become an architect. After his architecture degree Juhl worked for ten years with Vilhelm Lauritzen. At the age of 33 Finn Juhl opened his own furniture design practice. In the 1940s he designed a number of creations that regenerated Danish furniture design, and broke with the established furniture tradition. Juhl is known as the one of the most important pioneers of Danish design. He was in fact the first Danish furniture designer to gain widespread international recognition. His work was vital to spreading the “Danish Modern” concept around the world. His designs are re-known for being exquisitely elegant, refined up until the smallest detail and extremely well executed. \u003cbr\u003e\u003cbr\u003eThe width of the piece without the extra leafs on the sides in use is 140 cm \/ 55.12 in. \u003cbr\u003e\u003cbr\u003eKindly take note that the table is in good, used condition. The top contains a visible stain. For further details, we encourage you to reach out to our team of design specialists.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53716422361431,"sku":null,"price":38500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50109721_St_P_12.jpg?v=1780671939"},{"product_id":"1930s-italian-art-deco-monumental-executive-desk-in-walnut-burl","title":"1930s Italian Art Deco Monumental Executive Desk in Walnut Burl","description":"Free-standing writing desk, walnut burl, Italy, 1930s \u003cbr\u003e\u003cbr\u003eItalian Art Deco at its finest. This freestanding executive desk pairs a refined geometric composition with a striking use of walnut burl. Rather than relying on applied ornament, the designer allows the richly figured wood to become the focal point of the design.\u003cbr\u003e\u003cbr\u003eThe warm, bookmatched veneer creates a kaleidoscopic effect across the surface, with mirrored grain patterns that feel almost organic in their symmetry and movement. Highly prized at the time, burl woods were often reserved for the interiors of affluent homes. The desk’s rectilinear top is balanced by rounded pedestal supports, creating a sophisticated interplay of forms. The result is a design that feels both disciplined and expressive, showcasing the elegance of Italian Art Deco at its best.\u003cbr\u003e","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53835457331543,"sku":null,"price":35400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118926_St_P_1_e534193e-738d-413f-a83f-3f117c9910c7.jpg?v=1781882668"},{"product_id":"peter-hvidt-and-orla-molgaard-nielsen-desk-in-solid-teak-1","title":"Peter Hvidt and Orla Mølgaard Nielsen Desk in Solid Teak","description":"Peter Hvidt and Orla Mølgaard-Nielsen, desk model 310, solid teak, Denmark, 1950s.\u003cbr\u003e\u003cbr\u003eStunning desk designed by Peter Hvidt and Orla Mølgaard-Nielsen. It truly holds the quintessential essence of Danish design with its understated and clear appearance. This desk features some surprising elements, such as the elegant wood structure holding the teak frame together. Both sides of the desk are equipped with a drawer to create ample storage space. This writing table is completely executed in teak and beautifully finished on all sides. Therefore it can be placed freely in the room.\u003cbr\u003e\u003cbr\u003eDanish designer duo Peter Hvidt (1916-1986) and Orla Mølgaard-Nielsen (1907-1993) worked together between 1944-1975. The couple, originally trained as architects, designed around 250 furniture objects. The first dismountable chair has been designed by the couple, that created an enormous boost for the Danish furniture export. In 1950, their best-known design, the AX-chair went into production by Fritz Hansen. The implementation of double bent laminated wood, a technique normally used to produce tennis rackets, was a huge breakthrough for the upscaling of furniture production as it reduces the average production time. Thanks to this revolutionary technique, Denmark became the leader in Modern furniture manufacturing.  ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53985884733783,"sku":null,"price":15400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50114368_St_P_2.jpg?v=1783679000"},{"product_id":"ernesto-valabrega-for-vittorio-valabrega-art-deco-desk-in-cerused-oak","title":"Ernesto Valabrega for Vittorio Valabrega Art Deco Desk in Cerused Oak","description":"Ernesto Valabrega for Vittorio Valabrega Studio, executive desk, oak, cerused oak, brass, Italy, 1930s\u003cbr\u003e\u003cbr\u003eThis stunning desk, designed by Ernesto Valabrega in Italy in the 1930s, carries nearly a century of history. Crafted from oak with select elements in a cerused finish, this piece exudes warmth and richness. Its sculpted legs and elegant lattice base add distinctive character, creating a striking visual presence. With three drawers seamlessly integrated into the design, this piece is both functional and a true statement in craftsmanship and vision. This wonderful design reflects its age, as it is full of character and personality. The timeworn details that enhance its authentic appearance are captivating and make this piece so very special. \u003cbr\u003e\u003cbr\u003eItalian designer Ernesto Valabrega (1901-1944) was born in Turin, as the son of celebrated designer and cabinetmaker Vittorio Valabrega (1861-1952).  \u003cbr\u003e\u003cbr\u003eHis father Vittorio was, together with his brother, the founder of Fratelli Valabrega (Valabrega Brothers Company, since 1884) that was situated in Turin. During the 1890s, Vittorio became the sole owner of the company and had great success with his refined wooden furniture. Vittorio Valabrega became well-known for his furniture in the floral Art Nouveau style, but as a true child of the 19th century, his company also manufactured furniture in Neo-Renaissance and the French Rococo Louis XV-style. His designs received positive attention and were awarded at World Exhibitions. At the famous exhibition in Paris in 1900, Vittorio even received a gold medal. \u003cbr\u003e\u003cbr\u003eIt was at the age of 24 that Ernesto got on board with his father’s business. His involvement from 1925 onwards had a great impact on the company. Ernesto decided to change the company’s name to Mobilart in 1928 and radically redirected the course. Whereas Vittorio was inspired by a variety of contemporary and historic styles, Ernesto chose for a different approach. He renounced the 19th century mixture of styles and approached furniture design in the same manner as the highly influential William Morris of the English Arts and Crafts movement. Their reform was an artistic reaction to the widespread industrialization of the 19th century.  \u003cbr\u003e\u003cbr\u003eErnesto despised products of poor quality and chose high quality materials that would last a lifetime. The furniture he created in the late 1920s and 1930s are a true testament to his beliefs. With his irregular carvings of oakwood, the hammered hinges, flowing edges, embossed surfaces his furniture shows quality, attention to detail and ultimate craftsmanship. \u003cbr\u003e\u003cbr\u003eKindly note that this item is in good, used condition. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":53986079211863,"sku":null,"price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50119030_St_P_1_e81cab81-87c9-4e24-a5a2-176bdcef8620.jpg?v=1784020414"},{"product_id":"architectural-desk-or-table-in-solid-wenge-wood","title":"Architectural Desk or Table in Solid Wengé Wood","description":"Table or desk, solid wengé wood, Europe, 1970s\u003cbr\u003e\u003cbr\u003eA beautifully restrained European modernist desk or table, dating from the 1970s and executed in richly figured wengé wood. Its straightforward construction consists of a substantial rectangular top supported by two broad panel legs, giving the piece a solid and well-balanced appearance.\u003cbr\u003e\u003cbr\u003ePractical and versatile, the piece can serve as a writing desk, compact dining table or console. Its sober proportions and clean architectural lines make it particularly suitable for both modern and traditional interiors.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":54117012701527,"sku":null,"price":3750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/490006445_St_P_2.jpg?v=1784906880"},{"product_id":"nanna-jorgen-ditzel-for-poul-kold-savvaerk-writing-desk-in-wenge","title":"Nanna \u0026 Jørgen Ditzel for Poul Kold Savvaerk Writing Desk in Wenge","description":"Nanna and Jørgen Ditzel for Poul Kold Savvaerk, writing desk, model ‘135’, wenge, Denmark, design 1958\u003cbr\u003e\u003cbr\u003eThe model 135 writing desk, designed by Nanna and Jørgen Ditzel in 1958 for Poul Kold Savværk and produced during the 1960s, is a beautiful example of Danish modern furniture design. Executed in wenge, the desk combines a warm, expressive wood grain with a restrained and highly functional form.\u003cbr\u003e\u003cbr\u003eIts shape is defined by a long rectangular desktop supported by two suspended drawer units, one on each side. These storage compartments are visually integrated into the structure, creating a balanced and symmetrical composition while leaving the central area open and spacious. Each drawer unit contains three drawers with sculpted wooden handles, adding a subtle handcrafted detail to the otherwise clean geometry.\u003cbr\u003e\u003cbr\u003eNanna Ditzel (1923-2005) was a Danish furniture designer and architect known for her innovative and iconic designs. Her work revolutionized modern furniture by blending functionality with elegant and organic forms. With an avant-garde approach, Ditzel challenged traditional norms and created pieces that embodied both comfort and aesthetics. Her contributions to the design world continue to inspire many, leaving an indelible mark on contemporary furniture design. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":54804833632599,"sku":null,"price":16400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50114092_St_P_5.jpg?v=1787928951"},{"product_id":"italian-mid-century-modern-1950s-sculptural-writing-desk-in-mahogany","title":"Italian Mid-Century Modern 1950s Sculptural Writing Desk in Mahogany","description":"Writing desk, mahogany, glass, Italy, 1950s\u003cbr\u003e\u003cbr\u003eThis exceptional Italian desk from the 1950s embodies the sophistication and expressive freedom that defined the finest mid-century design. Crafted in richly figured mahogany and surmounted by a transparent glass top, the piece combines exceptional cabinetmaking with a distinctly sculptural sensibility. \u003cbr\u003e\u003cbr\u003eThe desk strongly recalls the work of Ico and Luisa Parisi in the way it transforms traditional cabinetmaking into something far more fluid, expressive and sculptural. Their furniture of the late 1940s and 1950s often moved beyond straightforward functional construction, favoring elegant, animated lines, tapered supports and an almost calligraphic handling of wood. The framework of this desk has a similar quality: long, sweeping members curve across the width of the desk, crossing and converging towards the centre before extending outward again in a fluid, continuous movement. Their profiles subtly taper and swell, creating a compelling rhythm of line and negative space. Rather than concealing the construction, the transparent top allows the eye to follow the beautifully shaped structure in its entirety. Equally distinctive are the beautifully curled drawer fronts. \u003cbr\u003e\u003cbr\u003eThis expressive treatment of the mahogany reveals the hand of an accomplished craftsman. The transitions between the individual elements are remarkably fluid, with carefully resolved junctions and softly worked surfaces that allow the structure to read as a unified sculptural form.","brand":"Morentz","offers":[{"title":"Default Title","offer_id":54804867350871,"sku":null,"price":28700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50118799_St_P_6.jpg?v=1787929473"},{"product_id":"italian-mid-century-modern-desk-in-walnut-with-floating-glass-top","title":"Italian Mid-Century Modern Desk in Walnut with Floating Glass Top","description":"Desk in the manner of Melchiorre Bega, glass, walnut, Italy, 1950s \u003cbr\u003e\u003cbr\u003eThis elegant piece of furniture is made in Italy in the 1950s. The stylistic elements and overall design distinctly showcase the refined craftsmanship and aesthetic of esteemed Italian designers, particularly reminiscent of the work of Melchiorre Bega. Crafted from fine walnut wood in a striking light shade, this desk radiates sophistication and refinement. The floating effect of the glass top enhances its sense of lightness, while the clean lines and striking geometry give the desk a strong graphic presence. The meticulously balanced proportions and gracefully sculpted legs give this desk a dynamic and harmonious presence. As a true gem of 20th-century design, it effortlessly commands attention, making a striking center piece that enhances any interior. ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":54879502565719,"sku":null,"price":12700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50116729_P_50_jpg_30c8b4ad-2b6a-4b60-8ddb-cba88c8d392a.jpg?v=1788532419"},{"product_id":"paolo-buffa-for-galdino-maspero-writing-desk-in-walnut-3","title":"Paolo Buffa for Galdino Maspero Writing Desk in Walnut","description":"Paolo Buffa for Galdino Maspero, writing desk, walnut, Italy, first half of the 1940s\u003cbr\u003e\u003cbr\u003eThis writing desk, designed by Paolo Buffa and meticulously crafted by Galdino Maspero in the first half of the 1940s, is a powerful example of the designer’s skill to merge rural warmth with modernist clarity. The shape is compact yet stately, defined by a confident verticality and softened geometry. The rigidness of the rectangular top is softened by rounded corners, resting on four turned, tapering legs that splay just slightly to lend the piece grace. The most visually distinctive feature is the use of grissinato carvings. Parallel ridges run vertically across the entire facade and wrap around the sides and drawer fronts. \u003cbr\u003e\u003cbr\u003eAltogether, the shape of this desk is one of refined restraint, and unmistakably Italian in spirit.\u003cbr\u003e\u003cbr\u003eBiography\u003cbr\u003e\u003cbr\u003ePaolo Buffa (born 1903, Milan – died 1970, Milan), a distinguished figure in the world of Italian furniture design and architecture, graced the scene with his unmistakable style for a span of almost fifty years. Buffa’s artistic repertoire is notably distinguished by his expert fusion of neoclassical and sleek Art Deco formal elements. Crafted with finesse and elegance, Buffa’s premium-quality pieces were fashioned from refined materials, with the explicit purpose of furnishing the homes of a discerning and affluent clientele. These furniture creations were tailored to meet the demands of individuals who were inclined towards contemporary aesthetics, functionalism, and comfort. Buffa’s creative repertoire extended beyond furniture design to architecture, and he undertook an array of commissions that spanned public buildings, as well as villas and country homes.   \u003cbr\u003e\u003cbr\u003ePaolo Buffa’s formative years were spent amidst an artistic milieu, having been born to Giovanni Buffa, a renowned draftsman of ex- ceptional talent. Giovanni Buffa shared ownership of a highly pros- perous workshop dedicated to the creation of exquisite stained glass artistry. Among his notable works are the stained glass windows of the illustrious Duomo di Milano, a historic cathedral located in Milan. Such a creative household fostered an environ- ment of artistic excellence, which undoubtedly played a crucial role in shaping Paolo Buffa’s artistic sensibilities.   \u003cbr\u003e\u003cbr\u003eBuffa’s artistic training commenced at the prestigious Accademia di Belle Arti di Brera, and he eventually obtained his degree from the Politecnico  \u003cbr\u003e\u003cbr\u003edi Milano in 1927. After gaining experience working in his father’s studio, Buffa went on to work as an apprentice at the Ponti e Lancia studio, which was jointly owned by the celebrated architects Gio Ponti (1891- 1979) and Emilio Lancia (1890-1973). This experience proved to be a significant turning point in Buffa’s career, as he drew inspiration from Lombard Neoclassicism and was exposed to the ideas and concepts of some of the most prominent architects of the region. He assimilated these teachings and employed them in his own work, which was characterized by a fusion of traditional Lombard woodworking techniques and modern design aesthetics.   \u003cbr\u003e\u003cbr\u003eIn 1928, Paolo Buffa founded his own design studio in Milan in partner- ship with architect Antonio Cassi Ramelli (1905-1980). Here, they pro- duced an extensive collection of furniture designs that drew inspiration from the classical revival style, albeit with a softened touch. In 1936, Buffa branched out on his own to establish an independent studio. He made a name for himself by showcasing his work at exhibitions, including the prestigious Triennale di Milano. Buffa’s furnishings were numerous and varied, but always tailored to the specific needs and desires of his discerning clients. Each piece was crafted to perfection by highly skilled artisans, such as cabinetmakers Turri Mosè, Fratelli Lietti, Quarti, Serafino Arrighi, Colico, and Angelo Marelli. Buffa’s passion for design persisted throughout his life, and he remained actively engaged in the field until his death in 1970.       ","brand":"Morentz","offers":[{"title":"Default Title","offer_id":55231423152471,"sku":null,"price":39500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0289\/5187\/1548\/files\/50119000_St_P_12.jpg?v=1791144529"}],"url":"https:\/\/www.morentz.com\/collections\/desks-and-writing-tables.oembed","provider":"Morentz","version":"1.0","type":"link"}